Lord Ganesha's nature is to shower fortune and bliss wherever he is worshipped and here also he is holding a traditional lamp via chain by his twisted trunk. Well, in this illustration, Shri Ganesha's sweet face represents all the attributes of his personality, such as; his smartness, cuteness, attentiveness, childish expressions along with the lotus eyes, all these features are filled i

The Kalinga Nardhana Krishna is the quintessential image of the triumph of dharma over adharma. When the wicked serpent, Kalinga or Kaliya, had made a home for itself in the Yamuna and none of the inhabitants of Braj could access its beauty and nourishment due to his presence, it was the great Lord Krishna who acted as savior. In a brutal battle between the divine and the serpentine, the conqueror

Renuka Mahar, also referred to as Renuga Mahar and Renumata Mahar, is a Hindu goddess worshipped predominantly in Karnataka, Maharashtra, and southern Indian states of, Tamil Nadu, Telangana, and Andhra Pradesh ancient Renuka Mahar / Yellamma Devi temple at Savadatti is one among the prominent Shakthi peetas in Karnataka, Mahar Renuka's temple at Mahur in Maharashtra is one of the shakti peet

Gaja Samhara is a ferocious form of Lord Shiva popularized during the Chola period. Gaja Samhara Shiva means the slayer of elephant and represents him as ego annihilator and soul emancipator. Legends tell of an asura who in the guise of an elephant, Gajasura, became so strong in time that he began to torture and kill even the devas. There was none left in the three realms who would stand before Ga

Son of Shiva, warrior and protector and upholder of dharma. The all-powerful shodashabhujadhari (sixteen-armed) Roopa (form) of Lord Ganesha is quite the rarity. The panchaloha medium, a bronze made of five (‘pancha’) iron-based (‘loha’) alloys, and the traditional madhuchista vidhana or lost-wax make, add to the value of this Ganesha murti as a work of art. Lord Ganesha Bronze Statue stan

In a touch of artistic poetry – the god of auspicious starts – is artistically shown reclining in rest in this ‘panchaloha’ bronze statue executed in the ‘madhuchista vidhana’ lost wax technique. Ganesha’s image is presented to us in his two-armed avatar, lying on his side, and supported by a long bolster under his hand and head. His left hand is placed over his left leg. Ganesha’s

In Hindu Religion Lord Vishnu is a paramaguru, the creative aspect of the Hindu creator-preserver-destroyer trinity. He is a handsome, powerful deity who dreamed the world into being whilst He napped upon the back of Sheshanaga, the finality serpent (‘shesha’ is Sanskrit for ‘final’; ‘naga’, for ‘serpent’). The bronze composition that you see on this page depicts Lord Vishnu seated

The work of art you see on this page is a powerful confluence. It is a fusion of the innocence and wisdom of Lord Ganesha with the strength and prowess of Lord Hanuman. The former has the gigantic head of the gentle elephant, the latter the protruding jaw of the clever monkey. A fine blend of the two makes for composition so unusual, that it would be a one-of-a-kind addition to any private space o

Sri Maha Shodashi is a Hindu goddess and is an aspect of Mahadevi mainly worshipped in Shaktism, a goddess-oriented sect of Hinduism. She is also revered as one of the prominent Mahavidyas. She is glorified in many Shakta texts, with Lalita Sahasranama being the most popular one. Sri Maha Shodashi is also known as Tripura Sundari, Rajarajeshwari, and Lalita. She is a personification of Supreme Ene

The embodiment of sacrifice and the savior of Earth, Vishnu’s third avatar, Varaha, is presented in a highly charged form in this ‘panchaloha’ bronze sculptural image, along with his consort Varahi, or the Earth goddess Bhudevi. This visual presentation is also symbolic of what Hinduism today celebrates as Varaha Jayanti, which marks the mythological celebration of Varaha defeating Hiranyaks

A superfine Saraswati murti, sculpted from panchaloha. Panchaloha is a unique bronze made of five (‘pancha’) different iron-based (‘loha’) alloys. The metal casting method used to work with it is called madhuchista vidhana, an Agamic term for a technique that is now known as the lost wax method. This Saraswati Mata murti depicts Her in lalitasana on a narrow-cut lotus-petal throne. Her lim

A compactly carved figure of Devi Lakshmi. Poised within a makeshift temple on a double-layered lotus-bloom plinth. From the iconography to the style of the surrounding temple structure, this composition borrows heavily from Hoysala aesthetics. It is the name given to the art and architecture that flourished under the patronage of the Hoysala rulers in South India. The tradition dates back to the

This remarkable sculpture is made of special bronze from Swamimalai, a town in an Indian State of Tamil Nadu. The ancient technique by which it is made is called as Madhuchista Vidhana (Lost-wax process), which is the specialty of the heritage of South Indian sculptors. Sri Vallabha Ganapati, also known as Maha Vallabha Ganapati is one among the 32 forms of Lord Ganesha. The leader of the Ganas of