Black marble- the lustrous dark stone is undoubtedly one of the most beautiful materials used in the making of idols of Hindu gods and goddesses. Its sturdiness and mysterious shine bring the residents of the heavens to the simple abode of us humans. Though suitable for all kinds of statues and images, the manner in which black marble is used in this enchanting Sri Krishna idol is mesmerizing. Res

Bhogashakti is the name given to a special roopa (form) of Devi Uma. The beauty of bhogashakti comes out in the presence of Her husband, the great Lord Shiva. It is said that bhogashakti is the form She assumes moments before She draws Him into the inner sanctum of their divine togetherness. The word ‘bhoga’ is Sanskrit for material fulfillment. ‘Shakti’ refers to the distinctive strength

As the cowherd youth recently arrived in Vrindavan, the effect Krishna had on the hearts of the cows and the milkmaids alike is known and sung about to this day. And it was not just His youth and handsomeness and the charm of His demeanor that brought Vrindavan thus to life. His way with the flute is the stuff of legends. In fact, myth has it that His music drew the simple-hearted to Himself l

The beauty of the Devi Kali lies in Her ferocity and invincibility. The very picture of Her is enough to make the adharmee tremble with fear. Each of Her ten arms ('dasha' in Sanskrit means 'ten'; 'bhuja', 'arm') bears a deadly weapon of divine prowess. She uses them to slay adharmees, whose severed heads are hanging in the garland that hangs down Her neck a

Lord Ganesha's nature is to shower fortune and bliss wherever he is worshipped and here also he is holding a traditional lamp via chain by his twisted trunk. Well, in this illustration, Shri Ganesha's sweet face represents all the attributes of his personality, such as; his smartness, cuteness, attentiveness, childish expressions along with the lotus eyes, all these features are filled i

Icons depicting Shiva as the Lord of Dance (Nataraja) seem to have originated in the North in Gupta times, and developed in the South under the post-Gupta Vishnukundin dynasty early in the seventh century. One of the first southern sculptures is a colossal dancing figure carved upon the cliff face above the facade of a cave- temple at Mogallarajapuram on the Krishna river. The Pallavas took up the

In the Shaiva shrines of South India, the wife of Mahadeva Shiva- Parvati, resides as Shivakamasundari – the beautiful woman who is the sole focus of Shiva’s passionate love. Resonating with her descriptions in the Hindu textual traditions, Devi Parvati in her sculptures appears as a divine amalgamation of yoga (spiritual attainment) and Bhoga (material fulfilments). Maa Parvati’s standing i

It is not just His childlike innocence that makes Ganesha one of the most popular deities of the Indian pantheon. The adorable form of a chubby little boy, His generosity with blessings and boons, and that unfailing love of laddoos - so much so that His iconography is incomplete without a bunch of the delectable Indian sweetmeat in the picture - endear Him to His devotees. The fateful Samudra-Mant

A life-sized Lord Shiva statue for the home or office of the finest devotee. Sculpted from brass and given a sturdy finish, the big Lord Shiva statue that you see on this page is fit to be installed outdoors. It depicts the great Adiyogi Shiva seated in lalitasana on a mound of the Himalayas. A tigerskin asana lies beneath Him. While it is common iconography to depict the ascetic Shiva in a standi

On the pistil of an upturned lotus, pedestal stands the steady chaturbhujadhari (four-armed) Ganesha, poised on a quadrilateral plinth engraved with lotus petals. The vertical structures on either side of the same are designed to be wound around with a rope in order to maneuver the sculpture. This Ganesha composition is a panchaloha murti from Swamimalai. Panchaloha refers to a blend of five (‘p

Dharma-Artha-kama-moksha (virtue, finances, pleasure, liberation) - these are the four Purusharthas or pursuits of a person, in Hinduism. Goddess Lakshmi’s four hands, the most common attributes attached to her iconography, represent these four life goals. It is well established that in the pursuit of any of the above-mentioned goals, Ma Lakshmi’s Kripa (regards) is required by the devotee. La

The silhouette of Ganesha is unmistakable. The chubby limbs, the pot belly, the signature trunk, and the large ears are each enough to give away His sacred presence. The adorable boy-deity of the Hindu pantheon, Ganesha is arguably the most deeply loved deity; His icons, the most widely stocked up on. This Ganesha is small enough to fit into the palm of the devotee, the gracious lines of the sculp

The episode of the battle of the great goddess and the demon Raktabija as mentioned in the Vamana Purana describes the powerful expansions of the Adi-Shakti, which took the form of warring goddesses, each one of them originating from the other, assisting the Adi Devi Durga in slaying the demon. These goddesses came to be known as Sapta-Matrikas, “seven mothers”, and are associated with the mal

Much has been written about Ganesha. As Hindu dharma's most adorable boy-deity, He has inspired countless artisans and painters, and poets across the subcontinent since time immemorial; and how could He not? So overcome by love are His devotees - and so widespread His followers - that His form is ubiquitous on the streets, inside homes, and across commercial establishments in India. This is b

Lord Gautama Buddha is believed to be the sole founder of Buddhism and his teachings are entirely concerned towards defining a path free of worldly pleasures and liberating sentient beings from suffering. The bliss that you perceive as you look at the face of this Buddha sculpture makes you feel in heaven; the superfine carvings of his sharp nose, the satisfactory smiling curve of the lips

In Sanskrit, Nata means dance and raja means Lord. There is an interesting legend behind the conception of Shiva as Nataraja: In a dense forest in South India, there dwelt multitudes of heretical sages. Thither proceeded Shiva to confute them, accompanied by Vishnu disguised as a beautiful woman. The sages were at first led to violent dispute amongst themselves, but their anger was soon directed a

Son of Shiva, warrior and protector and upholder of dharma. The all-powerful shodashabhujadhari (sixteen-armed) Roopa (form) of Lord Ganesha is quite the rarity. The panchaloha medium, a bronze made of five (‘pancha’) iron-based (‘loha’) alloys, and the traditional madhuchista vidhana or lost-wax make, add to the value of this Ganesha murti as a work of art. Lord Ganesha Bronze Statue stan

Lord Shiva forms the part of the cosmic trinity and holds the position of being the destroyer of the impurities and evils prevailing in the universe. Lord Shiva is the darkness, which is always there. Light is a limited happening as it will eventually lose its ability, but darkness is eternal, it is everywhere, just like Lord Shiva. This Lord Shiva wooden sculpture depicts the supreme being as the

This brass-statue represents a winged Naga-kanya, a maiden with a serpent’s lower half. Almost all ancient mythologies world-over comprise the concept of half man-half serpent and half maiden-half serpent, often interacting with the world of man. As regards the cult of man-serpent mixed forms, Indian mythology is far more elaborate though strangely while it talks with definiteness about diff

The embodiment of sacrifice and the savior of Earth, Vishnu’s third avatar, Varaha, is presented in a highly charged form in this ‘panchaloha’ bronze sculptural image, along with his consort Varahi, or the Earth goddess Bhudevi. This visual presentation is also symbolic of what Hinduism today celebrates as Varaha Jayanti, which marks the mythological celebration of Varaha defeating Hiranyaks

Krishna is one of the most respected Hindu gods and is glorified as the eighth avatar of God Vishnu. He is believed to be the God of love, solicitude and affection. This valuable brass-gold sculpture is an overall enlightener that fills your soul with an aureole of blessings that is displayed skillfully behind Krishna's head, as he is accompanied with the graceful and beautiful deepalakshmis,

This brass image of Ganapati, small in size but immeasurable in its magnificence and grandeur, defines his Vira Ganapati – the ‘valiant warrior’ form, one of his initial thirty-four classical forms which early texts, the eighth century Maudgalya Purana in special, have identified or conceived. Though exceptionally beautiful and endowed with divine aura, Vira Ganapati, primarily a votive form

Vrishavahana in Sanskrit means 'one who rides the bull', who is none other than the fierce destroyer-god, Shiva. Lord Shiva is portrayed as the Vrishavahana in this intricately replete brass sculpture from the Exotic India collection, His arm resting presumably on the back of Nandi (His divine vahana, a legendary bull). Shiva Sculpture: https://www.exoticindiaart.com/sculptures/hi

Harihara is a lesser-known deity from the Hindu pantheon. He emerges from the amalgamation of Vishnu and Shiva, the preserver and destroyer of the trinity right after Brahma the creator. The sublime serenity of Vishnu meets the fierce stance of Shiva in this composite deity. A number of defining contrasts characterise this composition. Shiva's jaatmukuta to Vishnu's golden crown; Shiva&#

This youthful, valiant posture of Ganesha, the epitome of achievement and self-mastery, sits in Utkutakasana pose on a throne having a rectangular brick-like base with two white mice carved on it, facing opposite directions, holding a laddoo and a long back curved at the top, orange in color, bordered with thick gold color. The chaturbhuja Ganesha holds laddoos (his favorite sweet) and radish, as