Flower picture

The lovely Devi Meenakshi is captured in the sumptuous Tanjore medium. For the devotees of Madurai’s guardian deity, such a painting would be a valuable addition to the home or office space. It depicts the Parvati-Roopa Devi standing with a soft-bellied lotus beneath Her feet. Garlands of fresh flowers of varied colors are around Her neck and Her shoulders, and over the archway of Her temple ent

This large size miniature, a contemporary work of art rendered in late Mughal art style of around 1740-50 AD, assimilating into it some Persian art elements too, especially in portraying the topography of the land and in the choice of palette, illustrates the legend of Laila and Majnun, a world-wide known, painted and sung tale of mad love with tragic end. Laila's Watercolor Painting:

Tanjore paintings are famous for their unique depictions of devotional icons with pure gold coating and vivid colors. In this painting, Lord Venkateshavara stands straight atop a small elevated platform in His four-armed form (chaturbhuja). He is unprecedently dressed in a perfectly pleated pitambar (bright yellow) dhoti down to His ankles. Between the two fingers of His upper hands, He holds His

Upon a throne of bejeweled gold, upholstered in blue and purple velvet, sits the gorgeous Devi Lakshmi Watercolor Painting. Her legs are in lalitasana, the signature stance in Indian iconography; and lotuses in Her posterior hands, symbols of wealth and plenty in Her anterior ones. The richly colored silks and ample jewels that clothe Her convey the divine glamour of the wife of Lord Vishnu. The p

She lacks neither beauty nor wealth. A powerful woman, not quite past her prime, sits with her legs crossed on a seat of red velvet and brocade cushions. She directs her gaze straight ahead of her, with all the confidence of the eldest bahuraani (daughter-in-law) in the absence of her mother-in-law. She is probably blessed with the love of more than one son in addition to her husband’s. In this

Albert Williams pretty floral painting

Devi Gayatri is a deity of complex origins. Mother of the Vedas (the Vedamata), She is the personification of the all-important Gayatri mantra. However, according to the Skanda Purana, She is the wife of Brahma and a roopa of Sarasvati. And according to Shaivite texts, Mahagaytri is the wife of Sadashiva. The painting of Gayatri that you see on this page depicts a fair, five-headed Devi. She is se

Lord Varaha, the third of Vishnu’s dashavataras, is the most instantly recognizable of the incarnations. The word ‘Varaha’ is Sanskrit for boar; and while some iconographies feature Varaha as a pig-shaped deity, the painting that you see on this page is of an anthropomorphic boar-headed human-bodied entity. Lord Varaha is possessed of eight arms (ashtabhujadhari) and clad in a flame-colored

Amoghasiddhi is one of the five spiritual vectors of the Buddha’s divine personality (tathagata). He is the Buddha of perfect practice leading up to consummate accomplishment or ‘siddhi’ (‘amogha’ stands for that which goes not in vain). The thangka that you see on this page depicts Amoghasiddhi in the seated-contemplative stance of padmasana, complemented by the mudras of His hands. Thi

A visual fusion of the twin aspects of Ganesha as dancer and warrior. The son of Shiva inherits not just the tandava of Nataraja, but also His all-annihilating aspect. In the pattachitra that you see on this page, the elephant-deity is possessed of eight arms (He is dashabhujadhari), wielding weapons and other Shaivite implements. The legs and torso, however, are in the dramatic tribhanga stance,

An Avalokiteshvara Thangka Painting such as the one you see on this page would be a valuable addition to the home of any Buddha devotee. It is a skillfully, perfectly symmetrically executed Lokeshvara thangka painting in His traditional iconography. He is the glorious Lokeshvara sahasrabhuja (thousand-armed), the unmistakable aspect of His iconography. Speaking of signature aspects, this is an ima

Such was the depth of Mirabai's devotion that it commanded the living presence of Lord Krishna. She was a mystic of the highest order and belonged to the bhakti cult of North India. Her composure of countenance betrays the loverlike nature of her reverence, which is one of the many schools of bhakti. For the resplendence of the oils and the spiritual ethos of the theme alone would this painti

This brilliant painting, oil on canvas, as large as four by six feet, rendered in modern art style but with a mythical theme, represents the ten-armed Devi – Goddess, killing the buffalo demon Mahisha, better known as Mahishasura. The goddess is attended on her right by goddess Lakshmi carrying a lotus in her right hand, and a pot of gems, in her left, and on her left, by goddess Saraswati carry

Lord Mahadeva, the great (‘maha’) deva, is the manifestation of the Purusha, the consciousness substratum of all existence. According to Sankhya Darshana, when Purusha overcome by the charms of Prakriti comes near her and begins to reflect on her, it is the birth of all life. His wife, Devi Parvati, is the manifestation of Prakriti, the material substratum without which Purusha would have no m

In our Shastras, it has been mentioned that there are twelve forms of the Sun known as Adityas and they represent the twelve months in the calendar and twelve aspects of the Golden Deity Sun. As they are 12 in counting, they are referred to as Dvadashadityas. Adityas are basically the monthly Suns which is an ancient word for earth-moon barycentre for a lunar month. In the Rigveda, the Adityas

A painting of the ethereal goddess Green Tara on a strip of soft, lace-like fabric. She is the queen of the Buddhist heavens as She sits on the belly of a pale-colored lotus bloom, Her long, slender legs gathered in Her characteristic bhadrasana. The right foot in Green Tara thangka paintings is usually poised discretely as could be seen in this traditional Tibetan thangka painting. The back of He

A Tibetan thangka of Bodhisattva Samantabhadra, one of the Shakyamuni triad of Mahayana Buddhism (together with Gautama Buddha and Manjushri). In this fine example of thangka art, He is depicted in a dynamic stance upon the back of a fair elephant, a mythical creature of the Buddhist heavens. A dhoti of powdery blue silk and sashes of pale gold float about the figure of Samantabhadra. His face is

Goddess Durga is a main diety in Hindu Religion. She is associated with protection, strength, motherhood, destruction, and wars. Her legend centers around combating evils and demonic forces that threaten peace, prosperity, and Dharma the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed and entails destruction to empower c

This unique Tanjore Painting contains a lavish use of authentic 24K Gold befitting our Supreme God Venkateshwara of Tirupati. Balaji Tanjore Painting: https://www.exoticindiaart.com/product/paintings/super-fine-lord-tirupati-balaji-tanjore-painting-traditional-colors-with-24k-gold-teakwood-frame-gold-wood-handmade-made-in-india-paa352/ Tanjore Painting: https://www.exoticindiaart.com/paintin

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Indian contemporary art mainly focuses on portraits. In this oil painting, the artist captures a middle-aged woman decorating herself. The woman is illustrated with a porcelain complexion, with her lovely countenance being etched with small almond eyes, a wide Nubian nose, and watermelon pink lips that complement her deep philtrum and her harmonizing nail paint. Her crimson red bindiya contrasts h

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