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Description Rendered in Marwar idiom of Rajasthani art style, pursuing the theme, style and everything of an early nineteenth century miniature from Jodhpur, in its exactness except the painting’s size and the background colour of the circle in the centre containing the figures of Radha and Krishna, the painting portrays a grieving Radha for Krishna’s failure to reach there despite the promise he had made her, and Krishna disguised as a Gopi standing before her. Radha had brought with her lotuses for Krishna but the same now lie on the ground. She is unable to raise her head and dispel her disappointment which further aggravates when she thinks how for him she had adorned herself like a bride and had come so far in the night. The full large moon and the colourful nature around make her more miserable. The night is advancing and she does not know if he would join her or she shall have to pass the night in this grove of trees all alone save a few compassionate cows as eagerly awaiting Krishna’s arrival.
Description Rendered in Marwar idiom of Rajasthani art style, pursuing the theme, style and everything of an early nineteenth century miniature from Jodhpur, in its exactness except the painting’s size and the background colour of the circle in the centre containing the figures of Radha and Krishna, the painting portrays a grieving Radha for Krishna’s failure to reach there despite the promise he had made her, and Krishna disguised as a Gopi standing before her. Radha had brought with her lotuses for Krishna but the same now lie on the ground. She is unable to raise her head and dispel her disappointment which further aggravates when she thinks how for him she had adorned herself like a bride and had come so far in the night. The full large moon and the colourful nature around make her more miserable. The night is advancing and she does not know if he would join her or she shall have to pass the night in this grove of trees all alone save a few compassionate cows as eagerly awaiting Krishna’s arrival.
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