A visual fusion of the twin aspects of Ganesha as dancer and warrior. The son of Shiva inherits not just the tandava of Nataraja, but also His all-annihilating aspect. In the pattachitra that you see on this page, the elephant-deity is possessed of eight arms (He is dashabhujadhari), wielding weapons and other Shaivite implements. The legs and torso, however, are in the dramatic tribhanga stance,

Perfect shades of vibrant colors and the sharp beauty of lord Ganesha, who stands in his nritya (dance) posture on a high pedestal decorated with lotus petals at the top and two multi-wick diyas of devotion on either side, majorly enhance picturesque aspects of this oil painting. The oval aureole bordered with full-grown multicolored flowers enhances the auspiciousness of this elephant god; garbed

A young lady of distinctly noble bearing has stepped into the Shivamandir to pay her respects. She has duteously risen, dressed up, and arrived at the temple of her Lord at the crack of dawn. Within the bonds of her silence and sadhana, her roopa takes on an ethereal glow. She has lit the gold ghee lamp before Him. With her fair hands she lifts up the tiny basket of freshly plucked flowers that sh

On a throne of cut-glass lotus petals kneels Lord Hanuman. The right knee grazes the surface of the throne, the left foot set against the same. Against the knee jutting out laterally rests His goad, the weapon that is indispensable to the cebine iconography of Lord Hanuman. Like the jewels on the body of the warrior deity, His weapon is engraved and studded with pearls and rubies. A red and blue d

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N. Harichandan of Orissa is one of the artists who are capable of encapsulating abstract art in the most beautiful way. Abstract art is the use of shapes, colors, forms, and gestural marks to achieve the effect of visual reality. In this painting, the artist has encapsulated a labyrinth, mostly referred to as a maze which is an ancient symbol that relates to wholeness. In the modern world, it is a

Sarah Bernhardt Painting

Recognised as a Geographical indication by the Government of India, there is much to the Tanjore painting that sets it apart from other classical art forms. On this page, you see a Gajalakshmi Tanjore painting (Gajalakshmi is the name given to the iconography of Devi Lakshmi that features the presence of the gaja or elephant). The serene features, the luscious colours notwithstanding, the most str

The solitary Lord Shiva is seated atop the peak of Kailash, His cosmic home next to the Mansarovar. The existential destroyer has His trusty Nandi for company, the mythic bull with the power of a thousand of its mortal counterparts. He rests one hand on its head between the horns, while in the other He holds an ivory conch that He regards with half-shut eyes. Shiva Nandi Oil Painting: https://w

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Superfine Four-Armed Avalokiteshvara - Tibetan Buddhist Brocadeless Thangka Painting

In Tibetan Buddhism, Chemchok Heruka is most notably known to be the focal divinity in the Fifty-eight Wrathful Deities mandala where he is the furious aspect of Samantabhadra. These 58 deities are said to be wrathful deities one can meet in death and rebirth. He is also known as the Mahottara Heruka. Meanwhile, in the Guhyagarbha Tantra, he is the main deity among the herukas of the Eight Command

Kat Fedora painting

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Kubera, the God of wealth according to Buddhism is also known as Vaishravana. He is considered as a guardian king of the north direction and of Mount Sumeru that is believed to be the center of the universe. In this thangka Lord Kubera, the God of wealth is seated in a royal posture. He has a golden yellow complexion and plump torso decked with gold ornaments. He wears a five-pronged crown that sy

This exquisite painting displays Krishna’s childhood pastime in the traditional Tanjore style. The precision with which it has been made and the use of vibrant colors makes it appealing and breathtaking. Lord Krishna being the Supreme Lord, appeared just like an ordinary child in Vrindavan but His naughty and uncommon activities were always astonishing for all the inhabitants of Vraja including

Albert Williams pretty floral painting

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An Avalokiteshvara Thangka Painting such as the one you see on this page would be a valuable addition to the home of any Buddha devotee. It is a skillfully, perfectly symmetrically executed Lokeshvara thangka painting in His traditional iconography. He is the glorious Lokeshvara sahasrabhuja (thousand-armed), the unmistakable aspect of His iconography. Speaking of signature aspects, this is an ima

Calligraphy is the art of forming lovely symbol with the swift movements of our hands. In this painting, Kailash Raj breaks the religious barriers to create a sophisticated yet astoundingly beautiful Arabic calligraphy. The splendid chirography is gorgeously etched with charcoal black paint over the thick paper canvas. Vibrant mihrab arches over the sheet, being blessed with amazing colors that tw

Goddess Durga is a main diety in Hindu Religion. She is associated with protection, strength, motherhood, destruction, and wars. Her legend centers around combating evils and demonic forces that threaten peace, prosperity, and Dharma the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed and entails destruction to empower c

The simhavahini Devi Durga is a sight to behold. She is a powerful feminine presence, born to annihilate adharma at the very root. She fulfills a purpose that is beyond the scope of the entire Hindu deva pantheon, Mahishasuravadha, or the slaying (‘vadha’) of the buffalo-demon (Mahishasura). She is as strong as She is beautiful, as invincible as She is fair, as omnipotent as She is nariroopa (

A painting of the ethereal goddess Green Tara on a strip of soft, lace-like fabric. She is the queen of the Buddhist heavens as She sits on the belly of a pale-colored lotus bloom, Her long, slender legs gathered in Her characteristic bhadrasana. The right foot in Green Tara thangka paintings is usually poised discretely as could be seen in this traditional Tibetan thangka painting. The back of He