Rendered in Marwar idiom of Rajasthani art style, pursuing the theme, style and everything of an early nineteenth century miniature from Jodhpur, in its exactness except the painting’s size and the background colour of the circle in the centre containing the figures of Radha and Krishna, the painting portrays a grieving Radha for Krishna’s failure to reach there despite the promise he had made

Krishna or Kanhaiyya is the major deity in Hinduism. He is revered as the God of love, compassion and tenderness. He is also regarded as the eighth avatar of God Vishnu. He is reflected through the legends of Mahabharata, Bhagavada purana and Bhagavad Gita, portraying him as God's child, a lover and a divine hero. Janmashtami, his birthday, is celebrated, with great enthusiasm, as son

The Hindu deity, Bhagwan Krishna is famous for his naughty leelas with Radha and other gopis of Gokul, the intense charm of his face, and the Madhur (melodious) tunes arousing from his flute. This sculpture of Krishna depicts him as standing on a rectangular thick brass block etched in a realistic stone-like pattern. He is postured in his iconic tribhanga posture with the left leg bent forward and

An exquisite long ritual spoon which is comprised of tremendously carved illustrations on both sides features Lord Krishna postured in a tribend form (Tribhanga Lalit Mudra) on a pillar-shaped stick connecting the round picker and the handle, which also features the sweet pair of peacocks and that provides a delightful experience to the viewer. The main purpose of this spoon is to pour ghee in Yag