Rendered in Marwar idiom of Rajasthani art style, pursuing the theme, style and everything of an early nineteenth century miniature from Jodhpur, in its exactness except the painting’s size and the background colour of the circle in the centre containing the figures of Radha and Krishna, the painting portrays a grieving Radha for Krishna’s failure to reach there despite the promise he had made

Black marble- the lustrous dark stone is undoubtedly one of the most beautiful materials used in the making of idols of Hindu gods and goddesses. Its sturdiness and mysterious shine bring the residents of the heavens to the simple abode of us humans. Though suitable for all kinds of statues and images, the manner in which black marble is used in this enchanting Sri Krishna idol is mesmerizing. Res

In Hinduism, Religion Rasaleela is an interesting phenomenon. It refers to the ihalokiya (earthly) conduct - ‘leela’ - of the Vishnu-avatara Krishna. The word ‘rasa’ translates to aesthetics. As such, ‘rasaleela’ refers to the aesthetic depiction of Krishnaleela. The painting that you see on this page is of the image that first occurs to the mind when a devotee hears the word rasaleela

A portrayal that is simple. Almost basic. Downright rustic. The Radha-Krishna iconography captures the imagination of devotees and artisans alike, to which the twin sculpture that you see on this page is no exception. Fashioned from brass and finished with a serrated texture, this would make for an unusual yet tasteful addition to your space. The handsome lovers are in bliss in each other’s comp

Murals distinguish the folk art of Kerala. A fine tradition to be found in the temples and palaces dotting the Malabar Coast, the earliest examples are to be found in Tirunandikkara and Tiruvanchikulam, dated from the ninth to the twelfth centuries. The one you see on this page is a contemporary specimen of this ancient means of art, and conforms to the post-fifteenth century style of Kerala mural