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Description Amoghapasha, which means "unfailing lasso," alludes to lasso-like compassion that brings all sentient creatures out of sorrow and into a state of happiness that leads to enlightenment. In Tantric Buddhist imagery, Amoghapasha is a convoluted god. In most creative renditions, he is easily confused with Avalokiteshvara. Scholars frequently confuse the two deities. When Avalokiteshvara is the primary god in the mandala, Amoghapasha is described as a form, or emanation, of Avalokiteshvara, and at other times as a retinue figure. Amoghapasha is a Buddhist deity who is most often venerated in Buddhist Nepal and Japan. His name translates to "of the never-empty noose," and his main weapon is a lasso, which he uses to resurrect fallen souls. The sculpture of Amoghapsha is gilded in amber gold and copper metal which enhances the sculpture's timeless beauty. The background is embellished in foliate and floral motifs which is a state-of-the-art etched and enthralled by our Exotic India Art artisans.
Description Amoghapasha, which means "unfailing lasso," alludes to lasso-like compassion that brings all sentient creatures out of sorrow and into a state of happiness that leads to enlightenment. In Tantric Buddhist imagery, Amoghapasha is a convoluted god. In most creative renditions, he is easily confused with Avalokiteshvara. Scholars frequently confuse the two deities. When Avalokiteshvara is the primary god in the mandala, Amoghapasha is described as a form, or emanation, of Avalokiteshvara, and at other times as a retinue figure. Amoghapasha is a Buddhist deity who is most often venerated in Buddhist Nepal and Japan. His name translates to "of the never-empty noose," and his main weapon is a lasso, which he uses to resurrect fallen souls. The sculpture of Amoghapsha is gilded in amber gold and copper metal which enhances the sculpture's timeless beauty. The background is embellished in foliate and floral motifs which is a state-of-the-art etched and enthralled by our Exotic India Art artisans.
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