With his legendary flute in hand, the Supreme Lord Krishna stands cast in bronze, his graceful pose with his legs crossed acting as a hallmark to the elaborate carvings of the Hoysala architecture. In the form of Venugopal, Lord Krishna becomes the protector of cows and the owner of the flute Venu. His face is at utter peace and serenity as he plays his flute, harmonious notes pleasing to the ears

This youthful, valiant posture of Ganesha, the epitome of achievement and self-mastery, sits in Utkutakasana pose on a throne having a rectangular brick-like base with two white mice carved on it, facing opposite directions, holding a laddoo and a long back curved at the top, orange in color, bordered with thick gold color. The chaturbhuja Ganesha holds laddoos (his favorite sweet) and radish, as

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Balaji is considered Lord Vishnu's Kaliyug Avatar. Lord Tirupati Balaji is believed to be so powerful that mere sight of the idol is enough to emancipate a man from a lifetime of suffering. Lord Venkateshwara Statue is a full four-armed representation of Vishnu. But only two are visible from the front. Lord Balaji is shown having a U shaped tilak on his forehead which is the signature style t

Lord Ganapati is hailed as the chief of the celestial hosts and his various prayers recorded in Vedic texts invoke him as the Law of the laws, Seer of the seers, and Principal of the principals. This tiger eye sculpture of Ganesha is an entirely unique artifact to decorate your surroundings in the beauty of its creativity and the dazzling effect it reflects on being exposed to bright light. The go

Nataraja is the most popular representation of the Hindu God Shiva. In Sanskrit, Nata means dance and raja means Lord. Shiva therefore is the 'King of Dancers'. To understand the concept of Nataraja we have to understand the idea of dance itself. Like yoga, dance induces trance, ecstasy and the experience of the divine. In India consequently, dance has flourished side by side with the te

India’s rich spirituality begins with Lord Ganesha; softens the karma and guides dharma. Ganesha reigns over our beginnings, our changes, earthly decisions and problems. This wonderful Hindu deity is the one closest to the material plane of consciousness, most easily contacted and most able to assist us in our day-to-day life and concerns. The superfine carvings of this brass sculpture form a re

Beneath a Kirtimukham prabhavali (aureole), stands the gentle Lord Ganesha. The superb proportions of Kirtimukham contrast sharply with the chubby child’s form of the standing Ganesha idol. So does the diametric variation in the expressions - the former is a paragon of all-consuming ferocity, while the latter is widely worshipped for its childlike gentleness. The Lord Ganesha statue that you see

The urdhvatandava stance of the dancing Shiva is immortalised in the ancient Thillai Nataraja temple in Cidambaram. The murti that you see on this page depicts the Nataraja in this stance: the right leg is raised high behind the spine, such that the sole of the foot almost touches the back of His crown. Sculpted from pure brass, the dancing figure is balanced on the toes of the left foot. The Lord

Sri Maha Shodashi is a Hindu goddess and is an aspect of Mahadevi mainly worshipped in Shaktism, a goddess-oriented sect of Hinduism. She is also revered as one of the prominent Mahavidyas. She is glorified in many Shakta texts, with Lalita Sahasranama being the most popular one. Sri Maha Shodashi is also known as Tripura Sundari, Rajarajeshwari, and Lalita. She is a personification of Supreme Ene

The panchamukha-roopa is common to many deities in the Hindu pantheon. The word ‘panchamukha’ is a portmanteau of ‘pancha’, which means five, and ‘mukha’, which means face. The murti that you see on this page is of the Panchamukha Vinayaka (another name for Ganesha). Each of the five faces stands for the yogic koshas or layers of existence. It is a murti of Vengai wood, derived from a

Over the years, Buddhist-Tantric traditions have incorporated numerous elements of Hinduism. Its deities are no exception: they have varied iconographies in different, predominantly Buddhist countries. The murti that you see on this page is of the Japanese Devi Durga. She is known as Butsu-Mo or Koti-Sri and is worshipped as a wrathful protectoress. The Japanese Durga is seated in padmasana on a l

Balaji is considered Lord Vishnu's Kaliyug Avatar. Lord Tirupati Balaji is believed to be so powerful that mere sight of the idol is enough to emancipate a man from a lifetime of suffering. Lord Venkateshwara is a full four-armed representation of Vishnu. But only two are visible from the front. Lord Balaji is shown having a U-shaped tilak on his forehead which is the signature style to descr

Devi Gayatri is a deity of complex origins. Mother of the Vedas (the Vedamata), She is the personification of the all-important Gayatri mantra. However, according to the Skanda Purana, She is the wife of Brahma and a roopa of Sarasvati. And according to Shaivite texts, Mahagaytri is the wife of Sadashiva. The painting of Gayatri that you see on this page depicts a fair, five-headed Devi. She is se

Upon a throne of bejeweled gold, upholstered in blue and purple velvet, sits the gorgeous Devi Lakshmi Watercolor Painting. Her legs are in lalitasana, the signature stance in Indian iconography; and lotuses in Her posterior hands, symbols of wealth and plenty in Her anterior ones. The richly colored silks and ample jewels that clothe Her convey the divine glamour of the wife of Lord Vishnu. The p

The saptamatrka is a set of interesting deities from the Hindu pantheon. They are the maternal manifestations (‘matrikas’) of seven (‘sapta’) Hindu devas; and, as divine manifestations, are distinct from the wives and companions of those devas. Devi Varahi, whose murti you see on this page, is one of the saptamatrkas. She is the ashtabhujadhari (eight-armed) maternal manifestation of Lord

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This brass-statue represents a winged Naga-kanya, a maiden with a serpent’s lower half. Almost all ancient mythologies world-over comprise the concept of half man-half serpent and half maiden-half serpent, often interacting with the world of man. As regards the cult of man-serpent mixed forms, Indian mythology is far more elaborate though strangely while it talks with definiteness about diff

Polished with a golden sheen and cast in bronze, the majestic Hanuman kneels in the form of Panchamukhi (five-headed) on this sculpture. All his five heads stare off in five different directions, eternalised at the moment he defeats Ahiravana in the warm depths of the underworld. During the battle between Lord Rama and the demon king Ravana, the latter went to the ruler of the netherworld seeking

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This brass image of Ganapati, small in size but immeasurable in its magnificence and grandeur, defines his Vira Ganapati – the ‘valiant warrior’ form, one of his initial thirty-four classical forms which early texts, the eighth century Maudgalya Purana in special, have identified or conceived. Though exceptionally beautiful and endowed with divine aura, Vira Ganapati, primarily a votive form

A seated Green Tara murti of substantial proportions. Queen of the Buddhist heavens, the epitome of karuna (compassion), metta (natural kindness), and shunyata (nothingness), She is a bodhisattva in the Mahayana tradition and a buddha in Vajrayana. On a petal-embossed throne, She sits, with the right foot cradled by a minuscule bloom in the foreground.n This is a signature aspect of the iconograph

Varahi, a supremely powerful Tantric goddess is one of the Sapt-Matrikas, seven mother goddesses who accompany goddess Durga to the battlefield as per Shakta tradition. The sow-faced goddess is considered a mighty incarnation of the divine mother and the counterpart of Vishnu’s Varaha avatar. In the Tantric traditions, she is often described as a warrior but for her children, she takes the form

Shiva literally means "the auspicious one". In Hinduism, he is known as the Destroyer within the Trimurti, the Hindu trinity, that includes Brahma and Vishnu. In Shaivism tradition, Shiva is one of the supreme beings who creates, protects, and transforms the universe. One of his titles, Nataraja, is a depiction of Lord Shiva as the divine dancer. His dance form is called Tandavam or Nada