This ovally framed portrait is of the Mughal emperor Shahjahan, the builder of the Tajmahal. He is the only one of the Great Mughals to have lived to the greatest of grandeur and the worst of grief and achieved the highest of glory and the lowest of gloom. This depiction closely represents his likeness, as has been recorded in his contemporary portraits. The National Museum, New Delhi, has in its

This exquisite painting displays Krishna’s childhood pastime in the traditional Tanjore style. The precision with which it has been made and the use of vibrant colors makes it appealing and breathtaking. Lord Krishna being the Supreme Lord, appeared just like an ordinary child in Vrindavan but His naughty and uncommon activities were always astonishing for all the inhabitants of Vraja including

Calligraphy is the art of forming lovely symbol with the swift movements of our hands. In this painting, Kailash Raj breaks the religious barriers to create a sophisticated yet astoundingly beautiful Arabic calligraphy. The splendid chirography is gorgeously etched with charcoal black paint over the thick paper canvas. Vibrant mihrab arches over the sheet, being blessed with amazing colors that tw

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The solitary Lord Shiva is seated atop the peak of Kailash, His cosmic home next to the Mansarovar. The existential destroyer has His trusty Nandi for company, the mythic bull with the power of a thousand of its mortal counterparts. He rests one hand on its head between the horns, while in the other He holds an ivory conch that He regards with half-shut eyes. Shiva Nandi Oil Painting: https://w

Lord Mahadeva, the great (‘maha’) deva, is the manifestation of the Purusha, the consciousness substratum of all existence. According to Sankhya Darshana, when Purusha overcome by the charms of Prakriti comes near her and begins to reflect on her, it is the birth of all life. His wife, Devi Parvati, is the manifestation of Prakriti, the material substratum without which Purusha would have no m

Classic beautiful view of Venice Italy as painted in 1697

Rendered in Marwar idiom of Rajasthani art style, pursuing the theme, style and everything of an early nineteenth century miniature from Jodhpur, in its exactness except the painting’s size and the background colour of the circle in the centre containing the figures of Radha and Krishna, the painting portrays a grieving Radha for Krishna’s failure to reach there despite the promise he had made

A Tibetan thangka of Bodhisattva Samantabhadra, one of the Shakyamuni triad of Mahayana Buddhism (together with Gautama Buddha and Manjushri). In this fine example of thangka art, He is depicted in a dynamic stance upon the back of a fair elephant, a mythical creature of the Buddhist heavens. A dhoti of powdery blue silk and sashes of pale gold float about the figure of Samantabhadra. His face is

This painting, "The Heroine in Her Wind Palace - Watercolor Painting" a masterpiece in Indian miniature art form, representing a royal lady, obviously a princess, seen across the gavaksha, or the oriel balcony of her wind-palace, presents a unique synthesis of various painting styles of medieval, as well as contemporary India. The features of the figure, a slightly angular face, sharp no

Goddess Durga then fought Mahishasura over a period of fifteen days during which he kept changing his shape to become different animals and misled her. Mahishasura believed that there is no woman in the world who could cause him any harm. The legend continues, Mahishasura, high on the power of "immortality", attacked Trilok (the three worlds of earth, heaven and hell) with his army. He e

Recognised as a Geographical indication by the Government of India, there is much to the Tanjore painting that sets it apart from other classical art forms. On this page, you see a Gajalakshmi Tanjore painting (Gajalakshmi is the name given to the iconography of Devi Lakshmi that features the presence of the gaja or elephant). The serene features, the luscious colours notwithstanding, the most str

In Hinduism, Religion Rasaleela is an interesting phenomenon. It refers to the ihalokiya (earthly) conduct - ‘leela’ - of the Vishnu-avatara Krishna. The word ‘rasa’ translates to aesthetics. As such, ‘rasaleela’ refers to the aesthetic depiction of Krishnaleela. The painting that you see on this page is of the image that first occurs to the mind when a devotee hears the word rasaleela

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The storm outside the bottle is an oil painting by artist Anup Gomay whose central motif could be interpreted as hope. Artist may have taken the inspiration from the British adverb 'Storm In a Teacup', which slightly matches the title of the painting. It is an English adverb that means a small event that has been exaggerated out of proportion. Such is the subject and portrayal of the pai

A simple, time-tested image of the seated Shakyamuni. The epithet Shakyamuni refers to the rulership (‘muni’) of the Buddha’s family over the Shakya clan. It is a traditional thangka made with age-old painting techniques (acrylics, gouache) set off by subtle metallic infusions in pure 24K gold. Everything about this thangka is in keeping with the traditional iconography of the Buddha. Legs g

Goddess Durga is a main diety in Hindu Religion. She is associated with protection, strength, motherhood, destruction, and wars. Her legend centers around combating evils and demonic forces that threaten peace, prosperity, and Dharma the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed and entails destruction to empower c

This is a cross that I worked on as one of my many crafting projects. I painted this cross Brown and the bottom Green to make it look like an authentic Grass at the bottom of the cross. Painting is also fun and great to calm my mind. It's a great and a relaxing experience. It's also time consuming, but it's worth it. It's so fun working on these projects. I love all kinds of cr

Perfect shades of vibrant colors and the sharp beauty of lord Ganesha, who stands in his nritya (dance) posture on a high pedestal decorated with lotus petals at the top and two multi-wick diyas of devotion on either side, majorly enhance picturesque aspects of this oil painting. The oval aureole bordered with full-grown multicolored flowers enhances the auspiciousness of this elephant god; garbed

The brown, sparkling eyes keep a steady gaze over the mirror, stupified by their own beauty, filled with kohl and green eyeliner that enhances their beauty. The red-colored lips have twitched into a smile and the long, elegantly straight nose sets over the smooth, wheaty-complexioned face of the woman. Her neck is adorned with two dim faux colored diamond necklaces and white pearl Mala tha

An Avalokiteshvara Thangka Painting such as the one you see on this page would be a valuable addition to the home of any Buddha devotee. It is a skillfully, perfectly symmetrically executed Lokeshvara thangka painting in His traditional iconography. He is the glorious Lokeshvara sahasrabhuja (thousand-armed), the unmistakable aspect of His iconography. Speaking of signature aspects, this is an ima

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Of all the different layers of concentration expounded in the yogasootras, it is the seeded kind that is aided by visualisation imagery. By seeded, Maharshi Patanjali meant the state of the mind that still contains the singular remnant of a dying impression (sanskara). The abstract oil painting that you see on this page is a visualisation aid designed to propel the mind of the yogi towards seeded

Madhubani Folk Art Painting-Fish Mandala Art

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