The mukhamandala (countenance) of Lord Ganesha emerges straight from a resplendent sun. A circular row of the Devanagari inscription of aum, a sacred life-affirming syllable, forms a halo around His head. In fact the sun itself is the halo of Lord Ganesha but, unlike other haloed sculptures in Indian iconography, this one does not comprise a discrete circular diskette at the back of the deity’s

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This brass image of Ganapati, small in size but immeasurable in its magnificence and grandeur, defines his Vira Ganapati – the ‘valiant warrior’ form, one of his initial thirty-four classical forms which early texts, the eighth century Maudgalya Purana in special, have identified or conceived. Though exceptionally beautiful and endowed with divine aura, Vira Ganapati, primarily a votive form

A kingly Lord Ganesha sits on the throne. From the lalitasana of His limbs to the ample regalia of His person, He looks every bit the ruler of paraloka and ihaloka alike, over the hearts of numerous devotees who consider Him the jewel of Shiva-Parvati. He is shashtabhujadhari: conchs and the Sudarshan chakra and the gesture of blessing in His hands, and of course a freshly made laddoo in the anter

Balaji is considered Lord Vishnu's Kaliyug Avatar. Lord Tirupati Balaji is believed to be so powerful that mere sight of the idol is enough to emancipate a man from a lifetime of suffering. Lord Venkateshwara Statue is a full four-armed representation of Vishnu. But only two are visible from the front. Lord Balaji is shown having a U shaped tilak on his forehead which is the signature style t

India’s rich spirituality begins with Lord Ganesha; softens the karma and guides dharma. Ganesha reigns over our beginnings, our changes, earthly decisions and problems. This wonderful Hindu deity is the one closest to the material plane of consciousness, most easily contacted and most able to assist us in our day-to-day life and concerns. The superfine carvings of this brass sculpture form a re

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This large mythical bird is a representation of birth and heaven and an enemy of snakes, carrying amalgamated features of an eagle and human. Here it sits on a large stylized throne crowned with long and fancy peacock feathers and two peacock torsos heading out at the seat from either side. Garuda is the vahana of Lord Vishnu and appears in both Hindu and Buddhist mythology. It is carved here

Gautam Buddha, the first to attain Buddhahood, is the founder of Buddhism, primarily followed only by the people of Tibet, but now it is popularly revered all over the world. This brass statue of Buddha is a representation of his state where he teaches his followers the ways to achieve enlightenment. Lord Buddha sits in a lotus posture on an elongated lotus plinth, carved in a beautiful double lay

Lord Buddha hailed from a royal family, of the Shakya clan, hailing from the modern Indo-Nepal border. As a young man, he renounced his aristocratic heritage and embraced the life of an ascetic beggar. Buddha understood the fallacies of materialistic attachments. He taught to his followers that this attachment was the root of all suffering. It's notable however that Buddha never advocated com

This brass statue, a simple form not involving any kind of intricacy yet revealing rare luster and a great finish, represents a lion, the most majestic of all animals. The forelegs fully stretched for making a long leap, and the hind, collected to optimize the body’s force, the tail secured on the back lest it hindered the pace, the eyes fixed on the target, ears alert to the faintest sound of m

Lord Gautama Buddha is believed to be the sole founder of Buddhism and his teachings are entirely concerned towards defining a path free of worldly pleasures and liberating sentient beings from suffering. The bliss that you perceive as you look at the face of this Buddha sculpture makes you feel in heaven; the superfine carvings of his sharp nose, the satisfactory smiling curve of the lips

Harihara is a lesser-known deity from the Hindu pantheon. He emerges from the amalgamation of Vishnu and Shiva, the preserver and destroyer of the trinity right after Brahma the creator. The sublime serenity of Vishnu meets the fierce stance of Shiva in this composite deity. A number of defining contrasts characterise this composition. Shiva's jaatmukuta to Vishnu's golden crown; Shiva&#

Butter is used to symbolize the solid, steady mind that is fixed on God, For instance, before starting any major enterprise, a Hindu will perform a ceremony dedicated to Lord Ganesha- the Elephant God. As a kind of metaphysical actor, butter stars in numerous religious rituals created by our ancestors long ago. Because butter was often perceived as a divine mystery in itself, hidden in milk and te

Medicine Buddha is an extraordinary and precious healing meditation practice found in Tibetan Buddhism. the Buddhists recite the mantra of Medicine Buddha to overcome mental, physical, and spiritual problems. Not only the mantra, but the people also recite the name of the Medicine Buddha popularly known as Bhaisayaguru. The patient is to recite the long Medicine Buddha mantra 108 times over a glas

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This elaborate brass sculpture is a variation of the Goddess Kali iconography, and hers is a distinct iconography. Her stance is far from the unassuming body language of Indian devices; she is clad in very little by way of clothing and shringar; and there is ferocity about her composure, which matches the weapons she wields in her numerous hands. This one is alone Goddess Kali's composition,

Sri Hanuman is one of the most widely revered gods of the Hindu pantheon. This imposing, bejeweled statue of the Lord captures His divine appeal to perfection: the resplendence of all three looks pours forth from the skin, while His muscles give away His superhuman strength. The clenched fist, the parting of His legs, and the angle of His mace - without which His iconography is incomplete - are in

The beauty of the Devi Kali lies in Her ferocity and invincibility. The very picture of Her is enough to make the adharmee tremble with fear. Each of Her ten arms ('dasha' in Sanskrit means 'ten'; 'bhuja', 'arm') bears a deadly weapon of divine prowess. She uses them to slay adharmees, whose severed heads are hanging in the garland that hangs down Her neck a

Icons depicting Shiva as the Lord of Dance (Nataraja) seem to have originated in the North in Gupta times, and developed in the South under the post-Gupta Vishnukundin dynasty early in the seventh century. One of the first southern sculptures is a colossal dancing figure carved upon the cliff face above the facade of a cave- temple at Mogallarajapuram on the Krishna river. The Pallavas took up the

Krishna is the most popular subject of choice for artistes in India. The predominant deity to be featured in paintings and sculptors, is because He is to most Hindus the superlative of all Indian deities. He is portrayed as the most handsome of youths, the calmest and wisest of minds to have descended on ihloka (our actual realm of existence), and the most divine of all flutists. The stance that H

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Aum is the most important syllable in Hindu chanting. It is the beginning as well as the culmination of every mantra in the divine language of Sanskrt. It is a composite of three different phonetics, namely ‘a’, followed by ‘u’, and finally ‘m’. Contained within the aum is the entire linguistic range of man; as such, chanting aum is to have chanted the Vedas and all of itihasa. A power

In Sanskrit, Nata means dance and raja means Lord. There is an interesting legend behind the conception of Shiva as Nataraja: In a dense forest in South India, there dwelt multitudes of heretical sages. Thither proceeded Shiva to confute them, accompanied by Vishnu disguised as a beautiful woman. The sages were at first led to violent dispute amongst themselves, but their anger was soon directed a