Of all the different layers of concentration expounded in the yogasootras, it is the seeded kind that is aided by visualisation imagery. By seeded, Maharshi Patanjali meant the state of the mind that still contains the singular remnant of a dying impression (sanskara). The abstract oil painting that you see on this page is a visualisation aid designed to propel the mind of the yogi towards seeded

An art form that unites Indians across the subcontinent is Rangoli. Beautiful geometric, natural, and stylistic patterns are drawn in the courtyard of households, signifying the celebration of a festival or auspicious occasion. Two young girls are seen immersed in the process of making a rangoli while their mother oversees the task, standing at the threshold of their house. From the black stone ma

Kubera is a god-king in Hindu mythology. He is a semi-divine Lord of Wealth among the yakshas or nature spirits in the Hindu tradition. As a part of the Lokapalas, he protects the world and is the governor of the North. These Lokapalas are Guardians of the Directions involving the cardinal ways (north, east, south, and west). In Buddhism, Kubera is called Vaishravana. As evident in this thangka, K

Rendered in Marwar idiom of Rajasthani art style, pursuing the theme, style and everything of an early nineteenth century miniature from Jodhpur, in its exactness except the painting’s size and the background colour of the circle in the centre containing the figures of Radha and Krishna, the painting portrays a grieving Radha for Krishna’s failure to reach there despite the promise he had made

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A Tibetan thangka of Bodhisattva Samantabhadra, one of the Shakyamuni triad of Mahayana Buddhism (together with Gautama Buddha and Manjushri). In this fine example of thangka art, He is depicted in a dynamic stance upon the back of a fair elephant, a mythical creature of the Buddhist heavens. A dhoti of powdery blue silk and sashes of pale gold float about the figure of Samantabhadra. His face is

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Classic beautiful view of Venice Italy as painted in 1697

Goddess Durga is a main diety in Hindu Religion. She is associated with protection, strength, motherhood, destruction, and wars. Her legend centers around combating evils and demonic forces that threaten peace, prosperity, and Dharma the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed and entails destruction to empower c

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The storm outside the bottle is an oil painting by artist Anup Gomay whose central motif could be interpreted as hope. Artist may have taken the inspiration from the British adverb 'Storm In a Teacup', which slightly matches the title of the painting. It is an English adverb that means a small event that has been exaggerated out of proportion. Such is the subject and portrayal of the pai

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A painting of the ethereal goddess Green Tara on a strip of soft, lace-like fabric. She is the queen of the Buddhist heavens as She sits on the belly of a pale-colored lotus bloom, Her long, slender legs gathered in Her characteristic bhadrasana. The right foot in Green Tara thangka paintings is usually poised discretely as could be seen in this traditional Tibetan thangka painting. The back of He

Kubera, the God of wealth according to Buddhism is also known as Vaishravana. He is considered as a guardian king of the north direction and of Mount Sumeru that is believed to be the center of the universe. In this thangka Lord Kubera, the God of wealth is seated in a royal posture. He has a golden yellow complexion and plump torso decked with gold ornaments. He wears a five-pronged crown that sy

This large size miniature, a contemporary work of art rendered in late Mughal art style of around 1740-50 AD, assimilating into it some Persian art elements too, especially in portraying the topography of the \n \nland and in the choice of palette, illustrates the legend of Laila and Majnun, a world-wide known, painted and sung tale of mad love with tragic end. \n \nLaila's Watercolor Painti

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The solitary Lord Shiva is seated atop the peak of Kailash, His cosmic home next to the Mansarovar. The existential destroyer has His trusty Nandi for company, the mythic bull with the power of a thousand of its mortal counterparts. He rests one hand on its head between the horns, while in the other He holds an ivory conch that He regards with half-shut eyes. \n \nShiva Nandi Oil Painting: https:/

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Sarah Bernhardt Painting

Madhubani Folk Art Painting-Fish Mandala Art

In this Spirit Of Enlightenment Mandala Thangka Painting, the sacred hum symbol is at the heart of this mandala. Thick, white strokes of the brush against a scarlet-colored circlet. Painted in the Tibetan script, it is the final syllable of the Shadakshari Avalokiteshvara mantra, which is extracted from the Mahayana Karandavyuhasootra and is considered the moola (fundamental) mantra of Buddhism. A

Anup Gomay is known for his artistic ability to provide picturesque backgrounds to his amazing paintings. In this painting, he encapsulates a baby blue sky decorated with cotton-like clouds and contrasted with a lush green setting, capturing rich American sycamores that give it an eye-catching look. The painting is bordered by a red brick pillared balustrade that is imprinted it with ethnic patter

Such was the depth of Mirabai's devotion that it commanded the living presence of Lord Krishna. She was a mystic of the highest order and belonged to the bhakti cult of North India. Her composure of countenance betrays the loverlike nature of her reverence, which is one of the many schools of bhakti. For the resplendence of the oils and the spiritual ethos of the theme alone would this painti