The Mother Kali is an unusual deity. The hallmarks of the Hindu Devi are all in Her. She is supremely beautiful, a yogini of the highest adhikara, and bears superlative strength. Yet, She is unlike anything, you have ever set eyes on. For one, wrath is an integral part of Her personality. While the rest of the feminine pantheon are depicted as calm and reserved, Devi Kali comes with an iconogr

Devi Mahakali, the consort of ‘Mahakala’ (Great Time), a form of Lord Shiva, is the Goddess of time, life, death, creation, as well as liberation. The most powerful Goddess Mahakali is one of the three manifestations of Devi Durga that represent the three Gunas of material nature (sattva, rajas, and tamas). Being the consort of Lord Shiva, who is the predominating deity of the mode of ignoranc

She is the fairest Devi of the Hindu pantheon. She strums Her veena, cradled on the lap of a divine lotus. She lulls Her devotees with Her music and Her charm. She is the wife and the loved one (‘priya’) of Lord Brahma, who presides over the creative process (termed ‘srshti’ in Indian philosophy). She is the Devi of learning and the arts, crucial to that process. She is Devi Sarasvati, the

Dharma-Artha-kama-moksha (virtue, finances, pleasure, liberation) - these are the four Purusharthas or pursuits of a person, in Hinduism. Goddess Lakshmi’s four hands, the most common attributes attached to her iconography, represent these four life goals. It is well established that in the pursuit of any of the above-mentioned goals, Ma Lakshmi’s Kripa (regards) is required by the devotee. La

Goddess Durga created seven Matrikas from her own self and battled against the demon Raktabija. Devi Varahi, one of them is the female counterpart of Varaha, the boar Avatar of Lord Vishnu. The Goddess who is the regent of the southern direction and protector of the age is sometimes described as the Goddess of darkness and the ideal time for worshipping her is after sunset and midnight. Some templ

Devi Mariamman is the name given in South India to the more recognisable Sheetala Mata. She is known to infuse Her devotees with divine cool and calm ('sheetal' in Sanskrit means 'cool'). In Tamil, the suffix 'amma' stands for 'mother', denoting the nature of the people's devotion to Her. She has been traditionally worshipped as the curer and eradicator

Durga, identified as Adi Parashakti, is a principal and popular form of the Hindu Goddess. She is a goddess of war, the warrior form of Parvati, whose mythology centres around combating evils and demonic forces that threaten peace, prosperity, and Dharma, the power of good over evil. Devi Durga is also a fierce form of the protective mother Goddess, who unleashes her divine wrath against the wicke

The embodiment of sacrifice and the savior of Earth, Vishnu’s third avatar, Varaha, is presented in a highly charged form in this ‘panchaloha’ bronze sculptural image, along with his consort Varahi, or the Earth goddess Bhudevi. This visual presentation is also symbolic of what Hinduism today celebrates as Varaha Jayanti, which marks the mythological celebration of Varaha defeating Hiranyaks

Dharma-Artha-kama-moksha (virtue, finances, pleasure, liberation) - these are the four Purusharthas or pursuits of a person, in Hinduism. Goddess Lakshmi’s four hands, the most common attributes attached to her iconography, represent these four life goals. It is well established that in the pursuit of any of the above-mentioned goals, Ma Lakshmi’s Kripa (regards) is required by the devotee. La

The art-loving Hoysala dynasty of Karnataka was responsible for building a number of temples between the 10th the 14th centuries. They lent their name to a timeless standard of architecture, iconography, and aesthetics, a fine example of which could be seen on this page. It is a murti of Lord Vishnu with His wives, Bhudevi and Shridevi. The tall, slender form. The proportions between limb and crow

A compactly carved figure of Devi Lakshmi. Poised within a makeshift temple on a double-layered lotus-bloom plinth. From the iconography to the style of the surrounding temple structure, this composition borrows heavily from Hoysala aesthetics. It is the name given to the art and architecture that flourished under the patronage of the Hoysala rulers in South India. The tradition dates back to the

The embodiment of sacrifice and the savior of Earth, Vishnu’s third avatar, Varaha, is presented in a highly charged form in this ‘panchaloha’ bronze sculptural image, along with his consort Varahi, or the Earth goddess Bhudevi. This visual presentation is also symbolic of what Hinduism today celebrates as Varaha Jayanti, which marks the mythological celebration of Varaha defeating Hiranyaks

Bhogashakti is the name given to a special roopa (form) of Devi Uma. The beauty of bhogashakti comes out in the presence of Her husband, the great Lord Shiva. It is said that bhogashakti is the form She assumes moments before She draws Him into the inner sanctum of their divine togetherness. The word ‘bhoga’ is Sanskrit for material fulfillment. ‘Shakti’ refers to the distinctive strength

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The simhavahini Devi Durga is a sight to behold. She is a powerful feminine presence, born to annihilate adharma at the very root. She fulfills a purpose that is beyond the scope of the entire Hindu deva pantheon, Mahishasuravadha, or the slaying (‘vadha’) of the buffalo-demon (Mahishasura). She is as strong as She is beautiful, as invincible as She is fair, as omnipotent as She is nariroopa (

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