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Godhead of Hindu trinity deities and the most popular incarnation of Lord Vishnu- Lord Krishna or Murlimanohar is the leader, hero, protector, teacher, and a friend of all. He is the ruler, not only of religion and philosophy, but also mysticism, literature, and all aspects of Indian folklore. Here he stands on a flourishing carved multilayered leveled-up inverted lotus in his run-of-the-mill cros
Godhead of Hindu trinity deities and the most popular incarnation of Lord Vishnu- Lord Krishna or Mu
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Lord Hanuman is known to be a popular symbol of strength and selfless devotee of Lord Rama in Hinduism. It is said that he is the only God who is still present on Earth in various forms as per Sita’s blessing of being there for his devotees forever. The sculptor has kept up to the key characteristics of Lord Hanuman of devotion, courage, and self-discipline while carving out this sculpture, as c
Lord Hanuman is known to be a popular symbol of strength and selfless devotee of Lord Rama in Hindui
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Maryada Purushottam Rama has been the 18th incarnation of Lord Vishnu. When Rama returned to Ayodhya with Sita, Lakshaman, and his foremost Sevak-bhakt Hanuman after killing Ravana & affecting his 14yr-Vanwas, his Rajyabhishek was solemnized and crowned as the Maharaja of Ayodhya. These mesmerising Shri Rama Durbar brass statues of Sri Ram – Lakshman- Janki & Bhakt Hanuman Statue are in
Maryada Purushottam Rama has been the 18th incarnation of Lord Vishnu. When Rama returned to Ayodhya
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The tale of Pancamukha Hanuman from Ramayana tells of the monkey god’s battle with the King of Patala, Ahiravana, and his five celestial lamps. Hidden within the flames of these lamps, diverging away in five different directions, lay the soul of the daitya king. To kill Ahiravana the flames all needed to be extinguished at the same time. Lord Hanuman spouted five faces, each with a distinct pers
The tale of Pancamukha Hanuman from Ramayana tells of the monkey god’s battle with the King of Pat
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As the cowherd youth recently arrived in Vrindavan, the effect Krishna had on the hearts of the cows and the milkmaids alike is known and sung about to this day. And it was not just His youth and handsomeness and the charm of His demeanor that brought Vrindavan thus to life. His way with the flute is the stuff of legends. In fact, myth has it that His music drew the simple-hearted to Himself l
As the cowherd youth recently arrived in Vrindavan, the effect Krishna had on the hearts of the cows
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Exceptionally ornate cast in brass, as lustrous and worked with as fine details as an image cast in gold: the same minuteness and precision as defining a piece at a goldsmith’s workshop, the statue represents Lord Krishna playing fully absorbed on his flute. Hearing the melody a cow is drawn to him and stands supporting him from behind. Halebid in the country’s southern part had a highly ornat
Exceptionally ornate cast in brass, as lustrous and worked with as fine details as an image cast in
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Son of Shiva, warrior and protector and upholder of dharma. The all-powerful shodashabhujadhari (sixteen-armed) Roopa (form) of Lord Ganesha is quite the rarity. The panchaloha medium, a bronze made of five (‘pancha’) iron-based (‘loha’) alloys, and the traditional madhuchista vidhana or lost-wax make, add to the value of this Ganesha murti as a work of art. Lord Ganesha Bronze Statue stan
Son of Shiva, warrior and protector and upholder of dharma. The all-powerful shodashabhujadhari (six
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Lord Shiva, the auspicious one, is one of the principal deities of Hinduism and is also known as Mahadeva or the Supreme God. He is known for his attributes of being benign, the Beneficient, and the Lord and God. He possesses greater powers than most Hindu Gods and has incredible endurance and remarkable speed due to the increased reflexes from his four arms and can even manipulate power but not a
Lord Shiva, the auspicious one, is one of the principal deities of Hinduism and is also known as Mah
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With his legendary flute in hand, the Supreme Lord Krishna stands cast in bronze, his graceful pose with his legs crossed acting as a hallmark to the elaborate carvings of the Hoysala architecture. In the form of Venugopal, Lord Krishna becomes the protector of cows and the owner of the flute Venu. His face is at utter peace and serenity as he plays his flute, harmonious notes pleasing to the ears
With his legendary flute in hand, the Supreme Lord Krishna stands cast in bronze, his graceful pose
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This youthful, valiant posture of Ganesha, the epitome of achievement and self-mastery, sits in Utkutakasana pose on a throne having a rectangular brick-like base with two white mice carved on it, facing opposite directions, holding a laddoo and a long back curved at the top, orange in color, bordered with thick gold color. The chaturbhuja Ganesha holds laddoos (his favorite sweet) and radish, as
This youthful, valiant posture of Ganesha, the epitome of achievement and self-mastery, sits in Utku
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This three feet tall gold-like glittering brass statue, a highly accomplished example of the art of metal casting, represents Krishna in flute-playing Tribhanga three-curved form. As if overwhelmed by the melody pouring from his flute a phenomenon that ears fail to experience but whose sweet fragrance the eyes savor, the entire image appears to burst into a divine rapture. The smile, which his cut
This three feet tall gold-like glittering brass statue, a highly accomplished example of the art of
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Nataraja is the most popular representation of the Hindu God Shiva. In Sanskrit, Nata means dance and raja means Lord. Shiva therefore is the 'King of Dancers'. To understand the concept of Nataraja we have to understand the idea of dance itself. Like yoga, dance induces trance, ecstasy and the experience of the divine. In India consequently, dance has flourished side by side with the te
Nataraja is the most popular representation of the Hindu God Shiva. In Sanskrit, Nata means dance an
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Lord Ganapati is hailed as the chief of the celestial hosts and his various prayers recorded in Vedic texts invoke him as the Law of the laws, Seer of the seers, and Principal of the principals. This tiger eye sculpture of Ganesha is an entirely unique artifact to decorate your surroundings in the beauty of its creativity and the dazzling effect it reflects on being exposed to bright light. The go
Lord Ganapati is hailed as the chief of the celestial hosts and his various prayers recorded in Vedi
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Balaji is considered Lord Vishnu's Kaliyug Avatar. Lord Tirupati Balaji is believed to be so powerful that mere sight of the idol is enough to emancipate a man from a lifetime of suffering. Lord Venkateshwara Statue is a full four-armed representation of Vishnu. But only two are visible from the front. Lord Balaji is shown having a U shaped tilak on his forehead which is the signature style t
Balaji is considered Lord Vishnu's Kaliyug Avatar. Lord Tirupati Balaji is believed to be so po
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India’s rich spirituality begins with Lord Ganesha; softens the karma and guides dharma. Ganesha reigns over our beginnings, our changes, earthly decisions and problems. This wonderful Hindu deity is the one closest to the material plane of consciousness, most easily contacted and most able to assist us in our day-to-day life and concerns. The superfine carvings of this brass sculpture form a re
India’s rich spirituality begins with Lord Ganesha; softens the karma and guides dharma. Ganesha r
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The urdhvatandava stance of the dancing Shiva is immortalised in the ancient Thillai Nataraja temple in Cidambaram. The murti that you see on this page depicts the Nataraja in this stance: the right leg is raised high behind the spine, such that the sole of the foot almost touches the back of His crown. Sculpted from pure brass, the dancing figure is balanced on the toes of the left foot. The Lord
The urdhvatandava stance of the dancing Shiva is immortalised in the ancient Thillai Nataraja temple
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The panchamukha-roopa is common to many deities in the Hindu pantheon. The word ‘panchamukha’ is a portmanteau of ‘pancha’, which means five, and ‘mukha’, which means face. The murti that you see on this page is of the Panchamukha Vinayaka (another name for Ganesha). Each of the five faces stands for the yogic koshas or layers of existence. It is a murti of Vengai wood, derived from a
The panchamukha-roopa is common to many deities in the Hindu pantheon. The word ‘panchamukha’ is
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Beneath a Kirtimukham prabhavali (aureole), stands the gentle Lord Ganesha. The superb proportions of Kirtimukham contrast sharply with the chubby child’s form of the standing Ganesha idol. So does the diametric variation in the expressions - the former is a paragon of all-consuming ferocity, while the latter is widely worshipped for its childlike gentleness. The Lord Ganesha statue that you see
Beneath a Kirtimukham prabhavali (aureole), stands the gentle Lord Ganesha. The superb proportions o
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The irresistibly beautiful Lakshmi is seated on a blooming pink lotus. She is clad in a scarlet-colored saree, densely embroidered with gold. With streams of emeralds and rubies about Her, every curve - neck and hip and wrists - the wife of Vishnu is the most sumptuously dressed Devi of the Hindu pantheon, as depicted in this Thanjavur painting. This is because She is the presiding deity over plen
The irresistibly beautiful Lakshmi is seated on a blooming pink lotus. She is clad in a scarlet-colo
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Over the years, Buddhist-Tantric traditions have incorporated numerous elements of Hinduism. Its deities are no exception: they have varied iconographies in different, predominantly Buddhist countries. The murti that you see on this page is of the Japanese Devi Durga. She is known as Butsu-Mo or Koti-Sri and is worshipped as a wrathful protectoress. The Japanese Durga is seated in padmasana on a l
Over the years, Buddhist-Tantric traditions have incorporated numerous elements of Hinduism. Its dei
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Balaji is considered Lord Vishnu's Kaliyug Avatar. Lord Tirupati Balaji is believed to be so powerful that mere sight of the idol is enough to emancipate a man from a lifetime of suffering. Lord Venkateshwara is a full four-armed representation of Vishnu. But only two are visible from the front. Lord Balaji is shown having a U-shaped tilak on his forehead which is the signature style to descr
Balaji is considered Lord Vishnu's Kaliyug Avatar. Lord Tirupati Balaji is believed to be so po
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An embossed square-shaped panel depicting Devi Sarasvati. Nestled upon the belly of a gigantic lotus bloom, She floats about on the bosom of the steadily flowing Ganges. She is playing on Her veena, which She cradles in Her anterior arms (in Her posterior hands, the chaturbhujadharini holds a rosary and a pothi or manuscript). The implements in Sarasvati’s hands convey Her status as the presidin
An embossed square-shaped panel depicting Devi Sarasvati. Nestled upon the belly of a gigantic lotus
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The lovely Devi Meenakshi is captured in the sumptuous Tanjore medium. For the devotees of Madurai’s guardian deity, such a painting would be a valuable addition to the home or office space. It depicts the Parvati-Roopa Devi standing with a soft-bellied lotus beneath Her feet. Garlands of fresh flowers of varied colors are around Her neck and Her shoulders, and over the archway of Her temple ent
The lovely Devi Meenakshi is captured in the sumptuous Tanjore medium. For the devotees of Maduraiâ€
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Devi Gayatri is a deity of complex origins. Mother of the Vedas (the Vedamata), She is the personification of the all-important Gayatri mantra. However, according to the Skanda Purana, She is the wife of Brahma and a roopa of Sarasvati. And according to Shaivite texts, Mahagaytri is the wife of Sadashiva. The painting of Gayatri that you see on this page depicts a fair, five-headed Devi. She is se
Devi Gayatri is a deity of complex origins. Mother of the Vedas (the Vedamata), She is the personifi
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The art-loving Hoysala dynasty of Karnataka was responsible for building a number of temples between the 10th the 14th centuries. They lent their name to a timeless standard of architecture, iconography, and aesthetics, a fine example of which could be seen on this page. It is a murti of Lord Vishnu with His wives, Bhudevi and Shridevi. The tall, slender form. The proportions between limb and crow
The art-loving Hoysala dynasty of Karnataka was responsible for building a number of temples between
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