Amoghasiddhi is one of the five spiritual vectors of the Buddha’s divine personality (tathagata). He is the Buddha of perfect practice leading up to consummate accomplishment or ‘siddhi’ (‘amogha’ stands for that which goes not in vain). The thangka that you see on this page depicts Amoghasiddhi in the seated-contemplative stance of padmasana, complemented by the mudras of His hands. Thi

The unmistakable Tanjore painting is an especial kind of palagai padam (South Indian panel painting). Having originated as icons designed to grace the homes and temples of the wealthy, these works of art depict deities from the Hindu pantheon in all their iconographic beauty and glory. As such, the handpicked Tanjore painting that you see on this page is a collector’s item and would be a valuabl

The story of young Krishna was first told more than 2000 years ago. Originally recited by bards from memory, it was later composed in the Sanskrit poem, the Harivamsa. The sun-like baby Krishna, Vishnu come to earth, was the delight of Vraja. Born of this earth, reared in the soil of Vraja, yielding to the temptations of this world, indulgent, inimitable, lovable in his pranks, ever guilty, yet re

Lord Ganesh is one of Hinduism’s most prominent deities. He is the god of new beginnings and the lord who removes obstacles. Because of these, he is often invoked at the beginning of prayers or rituals, or when believers are set to undergo a major milestone and before making life decisions. He is traditionally depicted with an elephant head, often large in the proportion which signifies knowledg

This brilliant painting, oil on canvas, as large as four by six feet, rendered in modern art style but with a mythical theme, represents the ten-armed Devi – Goddess, killing the buffalo demon Mahisha, better known as Mahishasura. The goddess is attended on her right by goddess Lakshmi carrying a lotus in her right hand, and a pot of gems, in her left, and on her left, by goddess Saraswati carry

On a throne of cut-glass lotus petals kneels Lord Hanuman. The right knee grazes the surface of the throne, the left foot set against the same. Against the knee jutting out laterally rests His goad, the weapon that is indispensable to the cebine iconography of Lord Hanuman. Like the jewels on the body of the warrior deity, His weapon is engraved and studded with pearls and rubies. A red and blue d

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A simple, time-tested image of the seated Shakyamuni. The epithet Shakyamuni refers to the rulership (‘muni’) of the Buddha’s family over the Shakya clan. It is a traditional thangka made with age-old painting techniques (acrylics, gouache) set off by subtle metallic infusions in pure 24K gold. Everything about this thangka is in keeping with the traditional iconography of the Buddha. Legs g

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In this Spirit Of Enlightenment Mandala Thangka Painting, the sacred hum symbol is at the heart of this mandala. Thick, white strokes of the brush against a scarlet-colored circlet. Painted in the Tibetan script, it is the final syllable of the Shadakshari Avalokiteshvara mantra, which is extracted from the Mahayana Karandavyuhasootra and is considered the moola (fundamental) mantra of Buddhism. A

This ovally framed portrait is of the Mughal emperor Shahjahan, the builder of the Tajmahal. He is the only one of the Great Mughals to have lived to the greatest of grandeur and the worst of grief and achieved the highest of glory and the lowest of gloom. This depiction closely represents his likeness, as has been recorded in his contemporary portraits. The National Museum, New Delhi, has in its

The brown, sparkling eyes keep a steady gaze over the mirror, stupified by their own beauty, filled with kohl and green eyeliner that enhances their beauty. The red-colored lips have twitched into a smile and the long, elegantly straight nose sets over the smooth, wheaty-complexioned face of the woman. Her neck is adorned with two dim faux colored diamond necklaces and white pearl Mala tha

Madhubani Folk Art Painting-Fish Mandala Art

Adorned with a blood-red Rajhistani pheta turban, the swarthy, chisel-faced man smokes a cigarette with a cruel, curved mustache that compliments his grim expressions and bushy eyebrows outlining his brown complexion in this painting. His mustard yellow choga is festooned with bijou red and green Mala contrasting the background. His collar is displayed as if strangling his neck. His wrists are gra

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The simhavahini Devi Durga is a sight to behold. She is a powerful feminine presence, born to annihilate adharma at the very root. She fulfills a purpose that is beyond the scope of the entire Hindu deva pantheon, Mahishasuravadha, or the slaying (‘vadha’) of the buffalo-demon (Mahishasura). She is as strong as She is beautiful, as invincible as She is fair, as omnipotent as She is nariroopa (