Chaturbhuja Ganesha stands in a dancing position with his right leg upwards placed on a thin stand. Postured on a round platform located on a squared stand with a pedestal below and comprises of a small mouse illustration. This holy brass structure also holds important cultural as well as traditional attributes. While holding his divine implements, Ganesha wears an adorably crafted crown, holding

The greatness of loving God Ganesha, the Lord of Dharma, and the son of Shiva, is echoed worldwide in Hinduism, even by the satgurus, temples, and scriptures. He is the one for all, whose presence as a vital part of daily life’s experiences of his devotees helps them have a tension-free life, without any obstructions. The finite quality of this Ganesha brass sculpture induces a feeling of charm

According to Buddhism, Tara is one of the most important figures, who is known for being the female Bodhisattva(Buddha to be) in Mahayana Buddhism, and as a female Buddha in Vajrayana Buddhism. As one of the three deities of long life, White Tara (Saraswati) is associated with perpetuity. Therefore, she prevents illness and thereby helps to bring about a long life. She embodies the motivation to b

In the Hindu religion, Devi Durga is born of the wrath of all the devas of devaloka (realm of existence of the devas) combined. They were overwhelmed by the sabotaging antics of Mahishasura, the buffalo demon when they gathered to give birth to Devi Durga. As a Devi, She embodies the extremes of wrath and prowess. In Her asankhya (innumerable) hands, She wields the finest weapons, each of which ha

Kubera (Sanskrit: कुबेर) also known as Kuvera, Kuber or Kuberan, is the Lord of Wealth and the god-king of the semi-divine Yakshas in Hindu culture. Kubera is described as the embodiment of both Artha ("wealth, prosperity, glory") and Arthashastras, the treatises related to it-and his iconography mirrors it. Some other Hindu epics describe him as the God of riches and the w

This brass statue, a simple form not involving any kind of intricacy yet revealing rare luster and a great finish, represents a lion, the most majestic of all animals. The forelegs fully stretched for making a long leap, and the hind, collected to optimize the body’s force, the tail secured on the back lest it hindered the pace, the eyes fixed on the target, ears alert to the faintest sound of m

Lord Hanuman is revered as a fine warrior and a great bhakta (devotee). As part of the vanara-sena that fought Lanka on Rama’s side, His valour and His love of Rama (and everything dear to Rama) are much talked about to this day. The fact that Hanuman is a superior yogi, possessed of the ashtasiddhis and the navanidhis, is oft overlooked. The murti that you see on this page is a solid-cast work

There is much to Lord Dattatreya that sets Him apart from the rest of the Hindu rishees. An ascetic of the finest order and lord of yoga, He is said to have been born of unwed parents and taught by twenty-four natural elements as opposed to a traditional guru. Possessed of a sharp mind and a resilient body, Lord Dattatreya is said to have traversed the Western Ghats for years in His quest for yoga

Lord Ganesha, known for his intellect and loving heart, is the beloving god that is known to clear even the most difficult paths. He is also called Lambodhara, which means Guardian of Wealth and prosperity. Shiva and Parvati’s son, Lord Ganesha, was assassinated by Lord Shiva’s wrath. Upon recognizing this, Shiva to honor his son brought him back with an elephant head and endowed him a blessin

It is at Bodh Gaya that the erstwhile Shakyamuni attained Buddhahood. For years together He remained seated under the Bodhi tree, steeped in seedless contemplation or samadhi of the highest order. There he had arrived after decades of asceticism and mendicancy and austerities, a life diametrically opposite to the one His father the King Suddhodana had given Him. There is no place like Bodh Gaya, a

The idea that all things are transient is central to Buddhist teaching. Loss and impermanence are things to be accepted rather than causes of grief. The Buddha’s Parinirvana was a moment of great triumph as well as sorrow, for it marked the Buddha’s release from the cycle of rebirth. This wood statue of Buddha depicts the Parinirvana in a highly abbreviated, almost emblematic fashion. The enli

A multitude of lamps to fill your space with light and sattvaguna. This classical-style Indian lamp would be a valuable addition to any traditional Indian home. It features a long stem of uniform thickness along the centre. Unlike the complex engravings on the stems of your run-of-the-mill traditional Indian lamp, this one has the unassuming pattern of a single, slender trellis wound around its bo

Music is an integral aspect of life in rural India. Given how vast the subcontinent is, a wide variety of folk music has emerged from its numerous rural pockets. The ensemble that you see on this page depicts a band of four young ladies practising the music that stems from their roots. Two of them are playing string instruments, one of which features a swan sculpture at the end of its long neck (t

One of the most preciously auspicious birds in Hindu mythology, Peacock has various symbolisms appended to it. The legend says that the bird peacock was brought to life with the feathers of Garuda, another mythical bird that was said to carry lord Vishnu. It represents the cycle of time, purity as well as is related to the goddess Lakshmi, the bestower of wealth and prosperity. This is why keeping

This extremely lovable form of Lord Ganesha depicts him in his royal grandeur with the legs folded in utkutasana and the right ankle supporting his large portly belly. He is carved here in a simple four-armed figure, yet so uncommon and new in its visual effects. The superfine quality and noble lustre highlights his divine aura. Ganesha is the foremost deity worshipped in the entire Hindu pantheon

Son of Shiva, warrior and protector and upholder of dharma. The all-powerful shodashabhujadhari (sixteen-armed) Roopa (form) of Lord Ganesha is quite the rarity. The panchaloha medium, a bronze made of five (‘pancha’) iron-based (‘loha’) alloys, and the traditional madhuchista vidhana or lost-wax make, add to the value of this Ganesha murti as a work of art. Lord Ganesha Bronze Statue stan

With his legendary flute in hand, the Supreme Lord Krishna stands cast in bronze, his graceful pose with his legs crossed acting as a hallmark to the elaborate carvings of the Hoysala architecture. In the form of Venugopal, Lord Krishna becomes the protector of cows and the owner of the flute Venu. His face is at utter peace and serenity as he plays his flute, harmonious notes pleasing to the ears

As the bronze in the mould cools down and the wax surrounding it is melted away in the traditional style of the lost wax art form, what remains is an elaborate statuette of Lord Shiva in his dancing form as Nataraja. Body twisted in a graceful pose that came straight out of the pages of the Natyashastra, Nataraja dances away divinely, feet trampling a demon. From the two aspects of Natraja’s per

Sri Maha Shodashi is a Hindu goddess and is an aspect of Mahadevi mainly worshipped in Shaktism, a goddess-oriented sect of Hinduism. She is also revered as one of the prominent Mahavidyas. She is glorified in many Shakta texts, with Lalita Sahasranama being the most popular one. Sri Maha Shodashi is also known as Tripura Sundari, Rajarajeshwari, and Lalita. She is a personification of Supreme Ene

Gaja Samhara is a ferocious form of Lord Shiva popularized during the Chola period. Gaja Samhara Shiva means the slayer of elephant and represents him as ego annihilator and soul emancipator. Legends tell of an asura who in the guise of an elephant, Gajasura, became so strong in time that he began to torture and kill even the devas. There was none left in the three realms who would stand before Ga

Nestled within the coils of Sheshanaga, the great Vishnu Bhagwan dreams drishyam into being. The gentle, multi-headed Brahma emerges upon a lotus stem from His navel, while His wives, Bhoodevi and Shreedevi, sit tenderly at His feet. The Vishnu sculpture that you see on this page is a visual narrative of the beginning of the world according to Indian mythology. The pale metallic color of panchaloh

The art-loving Hoysala dynasty of Karnataka was responsible for building a number of temples between the 10th the 14th centuries. They lent their name to a timeless standard of architecture, iconography, and aesthetics, a fine example of which could be seen on this page. It is a murti of Lord Vishnu with His wives, Bhudevi and Shridevi. The tall, slender form. The proportions between limb and crow

Polished with a golden sheen and cast in bronze, the majestic Hanuman kneels in the form of Panchamukhi (five-headed) on this sculpture. All his five heads stare off in five different directions, eternalised at the moment he defeats Ahiravana in the warm depths of the underworld. During the battle between Lord Rama and the demon king Ravana, the latter went to the ruler of the netherworld seeking

An ancient South Indian legend tells of Deva Guru Brihaspati and Lord of Winds Vayu, descending to Earth to build a Bhuloka Vaikuntam, in the Thrissur district of Kerala. It was to be a holy abode for Vishnu in the mortal realm. That town was named Guruvayur after its two celestial architects and the temple came to be called the Guruvayur Temple. Guruvayurappan is the Lord of Guruvayur or the Unni

A superfine Saraswati murti, sculpted from panchaloha. Panchaloha is a unique bronze made of five (‘pancha’) different iron-based (‘loha’) alloys. The metal casting method used to work with it is called madhuchista vidhana, an Agamic term for a technique that is now known as the lost wax method. This Saraswati Mata murti depicts Her in lalitasana on a narrow-cut lotus-petal throne. Her lim