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This large size miniature, a contemporary work of art rendered in late Mughal art style of around 1740-50 AD, assimilating into it some Persian art elements too, especially in portraying the topography of the land and in the choice of palette, illustrates the legend of Laila and Majnun, a world-wide known, painted and sung tale of mad love with tragic end. Laila's Watercolor Painting:

Sarah Bernhardt Painting

In this Spirit Of Enlightenment Mandala Thangka Painting, the sacred hum symbol is at the heart of this mandala. Thick, white strokes of the brush against a scarlet-colored circlet. Painted in the Tibetan script, it is the final syllable of the Shadakshari Avalokiteshvara mantra, which is extracted from the Mahayana Karandavyuhasootra and is considered the moola (fundamental) mantra of Buddhism. A

The unmistakable Tanjore painting is an especial kind of palagai padam (South Indian panel painting). Having originated as icons designed to grace the homes and temples of the wealthy, these works of art depict deities from the Hindu pantheon in all their iconographic beauty and glory. As such, the handpicked Tanjore painting that you see on this page is a collector’s item and would be a valuabl

Kubera is a god-king in Hindu mythology. He is a semi-divine Lord of Wealth among the yakshas or nature spirits in the Hindu tradition. As a part of the Lokapalas, he protects the world and is the governor of the North. These Lokapalas are Guardians of the Directions involving the cardinal ways (north, east, south, and west). In Buddhism, Kubera is called Vaishravana. As evident in this thangka, K

Lord Varaha, the third of Vishnu’s dashavataras, is the most instantly recognizable of the incarnations. The word ‘Varaha’ is Sanskrit for boar; and while some iconographies feature Varaha as a pig-shaped deity, the painting that you see on this page is of an anthropomorphic boar-headed human-bodied entity. Lord Varaha is possessed of eight arms (ashtabhujadhari) and clad in a flame-colored

The merciless Durga brings the great Mahishasura to His knees. Her simhavahana (lion-mount) has him between its teeth, while the dashabhujadharini (the one possessed of ten arms) push Him down with Her feet and drives the spear end of Her trishoola (trident) into Him. Helplessly, the proud Mahishasura looks up at the feminine victor. The work of art that you see on this page is a pattachitra of th

Ganesha's timeless appeal has been captured to perfection in this watercolor by artist Tulsi Das Vimbark. From the chubby limbs in their usual stance to the characteristic pot-belly of the indulgent laddoo-lover, this painting inspires a world of affection in the heart of the devotee. Note the soft glow of the skin, the effulgence of the elephant countenance. The golden halo that graces the h

Mahakala comes from the Sanskrit maha (great) and Kala (death or time) which translates that he is a deity beyond time. In Tibet, he is also called the Nagpo Chenpo, or the Great Black One, and is revered as guardian and protector. He is affiliated with the Hindu god Shiva. According to tradition, he dwells in the cremation grounds. In this thangka, he is depicted with two arms and two legs. On hi

Tanjore paintings are famous for their unique depictions of devotional icons with pure gold coating and vivid colors. In this painting, Lord Venkateshavara stands straight atop a small elevated platform in His four-armed form (chaturbhuja). He is unprecedently dressed in a perfectly pleated pitambar (bright yellow) dhoti down to His ankles. Between the two fingers of His upper hands, He holds His

Goddess Durga is a main diety in Hindu Religion. She is associated with protection, strength, motherhood, destruction, and wars. Her legend centers around combating evils and demonic forces that threaten peace, prosperity, and Dharma the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed and entails destruction to empower c

An image of tender devotion. Lord Hanuman kneels on one knee upon the earth and gathers His hands in the supplicatory namaskaaram. His tail flourishes behind Him as He raises His head towards His beloved Lord Rama, His eyes brimming with the bhakti in His heart. Bhakti, or unconditional love, is the yogamaarga (‘maarga’ is Sanskrit for path) of Hanuman, an accomplished yogi of the finest order

A glorious description of Lord Venkateshvara, a form of Bhagwan Vishnu. Whenever and wherever there is a decline in religious practices and an increase in irreligiosity, the Supreme Lord descends to reestablish Dharma and deliver the impious people. In Kali Yuga, Lord Vishnu appeared in Tirupati, Andhra Pradesh in the form of Bhagwan Venkateshvara to attract people to God-consciousness. Today, tho

The ashtabhujadhari Lord Ganesha, the one possessed of (‘dhari’) eight (‘ashta’) arms (‘bhuja’), stands on His short, chubby child’s legs. His adorable elephant head is turned sideways, revealing the lateral profile of His face to view. But for the gold predominating this Tanjore painting, it is a bitone composition in pale pink (the complexion of His form) and scarlet (the solid-col

On a throne of cut-glass lotus petals kneels Lord Hanuman. The right knee grazes the surface of the throne, the left foot set against the same. Against the knee jutting out laterally rests His goad, the weapon that is indispensable to the cebine iconography of Lord Hanuman. Like the jewels on the body of the warrior deity, His weapon is engraved and studded with pearls and rubies. A red and blue d

Rendered in Marwar idiom of Rajasthani art style, pursuing the theme, style and everything of an early nineteenth century miniature from Jodhpur, in its exactness except the painting’s size and the background colour of the circle in the centre containing the figures of Radha and Krishna, the painting portrays a grieving Radha for Krishna’s failure to reach there despite the promise he had made

In Tibetan Buddhism, Chemchok Heruka is most notably known to be the focal divinity in the Fifty-eight Wrathful Deities mandala where he is the furious aspect of Samantabhadra. These 58 deities are said to be wrathful deities one can meet in death and rebirth. He is also known as the Mahottara Heruka. Meanwhile, in the Guhyagarbha Tantra, he is the main deity among the herukas of the Eight Command

Divinity reaches the next level with Kailash Raj's new painting wonder. He again works his magic with an amazing calligraphy that captures the Islamic tradition in a nutshell. Having a vast history and mainly developing from the carvings of the Quran and ancient traditions, calligraphy holds a great position in the Islamic culture. In this painting, Kailash Raj has encapsulated the valuable p

Little girl painting with her 2 pups gif

Ushnishavijaya is one of the three gods of longevity and fulfillment of desire. The other three are Amitayus and White Tara. She is often depicted with eight arms and three heads. Her main face is white while another face is peaceful in gold, the face to her left is blue in a wrathful look. In this thangka, she sits on a moon disk on top of a multi-colored lotus within a stupa or a mound. Stupas a

Classic beautiful view of Venice Italy as painted in 1697

In Tibetan Buddhism, Chemchok Heruka is most notably known to be the focal divinity in the Fifty-eight Wrathful Deities mandala where he is the furious aspect of Samantabhadra. These 58 deities are said to be wrathful deities one can meet in death and rebirth. He is also known as the Mahottara Heruka. Meanwhile, in the Guhyagarbha Tantra, he is the main deity among the herukas of the Eight Command