Lord Ganesha is a baal-deva, a child (baal) of the divine order of the devas. He is an integral part of Shiva-parivar and the Devi Durga offspring retinue in devotional art; and when portrayed alone, He is the scribe of the Mahabharata and/or the very picture of traditional opulence. The oil painting you see on this page is a singular depiction of the Lord. Quiet, gathered, solitary - such is His

Ganesha's timeless appeal has been captured to perfection in this watercolor by artist Tulsi Das Vimbark. From the chubby limbs in their usual stance to the characteristic pot-belly of the indulgent laddoo-lover, this painting inspires a world of affection in the heart of the devotee. Note the soft glow of the skin, the effulgence of the elephant countenance. The golden halo that graces the h

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Such was the depth of Mirabai's devotion that it commanded the living presence of Lord Krishna. She was a mystic of the highest order and belonged to the bhakti cult of North India. Her composure of countenance betrays the loverlike nature of her reverence, which is one of the many schools of bhakti. For the resplendence of the oils and the spiritual ethos of the theme alone would this painti

Albert Williams pretty floral painting

A supreme master of all knowledge, intelligence and wisdom, as can be analysed from his name Ganapati, where ‘Ga’ means buddhi (intelligence), ‘Na’ means vijnana (wisdom) and ‘Pati’ means master. His benevolence allows him to be honoured as the first among the celestials before the commencement of any auspicious ceremony for enlightening it to a successful finish without any obstru

Ushnishavijaya is one of the three gods of longevity and fulfillment of desire. The other three are Amitayus and White Tara. She is often depicted with eight arms and three heads. Her main face is white while another face is peaceful in gold, the face to her left is blue in a wrathful look. In this thangka, she sits on a moon disk on top of a multi-colored lotus within a stupa or a mound. Stupas a

In Tibetan Buddhism, Chemchok Heruka is most notably known to be the focal divinity in the Fifty-eight Wrathful Deities mandala where he is the furious aspect of Samantabhadra. These 58 deities are said to be wrathful deities one can meet in death and rebirth. He is also known as the Mahottara Heruka. Meanwhile, in the Guhyagarbha Tantra, he is the main deity among the herukas of the Eight Command

Lord Varaha, the third of Vishnu’s dashavataras, is the most instantly recognizable of the incarnations. The word ‘Varaha’ is Sanskrit for boar; and while some iconographies feature Varaha as a pig-shaped deity, the painting that you see on this page is of an anthropomorphic boar-headed human-bodied entity. Lord Varaha is possessed of eight arms (ashtabhujadhari) and clad in a flame-colored

Mahakala comes from the Sanskrit maha (great) and Kala (death or time) which translates that he is a deity beyond time. In Tibet, he is also called the Nagpo Chenpo, or the Great Black One, and is revered as guardian and protector. He is affiliated with the Hindu god Shiva. According to tradition, he dwells in the cremation grounds. In this thangka, he is depicted with two arms and two legs. On hi

Lord Jagannath is an abstract, fluid deity. He is widely considered to be a representation of Lord Krishna Himself, while in some subcultures (Shaiva and Shakta traditions) He is a tantric roopa (form) of Lord Bhairava. He is part of a triad that comprises Balarama and Subhadra, who are His siblings. As could be seen in the painting on this page, the iconography is exceedingly basic - Jagannat

In Tibetan Buddhism, Chemchok Heruka is most notably known to be the focal divinity in the Fifty-eight Wrathful Deities mandala where he is the furious aspect of Samantabhadra. These 58 deities are said to be wrathful deities one can meet in death and rebirth. He is also known as the Mahottara Heruka. Meanwhile, in the Guhyagarbha Tantra, he is the main deity among the herukas of the Eight Command

Superfine Four-Armed Avalokiteshvara - Tibetan Buddhist Brocadeless Thangka Painting

Little girl painting with her 2 pups gif

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The lovely Devi Meenakshi is captured in the sumptuous Tanjore medium. For the devotees of Madurai’s guardian deity, such a painting would be a valuable addition to the home or office space. It depicts the Parvati-Roopa Devi standing with a soft-bellied lotus beneath Her feet. Garlands of fresh flowers of varied colors are around Her neck and Her shoulders, and over the archway of Her temple ent

Anup Gomay is known for his artistic ability to provide picturesque backgrounds to his amazing paintings. In this painting, he encapsulates a baby blue sky decorated with cotton-like clouds and contrasted with a lush green setting, capturing rich American sycamores that give it an eye-catching look. The painting is bordered by a red brick pillared balustrade that is imprinted it with ethnic patter

The merciless Durga brings the great Mahishasura to His knees. Her simhavahana (lion-mount) has him between its teeth, while the dashabhujadharini (the one possessed of ten arms) push Him down with Her feet and drives the spear end of Her trishoola (trident) into Him. Helplessly, the proud Mahishasura looks up at the feminine victor. The work of art that you see on this page is a pattachitra of th

A young lady of distinctly noble bearing has stepped into the Shivamandir to pay her respects. She has duteously risen, dressed up, and arrived at the temple of her Lord at the crack of dawn. Within the bonds of her silence and sadhana, her roopa takes on an ethereal glow. She has lit the gold ghee lamp before Him. With her fair hands she lifts up the tiny basket of freshly plucked flowers that sh

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She lacks neither beauty nor wealth. A powerful woman, not quite past her prime, sits with her legs crossed on a seat of red velvet and brocade cushions. She directs her gaze straight ahead of her, with all the confidence of the eldest bahuraani (daughter-in-law) in the absence of her mother-in-law. She is probably blessed with the love of more than one son in addition to her husband’s. In this

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Nevari is the term for the architecture and aesthetics of the Neva people of Nepal. Inhabitants of the Kathmandu valley, the Neva people are known for their love of well-defined lines and solid, statement colours. The thangka that you see on this page is atypical of the Nevari aesthetic. It depicts the seated Shakyamuni in the bhoomisparsha stance. Gautama Buddha is clad in a peach-coloured low-wo