A many-layered Ganesha idol, designed for the finest home or office temple. A traditional-style plinth carved with elongated lotus petals. Featuring a simple floral structure down the frontal midline. The mouse vahana of gigantic proportions, on all four on its surface. It is craning its head back to glance at the Lord Ganesha statue on its back. This Ganesha murti depicts the chaturbhujadhari Lor

The serene Lakshmi Devi is seated in lalitasana. Her throne is a gigantic lotus in full bloom. At the base of this lotus-shaped throne is another lotus bloom of more realistic proportions. On its belly cradles the foot of Laxmi Mata’s pendant limb. The posterior of Her four arms bear lotuses, while Her anterior hands are in the mudras of aashirvada (blessing) and Abhaya (fearlessness). This is t

In a touch of artistic poetry – the god of auspicious starts – is artistically shown reclining in rest in this ‘panchaloha’ bronze statue executed in the ‘madhuchista vidhana’ lost wax technique. Ganesha’s image is presented to us in his two-armed avatar, lying on his side, and supported by a long bolster under his hand and head. His left hand is placed over his left leg. Ganesha’s

A compactly carved figure of Devi Lakshmi. Poised within a makeshift temple on a double-layered lotus-bloom plinth. From the iconography to the style of the surrounding temple structure, this composition borrows heavily from Hoysala aesthetics. It is the name given to the art and architecture that flourished under the patronage of the Hoysala rulers in South India. The tradition dates back to the

This is a stylized statue of the brass form of Lord Ganesha (the god of remover of obstacles and provider of happiness). The quirky long trunk is forming a ‘C’ and resting on his folded legs. A slight outstretch from the sides at the top represent his artistic ears. There is a small leaf-like texture on the right knee symbolizing his hand blessing people for fearlessness. The sharp eyes are lo

The image of the seated Lord Ganesha in the Tanjore idiom. The son of Shiva and Parvati, a widely adored baala-deva (boy-deity), is seated on a studded throne of solid gold. Behind the chaturbhujadhari deity rises the velvet-upholstered backrest hemmed in with gold. The same is studded with concentric rows of red and green stones which resemble rubies and emeralds, respectively. Ganesha is dressed

The tall, beauteous, and stately Lakshmiji blesses the devotee with plenty. The wife of none other than the great Vishnu, She presides over wealth which is the necessary means to His function of preserving creation through destruction. She has been given the resplendent finish of pale gold, Her saree draped in modern-day urban North Indian style. On Her head sits a skillfully carved crown, fro

Dharma-Artha-kama-moksha (virtue, finances, pleasure, liberation) - these are the four Purusharthas or pursuits of a person, in Hinduism. Goddess Lakshmi’s four hands, the most common attributes attached to her iconography, represent these four life goals. It is well established that in the pursuit of any of the above-mentioned goals, Ma Lakshmi’s Kripa (regards) is required by the devotee. La

Krishna is one of the most respected Hindu gods and is glorified as the eighth avatar of God Vishnu. He is believed to be the God of love, solicitude and affection. This valuable brass-gold sculpture is an overall enlightener that fills your soul with an aureole of blessings that is displayed skillfully behind Krishna's head, as he is accompanied with the graceful and beautiful deepalakshmis,

The work of art you see on this page is a powerful confluence. It is a fusion of the innocence and wisdom of Lord Ganesha with the strength and prowess of Lord Hanuman. The former has the gigantic head of the gentle elephant, the latter the protruding jaw of the clever monkey. A fine blend of the two makes for composition so unusual, that it would be a one-of-a-kind addition to any private space o

This exceptionally ornate brass statue is an example of highly balanced anatomy with delightfully distributed right and left – a strange symmetry with the center unable to contain its line and mincing to the figure’s overall rhythm: the navel and abdomen tilting to the left, and the little inflated right breast, to further right, represents Lord Ganesha in a posture as if commanding and assuri

We devote our thought to the one-tusked Lord, Aum ekadantaya vidmahe, vakratundaya dhimahe, tanno dantih prachodayat. We meditate upon Him who has a curved trunk. May the tusked One guide us on the right path. This is precisely for what we worship Lord Ganesh. The single tusked, or the one tusk broken form of Ganesh suggests that for accomplishing his devotee's prayer he would not hesitate in