There are nine names of Devi Durga –ShailPutri, Brahmacharini, etc; etc and hence known as Nava-Durga. During Navaratri festivals, all the Devis are worshipped in their particular avatars and celebrated all over the world with fanfare. Devi accepts all the names and proves itself in all forms. When you sit in meditation and deep inside, you will realize the different shakties and their mantras.

Lord Hanuman with five faces staring in different directions is the most magnificent, powerful, and revered form. He assumed this form when he was assigned with the responsibility of protecting Lord Ram’s life. According to the legend, Ravana asked one of his brothers, Mahiravana (King of the netherworld) to kidnap Lord Rama and Lakshman. The demon Mahiravana’s soul rested in five lamps and to

This exceptionally ornate brass statue is an example of highly balanced anatomy with delightfully distributed right and left – a strange symmetry with the center unable to contain its line and mincing to the figure’s overall rhythm: the navel and abdomen tilting to the left, and the little inflated right breast, to further right, represents Lord Ganesha in a posture as if commanding and assuri

Salutations to Lord Ganesha -son of Uma-Mahadev, who has an elephant-head, being attended by the band of his followers (GANANATHA), dines his favourite wood-apple and rose–apple fruits, who is the cause of the destruction of all sorrows, Whose feet are like lotus. One should observe Ganesha with full devotion, feel his qualities and waves such as immensity, pride and fearlessness, immense streng

This elaborate brass sculpture is a variation of the Goddess Kali iconography, and hers is a distinct iconography. Her stance is far from the unassuming body language of Indian devices; she is clad in very little by way of clothing and shringar; and there is ferocity about her composure, which matches the weapons she wields in her numerous hands. This one is alone Goddess Kali's composition,

A compactly carved figure of Devi Lakshmi. Poised within a makeshift temple on a double-layered lotus-bloom plinth. From the iconography to the style of the surrounding temple structure, this composition borrows heavily from Hoysala aesthetics. It is the name given to the art and architecture that flourished under the patronage of the Hoysala rulers in South India. The tradition dates back to the

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Goddess Lakshmi is the goddess of wealth, fortune, prosperity, and luxury and Lord Ganesha is the remover of obstacles and the patron of arts and sciences. These deities are mostly worshipped together as there is no wealth without prosperity and no money without wisdom. This superfine sculpture hand-carved with Kadam Wood of Rajasthan shows Goddess Lakshmi towards the right of Ganesha, signifying

The image of the Sheshashayi Vishnu induces great calm and stability in the mind of the devotee. Shesha is the name of the naga (snake) on whose coils the Lord lies in sleep, which is the Sanskrit word for 'end'; 'shayi' in Sanskrit stands for one who is lain down. It is the volatile moment between destruction and re-projection, the transitional state between two cycles of time

The majestic Lord Ganesha is seated on an upturned-lotus throne. This chaturbhujadhari (the one possessed of four arms) figure seated in lalitasana is a widely loved and worshipped roopa (form) of the deity. What makes this a unique work of art is the medium in which it is fashioned and the finesse with which it has been executed. It is a panchaloha sculpture handpicked from the finest studios of

This large mythical bird is a representation of birth and heaven and an enemy of snakes, carrying amalgamated features of an eagle and human. Here it sits on a large stylized throne crowned with long and fancy peacock feathers and two peacock torsos heading out at the seat from either side. Garuda is the vahana of Lord Vishnu and appears in both Hindu and Buddhist mythology. It is carved here

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This three feet tall gold-like glittering brass statue, a highly accomplished example of the art of metal casting, represents Krishna in flute-playing Tribhanga three-curved form. As if overwhelmed by the melody pouring from his flute a phenomenon that ears fail to experience but whose sweet fragrance the eyes savor, the entire image appears to burst into a divine rapture. The smile, which his cut

Lord Hanuman sits down balanced on a single knee. He sets the mace down to His right, and gathers His hands in the namaskaram mudra. This mudra conveys an acknowledgement of the divine contained within the entity afore oneself. In the case of the great Hanuman, it is none other than Lord Rama before whom He bows. The face with the protruding jaws that bear striking resemblance to a monkey.

A standing Ganesha is one of the most rarely seen postures of Ganesha sculptures. Here he stands diligently on a thick pedestal having a green grassy platform with the mouse towards his left foot, busy eating modak. This sculpture is chiseled out of a single piece of white translucent marble that allows light to enter and produce a soft glow while retaining its high polish. Have a look at the beau

Eyes in the back of the head