Renuka Mahar, also referred to as Renuga Mahar and Renumata Mahar, is a Hindu goddess worshipped predominantly in Karnataka, Maharashtra, and southern Indian states of, Tamil Nadu, Telangana, and Andhra Pradesh ancient Renuka Mahar / Yellamma Devi temple at Savadatti is one among the prominent Shakthi peetas in Karnataka, Mahar Renuka's temple at Mahur in Maharashtra is one of the shakti peet

A superfine Saraswati murti, sculpted from panchaloha. Panchaloha is a unique bronze made of five (‘pancha’) different iron-based (‘loha’) alloys. The metal casting method used to work with it is called madhuchista vidhana, an Agamic term for a technique that is now known as the lost wax method. This Saraswati Mata murti depicts Her in lalitasana on a narrow-cut lotus-petal throne. Her lim

The art-loving Hoysala dynasty of Karnataka was responsible for building a number of temples between the 10th the 14th centuries. They lent their name to a timeless standard of architecture, iconography, and aesthetics, a fine example of which could be seen on this page. It is a murti of Lord Vishnu with His wives, Bhudevi and Shridevi. The tall, slender form. The proportions between limb and crow

The towering presence of Lord Vishnu would add a world of auspiciousness to your space. A larger-than-life murti like the one that you see on this page serves just the purpose. It is fashioned from pure bronze in the hands of traditional artisans of the South. Indeed, bronze as a medium of the great Indian cultural tradition flourished in the Southern recesses of the subcontinent, under the patron

Dhokra is an ancient art form significant for making metal artifacts using the lost-wax casting technique. It is a tribal form of art that dates back to nearly 5000 years and has effectively survived the time's test by being in use till date, popular for making human or animal figurines, religious deities, lamps, and measuring bowls; for a superfine quality single product, it takes approximat

A multitude of lamps to fill your space with light and sattvaguna. This classical-style Indian lamp would be a valuable addition to any traditional Indian home. It features a long stem of uniform thickness along the centre. Unlike the complex engravings on the stems of your run-of-the-mill traditional Indian lamp, this one has the unassuming pattern of a single, slender trellis wound around its bo

Brahma, narrating the story about Sati’s marriage to Shiva in the Shiva Purana, notes that “On hearing these words of Lord Shiva adept in the divine sports I touched my head and in the same manner bowed to Shiva. When I thus touched my head I assumed the shape of his vehicle, the bull.” This instance of Brahma transforming into Nandi relates to one of the eighteen forms of Shiva mentioned in

Lord Kamadeva is Hindu dharma’s presiding deity over desire. Devi Rati is the object of the desire He embodies. In the murti that you see on this page, the two are captured in the midst of the passionate dance. Their arms and legs are in the air. The spinal column, all the way from the hips to the neck, is contorted at an expressive angle. Fashioned from panchaloha, a blend of five (‘loha’)

Tibetan singing bowls have long been utilized in meditation practice by Buddhist monks. The Nepalese singing bowl by Exotic India is used during treatment by several wellness practitioners, including music therapists, massage therapists, and yoga therapists. A singing bowl is frequently used to relax before bedtime or to help focus before beginning work. The soothing tones of this Tibetan singing

The majestic Lord Ganesha is seated on an upturned-lotus throne. This chaturbhujadhari (the one possessed of four arms) figure seated in lalitasana is a widely loved and worshipped roopa (form) of the deity. What makes this a unique work of art is the medium in which it is fashioned and the finesse with which it has been executed. It is a panchaloha sculpture handpicked from the finest studios of

A compactly carved figure of Devi Lakshmi. Poised within a makeshift temple on a double-layered lotus-bloom plinth. From the iconography to the style of the surrounding temple structure, this composition borrows heavily from Hoysala aesthetics. It is the name given to the art and architecture that flourished under the patronage of the Hoysala rulers in South India. The tradition dates back to the

The embodiment of sacrifice and the savior of Earth, Vishnu’s third avatar, Varaha, is presented in a highly charged form in this ‘panchaloha’ bronze sculptural image, along with his consort Varahi, or the Earth goddess Bhudevi. This visual presentation is also symbolic of what Hinduism today celebrates as Varaha Jayanti, which marks the mythological celebration of Varaha defeating Hiranyaks

This exquisitely remarkable and stunning creation from the region of Swamimalai truly awes the viewer, whether for its artistic presence or religious sentiment. This skillful work of art truly encapsulates how a god’s image, or its ‘murti,’ rivets the devotee to the ground, making him lose his material bondings and wholeheartedly devote his life to the service of this benevolent and majestic

The exquisitely carved object depicts Ganesa as a musician; playing the shehnai, engaged in a pleasant mood. Music is one of the important branches of ancient Indian culture. Early Indian sages and musicians were well aware of the science of music; therefore, their endeavors paved way for the invention and composition of different ragas and raginis of Indian classical music. Instrumental music

This brass statue, a simple form not involving any kind of intricacy yet revealing rare luster and a great finish, represents a lion, the most majestic of all animals. The forelegs fully stretched for making a long leap, and the hind, collected to optimize the body’s force, the tail secured on the back lest it hindered the pace, the eyes fixed on the target, ears alert to the faintest sound of m

It is at Bodh Gaya that the erstwhile Shakyamuni attained Buddhahood. For years together He remained seated under the Bodhi tree, steeped in seedless contemplation or samadhi of the highest order. There he had arrived after decades of asceticism and mendicancy and austerities, a life diametrically opposite to the one His father the King Suddhodana had given Him. There is no place like Bodh Gaya, a

Lord Krishna is as handsome as Lord Gopala, His Baala-Roopa (infant form), is adorable. Since His arrival in Vrindavan from Mathura, He had won the hearts of the local mothers and maidens alike. The murti that you see on this page captures Him in the signature tribhanga stance and, as such, is a visual narrative that explains the amorous aspect of His leela (divine conduct). Muralidhara Krishna

Kubera (Sanskrit: कुबेर) also known as Kuvera, Kuber or Kuberan, is the Lord of Wealth and the god-king of the semi-divine Yakshas in Hindu culture. Kubera is described as the embodiment of both Artha ("wealth, prosperity, glory") and Arthashastras, the treatises related to it-and his iconography mirrors it. Some other Hindu epics describe him as the God of riches and the w

The idea that all things are transient is central to Buddhist teaching. Loss and impermanence are things to be accepted rather than causes of grief. The Buddha’s Parinirvana was a moment of great triumph as well as sorrow, for it marked the Buddha’s release from the cycle of rebirth. This wood statue of Buddha depicts the Parinirvana in a highly abbreviated, almost emblematic fashion. The enli

Music is an integral aspect of life in rural India. Given how vast the subcontinent is, a wide variety of folk music has emerged from its numerous rural pockets. The ensemble that you see on this page depicts a band of four young ladies practising the music that stems from their roots. Two of them are playing string instruments, one of which features a swan sculpture at the end of its long neck (t

An accumulator of positive vibes and a symbol of happiness, Laughing Buddha is a giver of good luck, contentment, and abundance. The sweet plum face with the ever-charming smile gives good vibes and fortune without any expectations. Every Laughing Buddha posture and accessory defines a different meaning and relieves you of your financial worries and stress-free life. This brass Laughing Buddha scu

Exotic India feels highly enthusiastic to be able to provide the customers with this large sized annam lamp from South India. This ornamental brass lamp with series of diyas originated from a town in Tamil Nadu as its said to be an age old tradition there to light a lamp before starting with any auspicious event, which has now spread all over as a trend. Zoom in to have a precise look at the exten

In Hindu Religion, Lord Ganesha is the god of everyman, revered as the primary deity before starting with any auspicious or inauspicious event in every part of the world. He sits here in lalitasana on a heightened throne, carved in the most wonderous layered patterns having boosters on either side and is placed on a thin pedestal with a slight curve in the front and sides occupied by a water Kalas

Ganesha is an unborn and formless deity sculpted here in a magnificent form. He is the lord of the universe who rules its various atoms and energies to avoid chaos; he is the consciousness that is omnipresent and marks as the beginner of any auspicious or inauspicious task or activity. He is enthroned here on a pedestal chiseled in beauteous lotus leaves all around its circumference and it is plac

The patron deity of Tirupati, India, Lord Venkateshvara is a manifestation of Vishnu. His name is derived from the nearby Mount Venkata (‘ishvara’ roughly translates to god). The crystal-sculpted murti that you see on this page is a replica of the idol at the Tirumala Venkateshvara Temple in Tirupati, Andhra Pradesh, India. Considered one of the holiest sites in India, the temple dates back to