Sarah Bernhardt Painting

In the pages of the pious Hindu text- Bhagavata Purana, we find the episode of Kartavirya’s battle with Parashurama, how the sixth avatar of Vishnu slew the king, and how this led to the murder of his father, sage Jamadagni at the hands of the sons of Kartavirya. As vengeance on the death of his father, in whose lamentation his mother Renuka beat her chest twenty-one times, Parashurama (literall

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The storm outside the bottle is an oil painting by artist Anup Gomay whose central motif could be interpreted as hope. Artist may have taken the inspiration from the British adverb 'Storm In a Teacup', which slightly matches the title of the painting. It is an English adverb that means a small event that has been exaggerated out of proportion. Such is the subject and portrayal of the pai

In our Shastras, it has been mentioned that there are twelve forms of the Sun known as Adityas and they represent the twelve months in the calendar and twelve aspects of the Golden Deity Sun. As they are 12 in counting, they are referred to as Dvadashadityas. Adityas are basically the monthly Suns which is an ancient word for earth-moon barycentre for a lunar month. In the Rigveda, the Adityas

This is a cross that I worked on as one of my many crafting projects. I painted this cross Brown and the bottom Green to make it look like an authentic Grass at the bottom of the cross. Painting is also fun and great to calm my mind. It's a great and a relaxing experience. It's also time consuming, but it's worth it. It's so fun working on these projects. I love all kinds of cr

Adorned with a blood-red Rajhistani pheta turban, the swarthy, chisel-faced man smokes a cigarette with a cruel, curved mustache that compliments his grim expressions and bushy eyebrows outlining his brown complexion in this painting. His mustard yellow choga is festooned with bijou red and green Mala contrasting the background. His collar is displayed as if strangling his neck. His wrists are gra

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Goddess Durga is a main diety in Hindu Religion. She is associated with protection, strength, motherhood, destruction, and wars. Her legend centers around combating evils and demonic forces that threaten peace, prosperity, and Dharma the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed and entails destruction to empower c

Lord Mahadeva, the great (‘maha’) deva, is the manifestation of the Purusha, the consciousness substratum of all existence. According to Sankhya Darshana, when Purusha overcome by the charms of Prakriti comes near her and begins to reflect on her, it is the birth of all life. His wife, Devi Parvati, is the manifestation of Prakriti, the material substratum without which Purusha would have no m

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An art form that unites Indians across the subcontinent is Rangoli. Beautiful geometric, natural, and stylistic patterns are drawn in the courtyard of households, signifying the celebration of a festival or auspicious occasion. Two young girls are seen immersed in the process of making a rangoli while their mother oversees the task, standing at the threshold of their house. From the black stone ma

Lord Jagannath is an abstract, fluid deity. He is widely considered to be a representation of Lord Krishna Himself, while in some subcultures (Shaiva and Shakta traditions) He is a tantric roopa (form) of Lord Bhairava. He is part of a triad that comprises Balarama and Subhadra, who are His siblings. As could be seen in the painting on this page, the iconography is exceedingly basic - Jagannat

In Tibetan Buddhism, Chemchok Heruka is most notably known to be the focal divinity in the Fifty-eight Wrathful Deities mandala where he is the furious aspect of Samantabhadra. These 58 deities are said to be wrathful deities one can meet in death and rebirth. He is also known as the Mahottara Heruka. Meanwhile, in the Guhyagarbha Tantra, he is the main deity among the herukas of the Eight Command

In Hinduism, Religion Rasaleela is an interesting phenomenon. It refers to the ihalokiya (earthly) conduct - ‘leela’ - of the Vishnu-avatara Krishna. The word ‘rasa’ translates to aesthetics. As such, ‘rasaleela’ refers to the aesthetic depiction of Krishnaleela. The painting that you see on this page is of the image that first occurs to the mind when a devotee hears the word rasaleela

Such was the depth of Mirabai's devotion that it commanded the living presence of Lord Krishna. She was a mystic of the highest order and belonged to the bhakti cult of North India. Her composure of countenance betrays the loverlike nature of her reverence, which is one of the many schools of bhakti. For the resplendence of the oils and the spiritual ethos of the theme alone would this painti

This painting, "The Heroine in Her Wind Palace - Watercolor Painting" a masterpiece in Indian miniature art form, representing a royal lady, obviously a princess, seen across the gavaksha, or the oriel balcony of her wind-palace, presents a unique synthesis of various painting styles of medieval, as well as contemporary India. The features of the figure, a slightly angular face, sharp no

A glorious description of Lord Venkateshvara, a form of Bhagwan Vishnu. Whenever and wherever there is a decline in religious practices and an increase in irreligiosity, the Supreme Lord descends to reestablish Dharma and deliver the impious people. In Kali Yuga, Lord Vishnu appeared in Tirupati, Andhra Pradesh in the form of Bhagwan Venkateshvara to attract people to God-consciousness. Today, tho

Kailash Raj works his magic again as he pictures a vibrant and prominent drawing that is marvelously filled with watercolors worth leaving a deep mark on your soul. The illustrated princess is appareled in a baggy silk gharara pant that is colored in thick vertical stripes of bright sandstone orange and moss green color with a printed banarsi design on its lower end, coupled with the same colored

Amoghasiddhi is one of the five spiritual vectors of the Buddha’s divine personality (tathagata). He is the Buddha of perfect practice leading up to consummate accomplishment or ‘siddhi’ (‘amogha’ stands for that which goes not in vain). The thangka that you see on this page depicts Amoghasiddhi in the seated-contemplative stance of padmasana, complemented by the mudras of His hands. Thi

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Perfect shades of vibrant colors and the sharp beauty of lord Ganesha, who stands in his nritya (dance) posture on a high pedestal decorated with lotus petals at the top and two multi-wick diyas of devotion on either side, majorly enhance picturesque aspects of this oil painting. The oval aureole bordered with full-grown multicolored flowers enhances the auspiciousness of this elephant god; garbed