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Sri Hanuman is one of the most widely revered gods of the Hindu pantheon. This imposing, bejeweled statue of the Lord captures His divine appeal to perfection: the resplendence of all three looks pours forth from the skin, while His muscles give away His superhuman strength. The clenched fist, the parting of His legs, and the angle of His mace - without which His iconography is incomplete - are in

The silhouette of Ganesha is unmistakable. The chubby limbs, the pot belly, the signature trunk, and the large ears are each enough to give away His sacred presence. The adorable boy-deity of the Hindu pantheon, Ganesha is arguably the most deeply loved deity; His icons, the most widely stocked up on. This Ganesha is small enough to fit into the palm of the devotee, the gracious lines of the sculp

We devote our thought to the one-tusked Lord, Aum ekadantaya vidmahe, vakratundaya dhimahe, tanno dantih prachodayat. We meditate upon Him who has a curved trunk. May the tusked One guide us on the right path. This is precisely for what we worship Lord Ganesh. The single tusked, or the one tusk broken form of Ganesh suggests that for accomplishing his devotee's prayer he would not hesitate in

Devi Mahakali, the consort of ‘Mahakala’ (Great Time), a form of Lord Shiva, is the Goddess of time, life, death, creation, as well as liberation. The most powerful Goddess Mahakali is one of the three manifestations of Devi Durga that represent the three Gunas of material nature (sattva, rajas, and tamas). Being the consort of Lord Shiva, who is the predominating deity of the mode of ignoranc

Dharma-Artha-kama-moksha (virtue, finances, pleasure, liberation) - these are the four Purusharthas or pursuits of a person, in Hinduism. Goddess Lakshmi’s four hands, the most common attributes attached to her iconography, represent these four life goals. It is well established that in the pursuit of any of the above-mentioned goals, Ma Lakshmi’s Kripa (regards) is required by the devotee. La

Aum is the most important syllable in Hindu chanting. It is the beginning as well as the culmination of every mantra in the divine language of Sanskrt. It is a composite of three different phonetics, namely ‘a’, followed by ‘u’, and finally ‘m’. Contained within the aum is the entire linguistic range of man; as such, chanting aum is to have chanted the Vedas and all of itihasa. A power

The panchamukha-roopa is common to many deities in the Hindu pantheon. The word ‘panchamukha’ is a portmanteau of ‘pancha’, which means five, and ‘mukha’, which means face. The murti that you see on this page is of the Panchamukha Vinayaka (another name for Ganesha). Each of the five faces stands for the yogic koshas or layers of existence. It is a murti of Vengai wood, derived from a

A seated Green Tara murti of substantial proportions. Queen of the Buddhist heavens, the epitome of karuna (compassion), metta (natural kindness), and shunyata (nothingness), She is a bodhisattva in the Mahayana tradition and a buddha in Vajrayana. On a petal-embossed throne, She sits, with the right foot cradled by a minuscule bloom in the foreground.n This is a signature aspect of the iconograph

Krishna is one of the most respected Hindu gods and is glorified as the eighth avatar of God Vishnu. He is believed to be the God of love, solicitude and affection. This valuable brass-gold sculpture is an overall enlightener that fills your soul with an aureole of blessings that is displayed skillfully behind Krishna's head, as he is accompanied with the graceful and beautiful deepalakshmis,

Vermillion is a symbol of love, power, protection, and longevity; applied by all married women in their maang revealing their highest kind of beauty and virtue, for well being and prosperity of their husbands. This statue is a brilliant brass transform of one of the best sculptures from Khajuraho, sculpted at parshvanath temple, which is famous for its intrinsic artistry. This Brass statue is of

She is the goddess of compassion and mother of liberation. Green Tara is the wisdom Buddha who protects her devotees from all obstacles and fulfills their wishes. She is one of the most popular goddesses in the Buddhist pantheon whose compassion for living beings is said to be stronger than a mother’s love for her children. As per the usual form, she is depicted with a green-hued body as green i

Lord Hanuman sits down balanced on a single knee. He sets the mace down to His right, and gathers His hands in the namaskaram mudra. This mudra conveys an acknowledgement of the divine contained within the entity afore oneself. In the case of the great Hanuman, it is none other than Lord Rama before whom He bows. The face with the protruding jaws that bear striking resemblance to a monkey.

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Mahakali, or the great (‘maha’) Kali, is the omnipotent Roopa (form) of Devi Kali. As a manifestation of the wife of Shiva, the otherwise serene Devi Parvati, the wrath of the Kali Goddess knows no bounds. The Kali statue that you see on this page captures the wrathful aspect of the Hindu Mother Goddess with perfection. To begin with, the medium is a jet black marble. It is an expressive, all-

Lord Hanuman with five faces staring in different directions is the most magnificent, powerful, and revered form. He assumed this form when he was assigned with the responsibility of protecting Lord Ram’s life. According to the legend, Ravana asked one of his brothers, Mahiravana (King of the netherworld) to kidnap Lord Rama and Lakshman. The demon Mahiravana’s soul rested in five lamps and to

An exquisite long ritual spoon which is comprised of tremendously carved illustrations on both sides features Lord Krishna postured in a tribend form (Tribhanga Lalit Mudra) on a pillar-shaped stick connecting the round picker and the handle, which also features the sweet pair of peacocks and that provides a delightful experience to the viewer. The main purpose of this spoon is to pour ghee in Yag

Hindu religion is a massive expanse spanning countless sects, traditions, and cultures. While some are just nice and elegant, some go beyond the societal norms to realize their spiritual quest. In her essence, Kali is the divine protector of her devotees, protecting them from the forces of evil, and bestows her grace upon those who open their hearts to her. This brass statue depicts kali in her fi

Rajarajeshwari is one of the most beautiful female figures in all of the three worlds. She is a royal manifestation of Shakti and personifies grace and balance. Trailokya Sundari or Tripura Sundari, as she is often named, is the presiding deity of Sri Chakra. Hers is the path of transcendence through the material world of senses. She presides over the Sahasrara as well the Swadhisthan Chakra. Her

Much has been written about Ganesha. As Hindu dharma's most adorable boy-deity, He has inspired countless artisans and painters, and poets across the subcontinent since time immemorial; and how could He not? So overcome by love are His devotees - and so widespread His followers - that His form is ubiquitous on the streets, inside homes, and across commercial establishments in India. This is b

Nataraja is the most popular representation of the Hindu God Shiva. In Sanskrit, Nata means dance and raja means Lord. Shiva therefore is the 'King of Dancers'. To understand the concept of Nataraja we have to understand the idea of dance itself. Like yoga, dance induces trance, ecstasy and the experience of the divine. In India consequently, dance has flourished side by side with the te

Son of Shiva, warrior and protector and upholder of dharma. The all-powerful shodashabhujadhari (sixteen-armed) Roopa (form) of Lord Ganesha is quite the rarity. The panchaloha medium, a bronze made of five (‘pancha’) iron-based (‘loha’) alloys, and the traditional madhuchista vidhana or lost-wax make, add to the value of this Ganesha murti as a work of art. Lord Ganesha Bronze Statue stan

A compactly carved figure of Devi Lakshmi. Poised within a makeshift temple on a double-layered lotus-bloom plinth. From the iconography to the style of the surrounding temple structure, this composition borrows heavily from Hoysala aesthetics. It is the name given to the art and architecture that flourished under the patronage of the Hoysala rulers in South India. The tradition dates back to the

Off the flute of the young and handsome Lord Venugopala, emerges divine music. The kind that perpetrated the woods and alleyways of Vrindavan not so long ago. The kind that uplifts and cleanses and elevates, makes space in the heart for bhakti. The desi cow that supports the figure of Lord Krishna in this composition is the very picture of bhakti. He looks up at his friend, the neck at a sharp ang

Krishna is the most popular subject of choice for artistes in India. The predominant deity to be featured in paintings and sculptors, is because He is to most Hindus the superlative of all Indian deities. He is portrayed as the most handsome of youths, the calmest and wisest of minds to have descended on ihloka (our actual realm of existence), and the most divine of all flutists. The stance that H