This exquisite painting displays Krishna’s childhood pastime in the traditional Tanjore style. The precision with which it has been made and the use of vibrant colors makes it appealing and breathtaking. Lord Krishna being the Supreme Lord, appeared just like an ordinary child in Vrindavan but His naughty and uncommon activities were always astonishing for all the inhabitants of Vraja including

This three feet tall gold-like glittering brass statue, a highly accomplished example of the art of metal casting, represents Krishna in flute-playing Tribhanga three-curved form. As if overwhelmed by the melody pouring from his flute a phenomenon that ears fail to experience but whose sweet fragrance the eyes savor, the entire image appears to burst into a divine rapture. The smile, which his cut

The Kalinga Nardhana Krishna is the quintessential image of the triumph of dharma over adharma. When the wicked serpent, Kalinga or Kaliya, had made a home for itself in the Yamuna and none of the inhabitants of Braj could access its beauty and nourishment due to his presence, it was the great Lord Krishna who acted as savior. In a brutal battle between the divine and the serpentine, the conqueror

In Hinduism, Religion Rasaleela is an interesting phenomenon. It refers to the ihalokiya (earthly) conduct - ‘leela’ - of the Vishnu-avatara Krishna. The word ‘rasa’ translates to aesthetics. As such, ‘rasaleela’ refers to the aesthetic depiction of Krishnaleela. The painting that you see on this page is of the image that first occurs to the mind when a devotee hears the word rasaleela

Black marble- the lustrous dark stone is undoubtedly one of the most beautiful materials used in the making of idols of Hindu gods and goddesses. Its sturdiness and mysterious shine bring the residents of the heavens to the simple abode of us humans. Though suitable for all kinds of statues and images, the manner in which black marble is used in this enchanting Sri Krishna idol is mesmerizing. Res

Lord Krishna is as handsome as Lord Gopala, His Baala-Roopa (infant form), is adorable. Since His arrival in Vrindavan from Mathura, He had won the hearts of the local mothers and maidens alike. The murti that you see on this page captures Him in the signature tribhanga stance and, as such, is a visual narrative that explains the amorous aspect of His leela (divine conduct). Muralidhara Krishna