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A Tibetan thangka of Bodhisattva Samantabhadra, one of the Shakyamuni triad of Mahayana Buddhism (together with Gautama Buddha and Manjushri). In this fine example of thangka art, He is depicted in a dynamic stance upon the back of a fair elephant, a mythical creature of the Buddhist heavens. A dhoti of powdery blue silk and sashes of pale gold float about the figure of Samantabhadra. His face is

Albert Williams pretty floral painting

An art form that unites Indians across the subcontinent is Rangoli. Beautiful geometric, natural, and stylistic patterns are drawn in the courtyard of households, signifying the celebration of a festival or auspicious occasion. Two young girls are seen immersed in the process of making a rangoli while their mother oversees the task, standing at the threshold of their house. From the black stone ma

Buddha on blue fullx

The story of young Krishna was first told more than 2000 years ago. Originally recited by bards from memory, it was later composed in the Sanskrit poem, the Harivamsa. The sun-like baby Krishna, Vishnu come to earth, was the delight of Vraja. Born of this earth, reared in the soil of Vraja, yielding to the temptations of this world, indulgent, inimitable, lovable in his pranks, ever guilty, yet re

Kubera, the God of wealth according to Buddhism is also known as Vaishravana. He is considered as a guardian king of the north direction and of Mount Sumeru that is believed to be the center of the universe. In this thangka Lord Kubera, the God of wealth is seated in a royal posture. He has a golden yellow complexion and plump torso decked with gold ornaments. He wears a five-pronged crown that sy

watercolor-painting-illustration-transprent-heart

The ashtabhujadhari Lord Ganesha, the one possessed of (‘dhari’) eight (‘ashta’) arms (‘bhuja’), stands on His short, chubby child’s legs. His adorable elephant head is turned sideways, revealing the lateral profile of His face to view. But for the gold predominating this Tanjore painting, it is a bitone composition in pale pink (the complexion of His form) and scarlet (the solid-col

Sarah Bernhardt Painting

The Buddha is the fountainhead of inspiration for spiritual artisans across the subcontinent. His meditating figure is to be found in abundance in the art made across its length and breadth. The bhumisparsha mudra is by far the most popular of the mudras chosen by artisans. In Sanskrit, 'bhumi' means 'earth' and 'sparsha', 'touch' - it is the mudra assumed b

The irresistibly beautiful Lakshmi is seated on a blooming pink lotus. She is clad in a scarlet-colored saree, densely embroidered with gold. With streams of emeralds and rubies about Her, every curve - neck and hip and wrists - the wife of Vishnu is the most sumptuously dressed Devi of the Hindu pantheon, as depicted in this Thanjavur painting. This is because She is the presiding deity over plen

Devi Gayatri is a deity of complex origins. Mother of the Vedas (the Vedamata), She is the personification of the all-important Gayatri mantra. However, according to the Skanda Purana, She is the wife of Brahma and a roopa of Sarasvati. And according to Shaivite texts, Mahagaytri is the wife of Sadashiva. The painting of Gayatri that you see on this page depicts a fair, five-headed Devi. She is se

The lovely Devi Meenakshi is captured in the sumptuous Tanjore medium. For the devotees of Madurai’s guardian deity, such a painting would be a valuable addition to the home or office space. It depicts the Parvati-Roopa Devi standing with a soft-bellied lotus beneath Her feet. Garlands of fresh flowers of varied colors are around Her neck and Her shoulders, and over the archway of Her temple ent

Upon a throne of bejeweled gold, upholstered in blue and purple velvet, sits the gorgeous Devi Lakshmi Watercolor Painting. Her legs are in lalitasana, the signature stance in Indian iconography; and lotuses in Her posterior hands, symbols of wealth and plenty in Her anterior ones. The richly colored silks and ample jewels that clothe Her convey the divine glamour of the wife of Lord Vishnu. The p

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An image of tender devotion. Lord Hanuman kneels on one knee upon the earth and gathers His hands in the supplicatory namaskaaram. His tail flourishes behind Him as He raises His head towards His beloved Lord Rama, His eyes brimming with the bhakti in His heart. Bhakti, or unconditional love, is the yogamaarga (‘maarga’ is Sanskrit for path) of Hanuman, an accomplished yogi of the finest order

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A glowing Ramadurbar Tanjore painting for your home or office walls. The haloed Lord Rama is at the very centre of the canvas. His smooth dusky skin sets off the glittering silken amber of His dhoti. To His left is the beauteous Devi Seeta, the brave daughter of King Janaka who never of Her own will left Her husband’s side, even during vanavasa. On the right side of the Lord is Lakshmana, br

Buddhism was first very important solely among the people of Tibet, but it gradually increased in popularity all over the world. Gautama Buddha, the first Buddha to achieve enlightenment, founded it. Tibet worships Buddha as a supernatural being rather than a deity and his teachings are a significant source of positivity and harmony among his followers. Buddha mudras and postures are examples of s

Lord Gautama Buddha is believed to be the sole founder of Buddhism and his teachings are entirely concerned towards defining a path free of worldly pleasures and liberating sentient beings from suffering. The bliss that you perceive as you look at the face of this Buddha sculpture makes you feel in heaven; the superfine carvings of his sharp nose, the satisfactory smiling curve of the lips

Lord Buddha is the embodiment of peace, compassion, and happiness. The variation in the iconography of Buddha statues reflects through various hand gestures and sitting postures. In this idol, Buddha’s right hand is in Vitarka Mudra representing him in the state when he is transmitting teachings to the disciples while his left hand holds a begging bowl for alms. Exotic India presents a brass sta

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In Tibetan Buddhism, Chemchok Heruka is most notably known to be the focal divinity in the Fifty-eight Wrathful Deities mandala where he is the furious aspect of Samantabhadra. These 58 deities are said to be wrathful deities one can meet in death and rebirth. He is also known as the Mahottara Heruka. Meanwhile, in the Guhyagarbha Tantra, he is the main deity among the herukas of the Eight Command

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