Search - Photos
Views: 374
Uploaded: 2 years ago
 
Sri Maha Shodashi is a Hindu goddess and is an aspect of Mahadevi mainly worshipped in Shaktism, a goddess-oriented sect of Hinduism. She is also revered as one of the prominent Mahavidyas. She is glorified in many Shakta texts, with Lalita Sahasranama being the most popular one. Sri Maha Shodashi is also known as Tripura Sundari, Rajarajeshwari, and Lalita. She is a personification of Supreme Ene
Sri Maha Shodashi is a Hindu goddess and is an aspect of Mahadevi mainly worshipped in Shaktism, a g
Views: 374
Uploaded: 2 years ago
 
Views: 373
Uploaded: 2 years ago
 
The Buddha is the fountainhead of inspiration for spiritual artisans across the subcontinent. His meditating figure is to be found in abundance in the art made across its length and breadth. The bhumisparsha mudra is by far the most popular of the mudras chosen by artisans. In Sanskrit, 'bhumi' means 'earth' and 'sparsha', 'touch' - it is the mudra assumed b
The Buddha is the fountainhead of inspiration for spiritual artisans across the subcontinent. His me
Views: 373
Uploaded: 2 years ago
 
Views: 370
Uploaded: 2 years ago
 
The panchamukha-roopa is common to many deities in the Hindu pantheon. The word ‘panchamukha’ is a portmanteau of ‘pancha’, which means five, and ‘mukha’, which means face. The murti that you see on this page is of the Panchamukha Vinayaka (another name for Ganesha). Each of the five faces stands for the yogic koshas or layers of existence. It is a murti of Vengai wood, derived from a
The panchamukha-roopa is common to many deities in the Hindu pantheon. The word ‘panchamukha’ is
Views: 370
Uploaded: 2 years ago
 
Views: 370
Uploaded: 2 years ago
 
Beneath a Kirtimukham prabhavali (aureole), stands the gentle Lord Ganesha. The superb proportions of Kirtimukham contrast sharply with the chubby child’s form of the standing Ganesha idol. So does the diametric variation in the expressions - the former is a paragon of all-consuming ferocity, while the latter is widely worshipped for its childlike gentleness. The Lord Ganesha statue that you see
Beneath a Kirtimukham prabhavali (aureole), stands the gentle Lord Ganesha. The superb proportions o
Views: 370
Uploaded: 2 years ago
 
Views: 363
Uploaded: 2 years ago
 
Amoghapasha, which means "unfailing lasso," alludes to lasso-like compassion that brings all sentient creatures out of sorrow and into a state of happiness that leads to enlightenment. In Tantric Buddhist imagery, Amoghapasha is a convoluted god. In most creative renditions, he is easily confused with Avalokiteshvara. Scholars frequently confuse the two deities. When Avalokiteshvara is t
Amoghapasha, which means "unfailing lasso," alludes to lasso-like compassion that brings a
Views: 363
Uploaded: 2 years ago
 
Views: 358
Uploaded: 2 years ago
 
An embossed square-shaped panel depicting Devi Sarasvati. Nestled upon the belly of a gigantic lotus bloom, She floats about on the bosom of the steadily flowing Ganges. She is playing on Her veena, which She cradles in Her anterior arms (in Her posterior hands, the chaturbhujadharini holds a rosary and a pothi or manuscript). The implements in Sarasvati’s hands convey Her status as the presidin
An embossed square-shaped panel depicting Devi Sarasvati. Nestled upon the belly of a gigantic lotus
Views: 358
Uploaded: 2 years ago
 
Views: 357
Uploaded: 2 years ago
 
Gaja Samhara is a ferocious form of Lord Shiva popularized during the Chola period. Gaja Samhara Shiva means the slayer of elephant and represents him as ego annihilator and soul emancipator. Legends tell of an asura who in the guise of an elephant, Gajasura, became so strong in time that he began to torture and kill even the devas. There was none left in the three realms who would stand before Ga
Gaja Samhara is a ferocious form of Lord Shiva popularized during the Chola period. Gaja Samhara Shi
Views: 357
Uploaded: 2 years ago
 
Views: 349
Uploaded: 2 years ago
 
The art-loving Hoysala dynasty of Karnataka was responsible for building a number of temples between the 10th the 14th centuries. They lent their name to a timeless standard of architecture, iconography, and aesthetics, a fine example of which could be seen on this page. It is a murti of Lord Vishnu with His wives, Bhudevi and Shridevi. The tall, slender form. The proportions between limb and crow
The art-loving Hoysala dynasty of Karnataka was responsible for building a number of temples between
Views: 349
Uploaded: 2 years ago
 
Views: 343
Uploaded: 2 years ago
 
Krishna is the most popular subject of choice for artistes in India. The predominant deity to be featured in paintings and sculptors, is because He is to most Hindus the superlative of all Indian deities. He is portrayed as the most handsome of youths, the calmest and wisest of minds to have descended on ihloka (our actual realm of existence), and the most divine of all flutists. The stance that H
Krishna is the most popular subject of choice for artistes in India. The predominant deity to be fea
Views: 343
Uploaded: 2 years ago
 
Views: 341
Uploaded: 2 years ago
 
Polished with a golden sheen and cast in bronze, the majestic Hanuman kneels in the form of Panchamukhi (five-headed) on this sculpture. All his five heads stare off in five different directions, eternalised at the moment he defeats Ahiravana in the warm depths of the underworld. During the battle between Lord Rama and the demon king Ravana, the latter went to the ruler of the netherworld seeking
Polished with a golden sheen and cast in bronze, the majestic Hanuman kneels in the form of Panchamu
Views: 341
Uploaded: 2 years ago
 
Views: 337
Uploaded: 2 years ago
 
Varahi, a supremely powerful Tantric goddess is one of the Sapt-Matrikas, seven mother goddesses who accompany goddess Durga to the battlefield as per Shakta tradition. The sow-faced goddess is considered a mighty incarnation of the divine mother and the counterpart of Vishnu’s Varaha avatar. In the Tantric traditions, she is often described as a warrior but for her children, she takes the form
Varahi, a supremely powerful Tantric goddess is one of the Sapt-Matrikas, seven mother goddesses who
Views: 337
Uploaded: 2 years ago
 
Views: 330
Uploaded: 2 years ago
 
A many-layered Ganesha idol, designed for the finest home or office temple. A traditional-style plinth carved with elongated lotus petals. Featuring a simple floral structure down the frontal midline. The mouse vahana of gigantic proportions, on all four on its surface. It is craning its head back to glance at the Lord Ganesha statue on its back. This Ganesha murti depicts the chaturbhujadhari Lor
A many-layered Ganesha idol, designed for the finest home or office temple. A traditional-style plin
Views: 330
Uploaded: 2 years ago
 
Views: 329
Uploaded: 2 years ago
 
The Mother Kali is an unusual deity. The hallmarks of the Hindu Devi are all in Her. She is supremely beautiful, a yogini of the highest adhikara, and bears superlative strength. Yet, She is unlike anything, you have ever set eyes on. For one, wrath is an integral part of Her personality. While the rest of the feminine pantheon are depicted as calm and reserved, Devi Kali comes with an iconogr
The Mother Kali is an unusual deity. The hallmarks of the Hindu Devi are all in Her. She is supremel
Views: 329
Uploaded: 2 years ago
 
Views: 325
Uploaded: 2 years ago
 
Aventurine is a variety of quartz that is known for its unusual texture. It has a natural translucence coupled with a deep shimmer, termed aventurescence. The same is brought out to perfection in the longline Nataraja sculpture that you see on this page. It is a rich green color, which is the natural color of aventurine. A two-tiered plinth was comprising lotus blooms with the pistils against each
Aventurine is a variety of quartz that is known for its unusual texture. It has a natural translucen
Views: 325
Uploaded: 2 years ago
 
Views: 324
Uploaded: 2 years ago
 
The embodiment of sacrifice and the savior of Earth, Vishnu’s third avatar, Varaha, is presented in a highly charged form in this ‘panchaloha’ bronze sculptural image, along with his consort Varahi, or the Earth goddess Bhudevi. This visual presentation is also symbolic of what Hinduism today celebrates as Varaha Jayanti, which marks the mythological celebration of Varaha defeating Hiranyaks
The embodiment of sacrifice and the savior of Earth, Vishnu’s third avatar, Varaha, is presented i
Views: 324
Uploaded: 2 years ago
 
Views: 323
Uploaded: 2 years ago
 
Garuda 'the devourer' is the mythical 'Lord of birds' in both the Hindu and Buddhist traditions. In the Hindu Puranic legends, Garuda is the son of Kashyapa and Vinata. He is said to have emerged, fully grown, from an egg, after incubating for five hundred years. Garuda has always been the sworn enemy of snakes and nagas. The archetypal legend of the enmity that exists between
Garuda 'the devourer' is the mythical 'Lord of birds' in both the Hindu and Budd
Views: 323
Uploaded: 2 years ago
 
Views: 321
Uploaded: 2 years ago
 
The serene Lakshmi Devi is seated in lalitasana. Her throne is a gigantic lotus in full bloom. At the base of this lotus-shaped throne is another lotus bloom of more realistic proportions. On its belly cradles the foot of Laxmi Mata’s pendant limb. The posterior of Her four arms bear lotuses, while Her anterior hands are in the mudras of aashirvada (blessing) and Abhaya (fearlessness). This is t
The serene Lakshmi Devi is seated in lalitasana. Her throne is a gigantic lotus in full bloom. At th
Views: 321
Uploaded: 2 years ago
 
Views: 320
Uploaded: 2 years ago
 
Dhokra is an ancient art form significant for making metal artifacts using the lost-wax casting technique. It is a tribal form of art that dates back to nearly 5000 years and has effectively survived the time's test by being in use till date, popular for making human or animal figurines, religious deities, lamps, and measuring bowls; for a superfine quality single product, it takes approximat
Dhokra is an ancient art form significant for making metal artifacts using the lost-wax casting tech
Views: 320
Uploaded: 2 years ago
 
Views: 319
Uploaded: 2 years ago
 
Off the flute of the young and handsome Lord Venugopala, emerges divine music. The kind that perpetrated the woods and alleyways of Vrindavan not so long ago. The kind that uplifts and cleanses and elevates, makes space in the heart for bhakti. The desi cow that supports the figure of Lord Krishna in this composition is the very picture of bhakti. He looks up at his friend, the neck at a sharp ang
Off the flute of the young and handsome Lord Venugopala, emerges divine music. The kind that perpetr
Views: 319
Uploaded: 2 years ago
 
Views: 313
Uploaded: 2 years ago
 
Brahma, narrating the story about Sati’s marriage to Shiva in the Shiva Purana, notes that “On hearing these words of Lord Shiva adept in the divine sports I touched my head and in the same manner bowed to Shiva. When I thus touched my head I assumed the shape of his vehicle, the bull.” This instance of Brahma transforming into Nandi relates to one of the eighteen forms of Shiva mentioned in
Brahma, narrating the story about Sati’s marriage to Shiva in the Shiva Purana, notes that “On h
Views: 313
Uploaded: 2 years ago
 
Views: 309
Uploaded: 2 years ago
 
A one-of-a-kind bitone Buddha composition. The predominant color is black, which has the unmistakable sheen of marble. The medium captures the otherworldly glamour of the erstwhile Shakyamuni. The complementary color, white, is to be found in the dotted raiment clothing of the seated figure, which makes for a surreal visual experience. Legs gathered in the perfect padmasana - heels together direct
A one-of-a-kind bitone Buddha composition. The predominant color is black, which has the unmistakabl
Views: 309
Uploaded: 2 years ago
 
Views: 302
Uploaded: 2 years ago
 
A compactly carved figure of Devi Lakshmi. Poised within a makeshift temple on a double-layered lotus-bloom plinth. From the iconography to the style of the surrounding temple structure, this composition borrows heavily from Hoysala aesthetics. It is the name given to the art and architecture that flourished under the patronage of the Hoysala rulers in South India. The tradition dates back to the
A compactly carved figure of Devi Lakshmi. Poised within a makeshift temple on a double-layered lotu
Views: 302
Uploaded: 2 years ago
 
Views: 298
Uploaded: 2 years ago
 
The image of the Sheshashayi Vishnu induces great calm and stability in the mind of the devotee. Shesha is the name of the naga (snake) on whose coils the Lord lies in sleep, which is the Sanskrit word for 'end'; 'shayi' in Sanskrit stands for one who is lain down. It is the volatile moment between destruction and re-projection, the transitional state between two cycles of time
The image of the Sheshashayi Vishnu induces great calm and stability in the mind of the devotee. She
Views: 298
Uploaded: 2 years ago
 
Views: 296
Uploaded: 2 years ago
 
Mahakali, or the great (‘maha’) Kali, is the omnipotent Roopa (form) of Devi Kali. As a manifestation of the wife of Shiva, the otherwise serene Devi Parvati, the wrath of the Kali Goddess knows no bounds. The Kali statue that you see on this page captures the wrathful aspect of the Hindu Mother Goddess with perfection. To begin with, the medium is a jet black marble. It is an expressive, all-
Mahakali, or the great (‘maha’) Kali, is the omnipotent Roopa (form) of Devi Kali. As a manifest
Views: 296
Uploaded: 2 years ago
 
Views: 292
Uploaded: 2 years ago
 
Devi Mariamman is the name given in South India to the more recognisable Sheetala Mata. She is known to infuse Her devotees with divine cool and calm ('sheetal' in Sanskrit means 'cool'). In Tamil, the suffix 'amma' stands for 'mother', denoting the nature of the people's devotion to Her. She has been traditionally worshipped as the curer and eradicator
Devi Mariamman is the name given in South India to the more recognisable Sheetala Mata. She is known
Views: 292
Uploaded: 2 years ago