Salutations to Lord Ganesha -son of Uma-Mahadev, who has an elephant-head, being attended by the band of his followers (GANANATHA), dines his favourite wood-apple and rose–apple fruits, who is the cause of the destruction of all sorrows, Whose feet are like lotus. One should observe Ganesha with full devotion, feel his qualities and waves such as immensity, pride and fearlessness, immense streng

Gentle and wise and perfect in every way, Lord Ganesha is the widely revered son of Lord Shiva and Devi Parvati. Ganesha Brass Statue is adored by devotees for His childlike form and disposition, which gives Him a high propensity to mete out blessings and boons to those who simply turn to him. In this life-sized sculpture, He is seated in all His cosmic glamour upon a curvaceous multi-tiered thron

Sri Hanuman is one of the most widely revered gods of the Hindu pantheon. This imposing, bejeweled statue of the Lord captures His divine appeal to perfection: the resplendence of all three looks pours forth from the skin, while His muscles give away His superhuman strength. The clenched fist, the parting of His legs, and the angle of His mace - without which His iconography is incomplete - are in

Rajarajeshwari is one of the most beautiful female figures in all of the three worlds. She is a royal manifestation of Shakti and personifies grace and balance. Trailokya Sundari or Tripura Sundari, as she is often named, is the presiding deity of Sri Chakra. Hers is the path of transcendence through the material world of senses. She presides over the Sahasrara as well the Swadhisthan Chakra. Her

The majestic Lord Ganesha is seated on an upturned-lotus throne. This chaturbhujadhari (the one possessed of four arms) figure seated in lalitasana is a widely loved and worshipped roopa (form) of the deity. What makes this a unique work of art is the medium in which it is fashioned and the finesse with which it has been executed. It is a panchaloha sculpture handpicked from the finest studios of

Salutations to Lord Ganesha -son of Uma-Mahadev, who has an elephant-head, being attended by the band of his followers (GANANATHA), dines his favourite wood-apple and rose–apple fruits, who is the cause of the destruction of all sorrows, Whose feet are like lotus. One should observe Ganesha with full devotion, feel his qualities and waves such as immensity, pride and fearlessness, immense streng

A delicate Radha-Krishna ensemble to fill your home or office with divine amorous cheer. Made with pure manual skill and a great deal of devotion, these manifest themselves in the fine lines of the silhouette and the expressive composure of both faces. The murtis are discrete, which means that they are on separate plinths. Pristine complexion, fine eyes. Thick blonde curls. Tall, jewel-encrusted c

The saptamatrka is a set of interesting deities from the Hindu pantheon. They are the maternal manifestations (‘matrikas’) of seven (‘sapta’) Hindu devas; and, as divine manifestations, are distinct from the wives and companions of those devas. Devi Varahi, whose murti you see on this page, is one of the saptamatrkas. She is the ashtabhujadhari (eight-armed) maternal manifestation of Lord

Nataraja is the most popular representation of the Hindu God Shiva. In Sanskrit, Nata means dance and raja means Lord. Shiva therefore is the 'King of Dancers'. To understand the concept of Nataraja we have to understand the idea of dance itself. Like yoga, dance induces trance, ecstasy and the experience of the divine. In India consequently, dance has flourished side by side with the te

The saptamatrka is a set of interesting deities from the Hindu pantheon. They are the maternal manifestations (‘matrikas’) of seven (‘sapta’) Hindu devas; and, as divine manifestations, are distinct from the wives and companions of those devas. Devi Varahi, whose murti you see on this page, is one of the saptamatrkas. She is the ashtabhujadhari (eight-armed) maternal manifestation of Lord

Shiva literally means "the auspicious one". In Hinduism, he is known as the Destroyer within the Trimurti, the Hindu trinity, that includes Brahma and Vishnu. In Shaivism tradition, Shiva is one of the supreme beings who creates, protects, and transforms the universe. One of his titles, Nataraja, is a depiction of Lord Shiva as the divine dancer. His dance form is called Tandavam or Nada

Lord Gautama Buddha is believed to be the sole founder of Buddhism and his teachings are entirely concerned towards defining a path free of worldly pleasures and liberating sentient beings from suffering. The bliss that you perceive as you look at the face of this Buddha sculpture makes you feel in heaven; the superfine carvings of his sharp nose, the satisfactory smiling curve of the lips

She is the fairest Devi of the Hindu pantheon. She strums Her veena, cradled on the lap of a divine lotus. She lulls Her devotees with Her music and Her charm. She is the wife and the loved one (‘priya’) of Lord Brahma, who presides over the creative process (termed ‘srshti’ in Indian philosophy). She is the Devi of learning and the arts, crucial to that process. She is Devi Sarasvati, the

This is a stylized statue of the brass form of Lord Ganesha (the god of remover of obstacles and provider of happiness). The quirky long trunk is forming a ‘C’ and resting on his folded legs. A slight outstretch from the sides at the top represent his artistic ears. There is a small leaf-like texture on the right knee symbolizing his hand blessing people for fearlessness. The sharp eyes are lo

In Sanskrit, Nata means dance and raja means Lord. There is an interesting legend behind the conception of Shiva as Nataraja: In a dense forest in South India, there dwelt multitudes of heretical sages. Thither proceeded Shiva to confute them, accompanied by Vishnu disguised as a beautiful woman. The sages were at first led to violent dispute amongst themselves, but their anger was soon directed a

Icons depicting Shiva as the Lord of Dance (Nataraja) seem to have originated in the North in Gupta times, and developed in the South under the post-Gupta Vishnukundin dynasty early in the seventh century. One of the first southern sculptures is a colossal dancing figure carved upon the cliff face above the facade of a cave- temple at Mogallarajapuram on the Krishna river. The Pallavas took up the