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Description As the cowherd youth recently arrived in Vrindavan, the effect Krishna had on the hearts of the cows and the milkmaids alike is known and sung about to this day. And it was not just His youth and
handsomeness and the charm of His demeanor that brought Vrindavan thus to life. His way with the flute is the stuff of legends. In fact, myth has it that His music drew the simple-hearted to Himself like the
paramaatma subsumes the realised jeevatma. The murti that you see on this page is of the standing Krishna playing on His flute. The stance is known as the tribhanga Murari: the body is jutting out laterally
(‘bhanga’) at three (‘tri’) different junctures, whilst he is possessed of the flute (‘Murari).
Description As the cowherd youth recently arrived in Vrindavan, the effect Krishna had on the hearts of the cows and the milkmaids alike is known and sung about to this day. And it was not just His youth and
handsomeness and the charm of His demeanor that brought Vrindavan thus to life. His way with the flute is the stuff of legends. In fact, myth has it that His music drew the simple-hearted to Himself like the
paramaatma subsumes the realised jeevatma. The murti that you see on this page is of the standing Krishna playing on His flute. The stance is known as the tribhanga Murari: the body is jutting out laterally
(‘bhanga’) at three (‘tri’) different junctures, whilst he is possessed of the flute (‘Murari).
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