Amalgamated in beautiful smoky grey and gold colors, Nataraja, while dancing in ecstasy rules over his conscious fearful yet caring nature. This rare Nataraja posture triumphs joyfully on the demon dwarf Apasmara, who embodies ignorances of the world and here sits with his implements in his hands on a three-layered heightened pedestal carved in mesmerizing highlighted lotus petals. Nataraja Bra

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Lord Hanuman is known to be a popular symbol of strength and selfless devotee of Lord Rama in Hinduism. It is said that he is the only God who is still present on Earth in various forms as per Sita’s blessing of being there for his devotees forever. The sculptor has kept up to the key characteristics of Lord Hanuman of devotion, courage, and self-discipline while carving out this sculpture, as c

Maryada Purushottam Rama has been the 18th incarnation of Lord Vishnu. When Rama returned to Ayodhya with Sita, Lakshaman, and his foremost Sevak-bhakt Hanuman after killing Ravana & affecting his 14yr-Vanwas, his Rajyabhishek was solemnized and crowned as the Maharaja of Ayodhya. These mesmerising Shri Rama Durbar brass statues of Sri Ram – Lakshman- Janki & Bhakt Hanuman Statue are in

With his legendary flute in hand, the Supreme Lord Krishna stands cast in bronze, his graceful pose with his legs crossed acting as a hallmark to the elaborate carvings of the Hoysala architecture. In the form of Venugopal, Lord Krishna becomes the protector of cows and the owner of the flute Venu. His face is at utter peace and serenity as he plays his flute, harmonious notes pleasing to the ears

The five (‘pancha’) faces (‘mukha’) of Panchamukha Hanuman stand for the five means of worship that the great yogi extended to Lord Rama: naman, smaran, keerthanam, yacham, and arpanam. The faces are (from left to right) Lakshmi Varaha, Mahaveera Garuda, Anjaneya, Karala Ugraveera Narasimha, and Hayagriva. The Panchamukha on this page is possessed of eight arms (the ashtabhujadhari). The m

There are nine names of Devi Durga –ShailPutri, Brahmacharini, etc; etc and hence known as Nava-Durga. During Navaratri festivals, all the Devis are worshipped in their particular avatars and celebrated all over the world with fanfare. Devi accepts all the names and proves itself in all forms. When you sit in meditation and deep inside, you will realize the different shakties and their mantras.

In Sanskrit, Nata means dance and raja means Lord. There is an interesting legend behind the conception of Shiva as Nataraja: In a dense forest in South India, there dwelt multitudes of heretical sages. Thither proceeded Shiva to confute them, accompanied by Vishnu disguised as a beautiful woman. The sages were at first led to violent dispute amongst themselves, but their anger was soon directed a

Godhead of Hindu trinity deities and the most popular incarnation of Lord Vishnu- Lord Krishna or Murlimanohar is the leader, hero, protector, teacher, and a friend of all. He is the ruler, not only of religion and philosophy, but also mysticism, literature, and all aspects of Indian folklore. Here he stands on a flourishing carved multilayered leveled-up inverted lotus in his run-of-the-mill cros

Garuda 'the devourer' is the mythical 'Lord of birds' in both the Hindu and Buddhist traditions. In the Hindu Puranic legends, Garuda is the son of Kashyapa and Vinata. He is said to have emerged, fully grown, from an egg, after incubating for five hundred years. Garuda has always been the sworn enemy of snakes and nagas. The archetypal legend of the enmity that exists between

This brass-statue represents a winged Naga-kanya, a maiden with a serpent’s lower half. Almost all ancient mythologies world-over comprise the concept of half man-half serpent and half maiden-half serpent, often interacting with the world of man. As regards the cult of man-serpent mixed forms, Indian mythology is far more elaborate though strangely while it talks with definiteness about diff

The beauty of the Devi Kali lies in Her ferocity and invincibility. The very picture of Her is enough to make the adharmee tremble with fear. Each of Her ten arms ('dasha' in Sanskrit means 'ten'; 'bhuja', 'arm') bears a deadly weapon of divine prowess. She uses them to slay adharmees, whose severed heads are hanging in the garland that hangs down Her neck a

Sri Maha Shodashi is a Hindu goddess and is an aspect of Mahadevi mainly worshipped in Shaktism, a goddess-oriented sect of Hinduism. She is also revered as one of the prominent Mahavidyas. She is glorified in many Shakta texts, with Lalita Sahasranama being the most popular one. Sri Maha Shodashi is also known as Tripura Sundari, Rajarajeshwari, and Lalita. She is a personification of Supreme Ene

The archaic period of art began to show interest in marble. Limestone sculpture is the art of creating, convincing realistic figure which produces natural and expressive movement. Such is the Saraswati sculpture. She is a marvel of knowledge, music, art, speech, and learning. The goddess is depicted as a beautiful woman clothed in pure white. She is garlanded in a golden throne which represents th

This is a stylized statue of the brass form of Lord Ganesha (the god of remover of obstacles and provider of happiness). The quirky long trunk is forming a ‘C’ and resting on his folded legs. A slight outstretch from the sides at the top represent his artistic ears. There is a small leaf-like texture on the right knee symbolizing his hand blessing people for fearlessness. The sharp eyes are lo

Vrishavahana in Sanskrit means 'one who rides the bull', who is none other than the fierce destroyer-god, Shiva. Lord Shiva is portrayed as the Vrishavahana in this intricately replete brass sculpture from the Exotic India collection, His arm resting presumably on the back of Nandi (His divine vahana, a legendary bull). Shiva Sculpture: https://www.exoticindiaart.com/sculptures/hi

The saptamatrka is a set of interesting deities from the Hindu pantheon. They are the maternal manifestations (‘matrikas’) of seven (‘sapta’) Hindu devas; and, as divine manifestations, are distinct from the wives and companions of those devas. Devi Varahi, whose murti you see on this page, is one of the saptamatrkas. She is the ashtabhujadhari (eight-armed) maternal manifestation of Lord

Buddhism was first very important solely among the people of Tibet, but it gradually increased in popularity all over the world. Gautama Buddha, the first Buddha to achieve enlightenment, founded it. Tibet worships Buddha as a supernatural being rather than a deity and his teachings are a significant source of positivity and harmony among his followers. Buddha mudras and postures are examples of s

Lord Soorya is revered as the prime source of life and nourishment by the peoples of the subcontinent. His many names include Vivasvat (Sanskrit word for 'brilliant'), Savitra ('nourisher'), and Lokachakshu ('eye of the realm'). Lore has it that He rides a chariot as brilliant as He is, drawn by no less than seven horses, across the skies each day in His bid to overpo

This exceptionally ornate brass statue is an example of highly balanced anatomy with delightfully distributed right and left – a strange symmetry with the center unable to contain its line and mincing to the figure’s overall rhythm: the navel and abdomen tilting to the left, and the little inflated right breast, to further right, represents Lord Ganesha in a posture as if commanding and assuri

This three feet tall gold-like glittering brass statue, a highly accomplished example of the art of metal casting, represents Krishna in flute-playing Tribhanga three-curved form. As if overwhelmed by the melody pouring from his flute a phenomenon that ears fail to experience but whose sweet fragrance the eyes savor, the entire image appears to burst into a divine rapture. The smile, which his cut

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The episode of the battle of the great goddess and the demon Raktabija as mentioned in the Vamana Purana describes the powerful expansions of the Adi-Shakti, which took the form of warring goddesses, each one of them originating from the other, assisting the Adi Devi Durga in slaying the demon. These goddesses came to be known as Sapta-Matrikas, “seven mothers”, and are associated with the mal

The vitarka mudra is of great importance in Buddhist iconography. The enlightened one sits in a stable padmasana and raises the right hand in the stance of dispensing vidya (awareness). This is called vitarka in Sanskrit; while ‘mudra’ refers to the stance of the hands in particular. As you could see in the murti on this page, the forefinger curves forward to touch the tips with the thumb, and

Sri Hanuman is one of the most widely revered gods of the Hindu pantheon. This imposing, bejeweled statue of the Lord captures His divine appeal to perfection: the resplendence of all three looks pours forth from the skin, while His muscles give away His superhuman strength. The clenched fist, the parting of His legs, and the angle of His mace - without which His iconography is incomplete - are in