A Tibetan thangka of Bodhisattva Samantabhadra, one of the Shakyamuni triad of Mahayana Buddhism (together with Gautama Buddha and Manjushri). In this fine example of thangka art, He is depicted in a dynamic stance upon the back of a fair elephant, a mythical creature of the Buddhist heavens. A dhoti of powdery blue silk and sashes of pale gold float about the figure of Samantabhadra. His face is

Rendered in Marwar idiom of Rajasthani art style, pursuing the theme, style and everything of an early nineteenth century miniature from Jodhpur, in its exactness except the painting’s size and the background colour of the circle in the centre containing the figures of Radha and Krishna, the painting portrays a grieving Radha for Krishna’s failure to reach there despite the promise he had made

Tanjore paintings are famous for their unique depictions of devotional icons with pure gold coating and vivid colors. In this painting, Lord Venkateshavara stands straight atop a small elevated platform in His four-armed form (chaturbhuja). He is unprecedently dressed in a perfectly pleated pitambar (bright yellow) dhoti down to His ankles. Between the two fingers of His upper hands, He holds His

An image of tender devotion. Lord Hanuman kneels on one knee upon the earth and gathers His hands in the supplicatory namaskaaram. His tail flourishes behind Him as He raises His head towards His beloved Lord Rama, His eyes brimming with the bhakti in His heart. Bhakti, or unconditional love, is the yogamaarga (‘maarga’ is Sanskrit for path) of Hanuman, an accomplished yogi of the finest order

Goddess Durga then fought Mahishasura over a period of fifteen days during which he kept changing his shape to become different animals and misled her. Mahishasura believed that there is no woman in the world who could cause him any harm. The legend continues, Mahishasura, high on the power of "immortality", attacked Trilok (the three worlds of earth, heaven and hell) with his army. He e

Oil painting spring

This large size miniature, a contemporary work of art rendered in late Mughal art style of around 1740-50 AD, assimilating into it some Persian art elements too, especially in portraying the topography of the land and in the choice of palette, illustrates the legend of Laila and Majnun, a world-wide known, painted and sung tale of mad love with tragic end. Laila's Watercolor Painting:

In Tibetan Buddhism, Chemchok Heruka is most notably known to be the focal divinity in the Fifty-eight Wrathful Deities mandala where he is the furious aspect of Samantabhadra. These 58 deities are said to be wrathful deities one can meet in death and rebirth. He is also known as the Mahottara Heruka. Meanwhile, in the Guhyagarbha Tantra, he is the main deity among the herukas of the Eight Command

Ushnishavijaya is one of the three gods of longevity and fulfillment of desire. The other three are Amitayus and White Tara. She is often depicted with eight arms and three heads. Her main face is white while another face is peaceful in gold, the face to her left is blue in a wrathful look. In this thangka, she sits on a moon disk on top of a multi-colored lotus within a stupa or a mound. Stupas a

Divinity reaches the next level with Kailash Raj's new painting wonder. He again works his magic with an amazing calligraphy that captures the Islamic tradition in a nutshell. Having a vast history and mainly developing from the carvings of the Quran and ancient traditions, calligraphy holds a great position in the Islamic culture. In this painting, Kailash Raj has encapsulated the valuable p

Mahakala comes from the Sanskrit maha (great) and Kala (death or time) which translates that he is a deity beyond time. In Tibet, he is also called the Nagpo Chenpo, or the Great Black One, and is revered as guardian and protector. He is affiliated with the Hindu god Shiva. According to tradition, he dwells in the cremation grounds. In this thangka, he is depicted with two arms and two legs. On hi

Lord Ganesh is one of Hinduism’s most prominent deities. He is the god of new beginnings and the lord who removes obstacles. Because of these, he is often invoked at the beginning of prayers or rituals, or when believers are set to undergo a major milestone and before making life decisions. He is traditionally depicted with an elephant head, often large in the proportion which signifies knowledg

A glorious description of Lord Venkateshvara, a form of Bhagwan Vishnu. Whenever and wherever there is a decline in religious practices and an increase in irreligiosity, the Supreme Lord descends to reestablish Dharma and deliver the impious people. In Kali Yuga, Lord Vishnu appeared in Tirupati, Andhra Pradesh in the form of Bhagwan Venkateshvara to attract people to God-consciousness. Today, tho

Lantana painting ?

On a throne of cut-glass lotus petals kneels Lord Hanuman. The right knee grazes the surface of the throne, the left foot set against the same. Against the knee jutting out laterally rests His goad, the weapon that is indispensable to the cebine iconography of Lord Hanuman. Like the jewels on the body of the warrior deity, His weapon is engraved and studded with pearls and rubies. A red and blue d

Sarah Bernhardt Painting

Superfine Four-Armed Avalokiteshvara - Tibetan Buddhist Brocadeless Thangka Painting

In Tibetan Buddhism, Chemchok Heruka is most notably known to be the focal divinity in the Fifty-eight Wrathful Deities mandala where he is the furious aspect of Samantabhadra. These 58 deities are said to be wrathful deities one can meet in death and rebirth. He is also known as the Mahottara Heruka. Meanwhile, in the Guhyagarbha Tantra, he is the main deity among the herukas of the Eight Command

Kat Fedora painting

This exquisite painting displays Krishna’s childhood pastime in the traditional Tanjore style. The precision with which it has been made and the use of vibrant colors makes it appealing and breathtaking. Lord Krishna being the Supreme Lord, appeared just like an ordinary child in Vrindavan but His naughty and uncommon activities were always astonishing for all the inhabitants of Vraja including

Albert Williams pretty floral painting

An Avalokiteshvara Thangka Painting such as the one you see on this page would be a valuable addition to the home of any Buddha devotee. It is a skillfully, perfectly symmetrically executed Lokeshvara thangka painting in His traditional iconography. He is the glorious Lokeshvara sahasrabhuja (thousand-armed), the unmistakable aspect of His iconography. Speaking of signature aspects, this is an ima

Goddess Durga is a main diety in Hindu Religion. She is associated with protection, strength, motherhood, destruction, and wars. Her legend centers around combating evils and demonic forces that threaten peace, prosperity, and Dharma the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed and entails destruction to empower c

A painting of the ethereal goddess Green Tara on a strip of soft, lace-like fabric. She is the queen of the Buddhist heavens as She sits on the belly of a pale-colored lotus bloom, Her long, slender legs gathered in Her characteristic bhadrasana. The right foot in Green Tara thangka paintings is usually poised discretely as could be seen in this traditional Tibetan thangka painting. The back of He

The merciless Durga brings the great Mahishasura to His knees. Her simhavahana (lion-mount) has him between its teeth, while the dashabhujadharini (the one possessed of ten arms) push Him down with Her feet and drives the spear end of Her trishoola (trident) into Him. Helplessly, the proud Mahishasura looks up at the feminine victor. The work of art that you see on this page is a pattachitra of th