The towering presence of Lord Vishnu would add a world of auspiciousness to your space. A larger-than-life murti like the one that you see on this page serves just the purpose. It is fashioned from pure bronze in the hands of traditional artisans of the South. Indeed, bronze as a medium of the great Indian cultural tradition flourished in the Southern recesses of the subcontinent, under the patron

Nataraja is the most popular representation of the Hindu God Shiva. In Sanskrit, Nata means dance and raja means Lord. Shiva, therefore, is the 'King of Dancers'. To understand the concept of Nataraja we have to understand the idea of dance itself. Like yoga, dance induces trance, ecstasy, and the experience of the divine. In India consequently, dance has flourished with the terrific aus

The majestic Lord Ganesha is seated on an upturned-lotus throne. This chaturbhujadhari (the one possessed of four arms) figure seated in lalitasana is a widely loved and worshipped roopa (form) of the deity. What makes this a unique work of art is the medium in which it is fashioned and the finesse with which it has been executed. It is a panchaloha sculpture handpicked from the finest studios of

This remarkable sculpture is made of special bronze from Swamimalai, a town in an Indian State of Tamil Nadu. The ancient technique by which it is made is called as Madhuchista Vidhana (Lost-wax process), which is the specialty of the heritage of South Indian sculptors. Sri Vallabha Ganapati, also known as Maha Vallabha Ganapati is one among the 32 forms of Lord Ganesha. The leader of the Ganas of

Lord Hanuman is revered as a fine warrior and a great bhakta (devotee). As part of the vanara-sena that fought Lanka on Rama’s side, His valour and His love of Rama (and everything dear to Rama) are much talked about to this day. The fact that Hanuman is a superior yogi, possessed of the ashtasiddhis and the navanidhis, is oft overlooked. The murti that you see on this page is a solid-cast work

A multitude of lamps to fill your space with light and sattvaguna. This classical-style Indian lamp would be a valuable addition to any traditional Indian home. It features a long stem of uniform thickness along the centre. Unlike the complex engravings on the stems of your run-of-the-mill traditional Indian lamp, this one has the unassuming pattern of a single, slender trellis wound around its bo

Son of Shiva, warrior and protector and upholder of dharma. The all-powerful shodashabhujadhari (sixteen-armed) Roopa (form) of Lord Ganesha is quite the rarity. The panchaloha medium, a bronze made of five (‘pancha’) iron-based (‘loha’) alloys, and the traditional madhuchista vidhana or lost-wax make, add to the value of this Ganesha murti as a work of art. Lord Ganesha Bronze Statue stan

With his legendary flute in hand, the Supreme Lord Krishna stands cast in bronze, his graceful pose with his legs crossed acting as a hallmark to the elaborate carvings of the Hoysala architecture. In the form of Venugopal, Lord Krishna becomes the protector of cows and the owner of the flute Venu. His face is at utter peace and serenity as he plays his flute, harmonious notes pleasing to the ears

Sri Maha Shodashi is a Hindu goddess and is an aspect of Mahadevi mainly worshipped in Shaktism, a goddess-oriented sect of Hinduism. She is also revered as one of the prominent Mahavidyas. She is glorified in many Shakta texts, with Lalita Sahasranama being the most popular one. Sri Maha Shodashi is also known as Tripura Sundari, Rajarajeshwari, and Lalita. She is a personification of Supreme Ene

The art-loving Hoysala dynasty of Karnataka was responsible for building a number of temples between the 10th the 14th centuries. They lent their name to a timeless standard of architecture, iconography, and aesthetics, a fine example of which could be seen on this page. It is a murti of Lord Vishnu with His wives, Bhudevi and Shridevi. The tall, slender form. The proportions between limb and crow

Polished with a golden sheen and cast in bronze, the majestic Hanuman kneels in the form of Panchamukhi (five-headed) on this sculpture. All his five heads stare off in five different directions, eternalised at the moment he defeats Ahiravana in the warm depths of the underworld. During the battle between Lord Rama and the demon king Ravana, the latter went to the ruler of the netherworld seeking

The embodiment of sacrifice and the savior of Earth, Vishnu’s third avatar, Varaha, is presented in a highly charged form in this ‘panchaloha’ bronze sculptural image, along with his consort Varahi, or the Earth goddess Bhudevi. This visual presentation is also symbolic of what Hinduism today celebrates as Varaha Jayanti, which marks the mythological celebration of Varaha defeating Hiranyaks

A compactly carved figure of Devi Lakshmi. Poised within a makeshift temple on a double-layered lotus-bloom plinth. From the iconography to the style of the surrounding temple structure, this composition borrows heavily from Hoysala aesthetics. It is the name given to the art and architecture that flourished under the patronage of the Hoysala rulers in South India. The tradition dates back to the

The image of the Sheshashayi Vishnu induces great calm and stability in the mind of the devotee. Shesha is the name of the naga (snake) on whose coils the Lord lies in sleep, which is the Sanskrit word for 'end'; 'shayi' in Sanskrit stands for one who is lain down. It is the volatile moment between destruction and re-projection, the transitional state between two cycles of time

The embodiment of sacrifice and the savior of Earth, Vishnu’s third avatar, Varaha, is presented in a highly charged form in this ‘panchaloha’ bronze sculptural image, along with his consort Varahi, or the Earth goddess Bhudevi. This visual presentation is also symbolic of what Hinduism today celebrates as Varaha Jayanti, which marks the mythological celebration of Varaha defeating Hiranyaks

In Hindu Religion Lord Vishnu is a paramaguru, the creative aspect of the Hindu creator-preserver-destroyer trinity. He is a handsome, powerful deity who dreamed the world into being whilst He napped upon the back of Sheshanaga, the finality serpent (‘shesha’ is Sanskrit for ‘final’; ‘naga’, for ‘serpent’). The bronze composition that you see on this page depicts Lord Vishnu seated

Vrishavahana in Sanskrit means 'one who rides the bull', who is none other than the fierce destroyer-god, Shiva. Lord Shiva is portrayed as the Vrishavahana in this intricately replete brass sculpture from the Exotic India collection, His arm resting presumably on the back of Nandi (His divine vahana, a legendary bull). Shiva Sculpture: https://www.exoticindiaart.com/sculptures/hi

An eight-legged creature of mythical repute, Sharabha is known to have cleared great valleys in a single jump. Stronger than an elephant and more powerful than a lion, He is an avatara (earthly incarnation of the divine) of the great Lord Veerabhadra. His form is a composite of man and beast and bird, as could be seen in this one-of-a-kind bronze made in South India. Lord Shrabha has a fierce, lio

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Salutations to Lord Ganesha -son of Uma-Mahadev, who has an elephant-head, being attended by the band of his followers (GANANATHA), dines his favourite wood-apple and rose–apple fruits, who is the cause of the destruction of all sorrows, Whose feet are like lotus. One should observe Ganesha with full devotion, feel his qualities and waves such as immensity, pride and fearlessness, immense streng

Do you yearn for that sun-kissed summer glow that you desire since you have heard about tanning? There are tanning options provided for a year-round convenience and efficient indoor tanning! References: https://sunandtan.wordpress.com/2021/11/04/keeping-up-with-the-bronze-tan-you-desire/ https://nasaltanners.com/

In the Shaiva shrines of South India, the wife of Mahadeva Shiva- Parvati, resides as Shivakamasundari – the beautiful woman who is the sole focus of Shiva’s passionate love. Resonating with her descriptions in the Hindu textual traditions, Devi Parvati in her sculptures appears as a divine amalgamation of yoga (spiritual attainment) and Bhoga (material fulfilments). Maa Parvati’s standing i

Devi Durga is a feminine epitome of strength and a divine potency responsible for keeping this material world in order and decorum; she is an embodiment of ferocity as well as compassion who holds equal parts as a destroyer and creator both. This brass statue is painted in enchanting brown and golden color combination with the divinity perched in lalitasana on a ferocious lion (Durga’s vahan

The Hindu deity, Bhagwan Krishna is famous for his naughty leelas with Radha and other gopis of Gokul, the intense charm of his face, and the Madhur (melodious) tunes arousing from his flute. This sculpture of Krishna depicts him as standing on a rectangular thick brass block etched in a realistic stone-like pattern. He is postured in his iconic tribhanga posture with the left leg bent forward and

Lord Hanuman with five faces staring in different directions is the most magnificent, powerful, and revered form. He assumed this form when he was assigned with the responsibility of protecting Lord Ram’s life. According to the legend, Ravana asked one of his brothers, Mahiravana (King of the netherworld) to kidnap Lord Rama and Lakshman. The demon Mahiravana’s soul rested in five lamps and to