Feather Statue ~

This image is that of Dakini Vajrayogini. A Dakini is the most important female principle in Tantric Buddhism, representing the ever-changing flow of female energy. They are the guardians of teachings and are considered the supreme embodiments of wisdom. The Dakini can help change human weaknesses into wisdom and understanding, and the concept of self into enlightened energy. There are two kinds o

Nataraja is the most popular representation of the Hindu God Shiva. In Sanskrit, Nata means dance and raja means Lord. Shiva therefore is the 'King of Dancers'. To understand the concept of Nataraja we have to understand the idea of dance itself. Like yoga, dance induces trance, ecstasy and the experience of the divine. In India consequently, dance has flourished side by side with the te

Salutations to Lord Ganesha -son of Uma-Mahadev, who has an elephant-head, being attended by the band of his followers (GANANATHA), dines his favourite wood-apple and rose–apple fruits, who is the cause of the destruction of all sorrows, Whose feet are like lotus. One should observe Ganesha with full devotion, feel his qualities and waves such as immensity, pride and fearlessness, immense streng

Shiva literally means "the auspicious one". In Hinduism, he is known as the Destroyer within the Trimurti, the Hindu trinity, that includes Brahma and Vishnu. In Shaivism tradition, Shiva is one of the supreme beings who creates, protects, and transforms the universe. One of his titles, Nataraja, is a depiction of Lord Shiva as the divine dancer. His dance form is called Tandavam or Nada

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She is the fairest Devi of the Hindu pantheon. She strums Her veena, cradled on the lap of a divine lotus. She lulls Her devotees with Her music and Her charm. She is the wife and the loved one (‘priya’) of Lord Brahma, who presides over the creative process (termed ‘srshti’ in Indian philosophy). She is the Devi of learning and the arts, crucial to that process. She is Devi Sarasvati, the

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Godhead of Hindu trinity deities and the most popular incarnation of Lord Vishnu- Lord Krishna or Murlimanohar is the leader, hero, protector, teacher, and a friend of all. He is the ruler, not only of religion and philosophy, but also mysticism, literature, and all aspects of Indian folklore. Here he stands on a flourishing carved multilayered leveled-up inverted lotus in his run-of-the-mill cros

Black marble- the lustrous dark stone is undoubtedly one of the most beautiful materials used in the making of idols of Hindu gods and goddesses. Its sturdiness and mysterious shine bring the residents of the heavens to the simple abode of us humans. Though suitable for all kinds of statues and images, the manner in which black marble is used in this enchanting Sri Krishna idol is mesmerizing. Res

As the cowherd youth recently arrived in Vrindavan, the effect Krishna had on the hearts of the cows and the milkmaids alike is known and sung about to this day. And it was not just His youth and handsomeness and the charm of His demeanor that brought Vrindavan thus to life. His way with the flute is the stuff of legends. In fact, myth has it that His music drew the simple-hearted to Himself l

Balaji is considered Lord Vishnu's Kaliyug Avatar. Lord Tirupati Balaji is believed to be so powerful that mere sight of the idol is enough to emancipate a man from a lifetime of suffering. Lord Venkateshwara is a full four-armed representation of Vishnu. But only two are visible from the front. Lord Balaji is shown having a U-shaped tilak on his forehead which is the signature style to descr

The beauty of the Devi Kali lies in Her ferocity and invincibility. The very picture of Her is enough to make the adharmee tremble with fear. Each of Her ten arms ('dasha' in Sanskrit means 'ten'; 'bhuja', 'arm') bears a deadly weapon of divine prowess. She uses them to slay adharmees, whose severed heads are hanging in the garland that hangs down Her neck a

Icons depicting Shiva as the Lord of Dance (Nataraja) seem to have originated in the North in Gupta times, and developed in the South under the post-Gupta Vishnukundin dynasty early in the seventh century. One of the first southern sculptures is a colossal dancing figure carved upon the cliff face above the facade of a cave- temple at Mogallarajapuram on the Krishna river. The Pallavas took up the

In the Shaiva shrines of South India, the wife of Mahadeva Shiva- Parvati, resides as Shivakamasundari – the beautiful woman who is the sole focus of Shiva’s passionate love. Resonating with her descriptions in the Hindu textual traditions, Devi Parvati in her sculptures appears as a divine amalgamation of yoga (spiritual attainment) and Bhoga (material fulfilments). Maa Parvati’s standing i

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It is not just His childlike innocence that makes Ganesha one of the most popular deities of the Indian pantheon. The adorable form of a chubby little boy, His generosity with blessings and boons, and that unfailing love of laddoos - so much so that His iconography is incomplete without a bunch of the delectable Indian sweetmeat in the picture - endear Him to His devotees. The fateful Samudra-Mant

Sri Hanuman is one of the most widely revered gods of the Hindu pantheon. This imposing, bejeweled statue of the Lord captures His divine appeal to perfection: the resplendence of all three looks pours forth from the skin, while His muscles give away His superhuman strength. The clenched fist, the parting of His legs, and the angle of His mace - without which His iconography is incomplete - are in

A life-sized Lord Shiva statue for the home or office of the finest devotee. Sculpted from brass and given a sturdy finish, the big Lord Shiva statue that you see on this page is fit to be installed outdoors. It depicts the great Adiyogi Shiva seated in lalitasana on a mound of the Himalayas. A tigerskin asana lies beneath Him. While it is common iconography to depict the ascetic Shiva in a standi

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Dharma-Artha-kama-moksha (virtue, finances, pleasure, liberation) - these are the four Purusharthas or pursuits of a person, in Hinduism. Goddess Lakshmi’s four hands, the most common attributes attached to her iconography, represent these four life goals. It is well established that in the pursuit of any of the above-mentioned goals, Ma Lakshmi’s Kripa (regards) is required by the devotee. La

The silhouette of Ganesha is unmistakable. The chubby limbs, the pot belly, the signature trunk, and the large ears are each enough to give away His sacred presence. The adorable boy-deity of the Hindu pantheon, Ganesha is arguably the most deeply loved deity; His icons, the most widely stocked up on. This Ganesha is small enough to fit into the palm of the devotee, the gracious lines of the sculp

The episode of the battle of the great goddess and the demon Raktabija as mentioned in the Vamana Purana describes the powerful expansions of the Adi-Shakti, which took the form of warring goddesses, each one of them originating from the other, assisting the Adi Devi Durga in slaying the demon. These goddesses came to be known as Sapta-Matrikas, “seven mothers”, and are associated with the mal