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Indian contemporary art mainly focuses on portraits. In this oil painting, the artist captures a middle-aged woman decorating herself. The woman is illustrated with a porcelain complexion, with her lovely countenance being etched with small almond eyes, a wide Nubian nose, and watermelon pink lips that complement her deep philtrum and her harmonizing nail paint. Her crimson red bindiya contrasts h

The storm outside the bottle is an oil painting by artist Anup Gomay whose central motif could be interpreted as hope. Artist may have taken the inspiration from the British adverb 'Storm In a Teacup', which slightly matches the title of the painting. It is an English adverb that means a small event that has been exaggerated out of proportion. Such is the subject and portrayal of the pai

A glowing Ramadurbar Tanjore painting for your home or office walls. The haloed Lord Rama is at the very centre of the canvas. His smooth dusky skin sets off the glittering silken amber of His dhoti. To His left is the beauteous Devi Seeta, the brave daughter of King Janaka who never of Her own will left Her husband’s side, even during vanavasa. On the right side of the Lord is Lakshmana, br

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The story of young Krishna was first told more than 2000 years ago. Originally recited by bards from memory, it was later composed in the Sanskrit poem, the Harivamsa. The sun-like baby Krishna, Vishnu come to earth, was the delight of Vraja. Born of this earth, reared in the soil of Vraja, yielding to the temptations of this world, indulgent, inimitable, lovable in his pranks, ever guilty, yet re

This brilliant painting, oil on canvas, as large as four by six feet, rendered in modern art style but with a mythical theme, represents the ten-armed Devi – Goddess, killing the buffalo demon Mahisha, better known as Mahishasura. The goddess is attended on her right by goddess Lakshmi carrying a lotus in her right hand, and a pot of gems, in her left, and on her left, by goddess Saraswati carry

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A simple, time-tested image of the seated Shakyamuni. The epithet Shakyamuni refers to the rulership (‘muni’) of the Buddha’s family over the Shakya clan. It is a traditional thangka made with age-old painting techniques (acrylics, gouache) set off by subtle metallic infusions in pure 24K gold. Everything about this thangka is in keeping with the traditional iconography of the Buddha. Legs g

Ushnishavijaya is one of the three gods of longevity and fulfillment of desire. The other three are Amitayus and White Tara. She is often depicted with eight arms and three heads. Her main face is white while another face is peaceful in gold, the face to her left is blue in a wrathful look. In this thangka, she sits on a moon disk on top of a multi-colored lotus within a stupa or a mound. Stupas a

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Goddess Durga is a main diety in Hindu Religion. She is associated with protection, strength, motherhood, destruction, and wars. Her legend centers around combating evils and demonic forces that threaten peace, prosperity, and Dharma the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed and entails destruction to empower c

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Upon a throne of bejeweled gold, upholstered in blue and purple velvet, sits the gorgeous Devi Lakshmi Watercolor Painting. Her legs are in lalitasana, the signature stance in Indian iconography; and lotuses in Her posterior hands, symbols of wealth and plenty in Her anterior ones. The richly colored silks and ample jewels that clothe Her convey the divine glamour of the wife of Lord Vishnu. The p

Recognised as a Geographical indication by the Government of India, there is much to the Tanjore painting that sets it apart from other classical art forms. On this page, you see a Gajalakshmi Tanjore painting (Gajalakshmi is the name given to the iconography of Devi Lakshmi that features the presence of the gaja or elephant). The serene features, the luscious colours notwithstanding, the most str

The merciless Durga brings the great Mahishasura to His knees. Her simhavahana (lion-mount) has him between its teeth, while the dashabhujadharini (the one possessed of ten arms) push Him down with Her feet and drives the spear end of Her trishoola (trident) into Him. Helplessly, the proud Mahishasura looks up at the feminine victor. The work of art that you see on this page is a pattachitra of th

Georges Charles Robin French Post Impressionist Painting 1950

This exquisite painting displays Krishna’s childhood pastime in the traditional Tanjore style. The precision with which it has been made and the use of vibrant colors makes it appealing and breathtaking. Lord Krishna being the Supreme Lord, appeared just like an ordinary child in Vrindavan but His naughty and uncommon activities were always astonishing for all the inhabitants of Vraja including

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She lacks neither beauty nor wealth. A powerful woman, not quite past her prime, sits with her legs crossed on a seat of red velvet and brocade cushions. She directs her gaze straight ahead of her, with all the confidence of the eldest bahuraani (daughter-in-law) in the absence of her mother-in-law. She is probably blessed with the love of more than one son in addition to her husband’s. In this

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Amoghasiddhi is one of the five spiritual vectors of the Buddha’s divine personality (tathagata). He is the Buddha of perfect practice leading up to consummate accomplishment or ‘siddhi’ (‘amogha’ stands for that which goes not in vain). The thangka that you see on this page depicts Amoghasiddhi in the seated-contemplative stance of padmasana, complemented by the mudras of His hands. Thi

Kailash Raj works his magic again as he pictures a vibrant and prominent drawing that is marvelously filled with watercolors worth leaving a deep mark on your soul. The illustrated princess is appareled in a baggy silk gharara pant that is colored in thick vertical stripes of bright sandstone orange and moss green color with a printed banarsi design on its lower end, coupled with the same colored