Shiv Parivar- The Resplendent Nandi At Their Feet Brass Statue

A compactly carved figure of Devi Lakshmi. Poised within a makeshift temple on a double-layered lotus-bloom plinth. From the iconography to the style of the surrounding temple structure, this composition borrows heavily from Hoysala aesthetics. It is the name given to the art and architecture that flourished under the patronage of the Hoysala rulers in South India. The tradition dates back to the

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Vrishavahana in Sanskrit means 'one who rides the bull', who is none other than the fierce destroyer-god, Shiva. Lord Shiva is portrayed as the Vrishavahana in this intricately replete brass sculpture from the Exotic India collection, His arm resting presumably on the back of Nandi (His divine vahana, a legendary bull). Shiva Sculpture: https://www.exoticindiaart.com/sculptures/hi

Feather Statue ~

Gautam Buddha, the first to attain Buddhahood, is the founder of Buddhism, primarily followed only by the people of Tibet, but now it is popularly revered all over the world. This brass statue of Buddha is a representation of his state where he teaches his followers the ways to achieve enlightenment. Lord Buddha sits in a lotus posture on an elongated lotus plinth, carved in a beautiful double lay

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Shitala Mata is a folk deity and an incarnation of supreme Goddess Durga; cures poxes, sores, ghouls, pustules, and diseases. Shitala literally means ‘one who cools’ and is referred to as ‘ma’ or ‘mata’ as she, just like a mother cures her children of diseases and other evil spirits and ghosts. She is known by various names, Jagrani (queen of the world), Karunamayi (full of mercy), Man

The embodiment of sacrifice and the savior of Earth, Vishnu’s third avatar, Varaha, is presented in a highly charged form in this ‘panchaloha’ bronze sculptural image, along with his consort Varahi, or the Earth goddess Bhudevi. This visual presentation is also symbolic of what Hinduism today celebrates as Varaha Jayanti, which marks the mythological celebration of Varaha defeating Hiranyaks

A one-of-a-kind bitone Buddha composition. The predominant color is black, which has the unmistakable sheen of marble. The medium captures the otherworldly glamour of the erstwhile Shakyamuni. The complementary color, white, is to be found in the dotted raiment clothing of the seated figure, which makes for a surreal visual experience. Legs gathered in the perfect padmasana - heels together direct

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