Lord Ganesh is one of Hinduism’s most prominent deities. He is the god of new beginnings and the lord who removes obstacles. Because of these, he is often invoked at the beginning of prayers or rituals, or when believers are set to undergo a major milestone and before making life decisions. He is traditionally depicted with an elephant head, often large in the proportion which signifies knowledg

This exquisite painting displays Krishna’s childhood pastime in the traditional Tanjore style. The precision with which it has been made and the use of vibrant colors makes it appealing and breathtaking. Lord Krishna being the Supreme Lord, appeared just like an ordinary child in Vrindavan but His naughty and uncommon activities were always astonishing for all the inhabitants of Vraja including

Divinity reaches the next level with Kailash Raj's new painting wonder. He again works his magic with an amazing calligraphy that captures the Islamic tradition in a nutshell. Having a vast history and mainly developing from the carvings of the Quran and ancient traditions, calligraphy holds a great position in the Islamic culture. In this painting, Kailash Raj has encapsulated the valuable p

An art form that unites Indians across the subcontinent is Rangoli. Beautiful geometric, natural, and stylistic patterns are drawn in the courtyard of households, signifying the celebration of a festival or auspicious occasion. Two young girls are seen immersed in the process of making a rangoli while their mother oversees the task, standing at the threshold of their house. From the black stone ma

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An image of tender devotion. Lord Hanuman kneels on one knee upon the earth and gathers His hands in the supplicatory namaskaaram. His tail flourishes behind Him as He raises His head towards His beloved Lord Rama, His eyes brimming with the bhakti in His heart. Bhakti, or unconditional love, is the yogamaarga (‘maarga’ is Sanskrit for path) of Hanuman, an accomplished yogi of the finest order

Amoghasiddhi is one of the five spiritual vectors of the Buddha’s divine personality (tathagata). He is the Buddha of perfect practice leading up to consummate accomplishment or ‘siddhi’ (‘amogha’ stands for that which goes not in vain). The thangka that you see on this page depicts Amoghasiddhi in the seated-contemplative stance of padmasana, complemented by the mudras of His hands. Thi

Adorned with a blood-red Rajhistani pheta turban, the swarthy, chisel-faced man smokes a cigarette with a cruel, curved mustache that compliments his grim expressions and bushy eyebrows outlining his brown complexion in this painting. His mustard yellow choga is festooned with bijou red and green Mala contrasting the background. His collar is displayed as if strangling his neck. His wrists are gra

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The brown, sparkling eyes keep a steady gaze over the mirror, stupified by their own beauty, filled with kohl and green eyeliner that enhances their beauty. The red-colored lips have twitched into a smile and the long, elegantly straight nose sets over the smooth, wheaty-complexioned face of the woman. Her neck is adorned with two dim faux colored diamond necklaces and white pearl Mala tha

The irresistibly beautiful Lakshmi is seated on a blooming pink lotus. She is clad in a scarlet-colored saree, densely embroidered with gold. With streams of emeralds and rubies about Her, every curve - neck and hip and wrists - the wife of Vishnu is the most sumptuously dressed Devi of the Hindu pantheon, as depicted in this Thanjavur painting. This is because She is the presiding deity over plen

The story of young Krishna was first told more than 2000 years ago. Originally recited by bards from memory, it was later composed in the Sanskrit poem, the Harivamsa. The sun-like baby Krishna, Vishnu come to earth, was the delight of Vraja. Born of this earth, reared in the soil of Vraja, yielding to the temptations of this world, indulgent, inimitable, lovable in his pranks, ever guilty, yet re

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This brilliant painting, oil on canvas, as large as four by six feet, rendered in modern art style but with a mythical theme, represents the ten-armed Devi – Goddess, killing the buffalo demon Mahisha, better known as Mahishasura. The goddess is attended on her right by goddess Lakshmi carrying a lotus in her right hand, and a pot of gems, in her left, and on her left, by goddess Saraswati carry

An Avalokiteshvara Thangka Painting such as the one you see on this page would be a valuable addition to the home of any Buddha devotee. It is a skillfully, perfectly symmetrically executed Lokeshvara thangka painting in His traditional iconography. He is the glorious Lokeshvara sahasrabhuja (thousand-armed), the unmistakable aspect of His iconography. Speaking of signature aspects, this is an ima

The lovely Devi Meenakshi is captured in the sumptuous Tanjore medium. For the devotees of Madurai’s guardian deity, such a painting would be a valuable addition to the home or office space. It depicts the Parvati-Roopa Devi standing with a soft-bellied lotus beneath Her feet. Garlands of fresh flowers of varied colors are around Her neck and Her shoulders, and over the archway of Her temple ent

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The merciless Durga brings the great Mahishasura to His knees. Her simhavahana (lion-mount) has him between its teeth, while the dashabhujadharini (the one possessed of ten arms) push Him down with Her feet and drives the spear end of Her trishoola (trident) into Him. Helplessly, the proud Mahishasura looks up at the feminine victor. The work of art that you see on this page is a pattachitra of th

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A painting of the ethereal goddess Green Tara on a strip of soft, lace-like fabric. She is the queen of the Buddhist heavens as She sits on the belly of a pale-colored lotus bloom, Her long, slender legs gathered in Her characteristic bhadrasana. The right foot in Green Tara thangka paintings is usually poised discretely as could be seen in this traditional Tibetan thangka painting. The back of He

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Goddess Durga is a main diety in Hindu Religion. She is associated with protection, strength, motherhood, destruction, and wars. Her legend centers around combating evils and demonic forces that threaten peace, prosperity, and Dharma the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed and entails destruction to empower c

A glowing Ramadurbar Tanjore painting for your home or office walls. The haloed Lord Rama is at the very centre of the canvas. His smooth dusky skin sets off the glittering silken amber of His dhoti. To His left is the beauteous Devi Seeta, the brave daughter of King Janaka who never of Her own will left Her husband’s side, even during vanavasa. On the right side of the Lord is Lakshmana, br

Peace & Prosperity heralds escalation in artistic pursuits. During the Sikh period, art reached its pinnacle in Lahore, Amritsar, Jind, Patiala, etc. It had a unique style, standing in its own right, characterizing its own Punjabi manifestations, reflecting color scheme and ornamentation. Sobriety is the keynote of this painting. Executed in monochromes, it is a regal miniature. The pachyd