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Durga, identified as Adi Parashakti, is a principal and popular form of the Hindu Goddess. She is a goddess of war, the warrior form of Parvati, whose mythology centres around combating evils and demonic forces that threaten peace, prosperity, and Dharma, the power of good over evil. Devi Durga is also a fierce form of the protective mother Goddess, who unleashes her divine wrath against the wicke

The tale of Pancamukha Hanuman from Ramayana tells of the monkey god’s battle with the King of Patala, Ahiravana, and his five celestial lamps. Hidden within the flames of these lamps, diverging away in five different directions, lay the soul of the daitya king. To kill Ahiravana the flames all needed to be extinguished at the same time. Lord Hanuman spouted five faces, each with a distinct pers

A many-layered Ganesha idol, designed for the finest home or office temple. A traditional-style plinth carved with elongated lotus petals. Featuring a simple floral structure down the frontal midline. The mouse vahana of gigantic proportions, on all four on its surface. It is craning its head back to glance at the Lord Ganesha statue on its back. This Ganesha murti depicts the chaturbhujadhari Lor

Varahi, a supremely powerful Tantric goddess is one of the Sapt-Matrikas, seven mother goddesses who accompany goddess Durga to the battlefield as per Shakta tradition. The sow-faced goddess is considered a mighty incarnation of the divine mother and the counterpart of Vishnu’s Varaha avatar. In the Tantric traditions, she is often described as a warrior but for her children, she takes the form

Jagadguru Shankaracharya or Adi Shankaracharya was an 8th-century Hindu philosopher and theologian who set up four monasteries in North, East, and West India which were known as Mathias. He is also known for the consolidation of the doctrine of Advaita Vedanta. He is also regarded for unifying and forming the ongoing important thoughts in Hinduism. Adi was also the founder of 'Dashanami Sampr

Off the flute of the young and handsome Lord Venugopala, emerges divine music. The kind that perpetrated the woods and alleyways of Vrindavan not so long ago. The kind that uplifts and cleanses and elevates, makes space in the heart for bhakti. The desi cow that supports the figure of Lord Krishna in this composition is the very picture of bhakti. He looks up at his friend, the neck at a sharp ang

Vermillion is a symbol of love, power, protection, and longevity; applied by all married women in their maang revealing their highest kind of beauty and virtue, for well being and prosperity of their husbands. This statue is a brilliant brass transform of one of the best sculptures from Khajuraho, sculpted at parshvanath temple, which is famous for its intrinsic artistry. This Brass statue is of

Lord Hanuman is revered as a fine warrior and a great bhakta (devotee). As part of the vanara-sena that fought Lanka on Rama’s side, His valour and His love of Rama (and everything dear to Rama) are much talked about to this day. The fact that Hanuman is a superior yogi, possessed of the ashtasiddhis and the navanidhis, is oft overlooked. The murti that you see on this page is a solid-cast work

A kingly Lord Ganesha sits on the throne. From the lalitasana of His limbs to the ample regalia of His person, He looks every bit the ruler of paraloka and ihaloka alike, over the hearts of numerous devotees who consider Him the jewel of Shiva-Parvati. He is shashtabhujadhari: conchs and the Sudarshan chakra and the gesture of blessing in His hands, and of course a freshly made laddoo in the anter

In Hindu Religion Lord Krishna is the choicest subject of Indian artisans. The most deeply loved of the Indian pantheon, it is also His great personal beauty that makes him a favorite with those who produce and patronize devotional-spiritual art. This Krishna Brass Murti has been handpicked for its apt portrayal of the highly characteristic deity. He is playing on the murali as He stands with

Mahakali, or the great (‘maha’) Kali, is the omnipotent Roopa (form) of Devi Kali. As a manifestation of the wife of Shiva, the otherwise serene Devi Parvati, the wrath of the Kali Goddess knows no bounds. The Kali statue that you see on this page captures the wrathful aspect of the Hindu Mother Goddess with perfection. To begin with, the medium is a jet black marble. It is an expressive, all-

With his legendary flute in hand, the Supreme Lord Krishna stands cast in bronze, his graceful pose with his legs crossed acting as a hallmark to the elaborate carvings of the Hoysala architecture. In the form of Venugopal, Lord Krishna becomes the protector of cows and the owner of the flute Venu. His face is at utter peace and serenity as he plays his flute, harmonious notes pleasing to the ears

Shadakshari Lokeshvara, the supreme soul (‘ishvara’) of the realm of existence (‘loka’) wherein it thrives, a manifestation of the six (‘shad’) syllables (‘akshara’) of om-mani-Padme-hm, is a form of the Bodhisattva Avalokiteshvara. He is mentioned in the sixth form of the Sadhanamala. The name Chenrezig has its origin in the Tibetan Buddhist tradition. A solemn, bitone sculpture o

Karttikeya, also known as Murugan, Skanda, Kumara,and Subrahmanya, is the Hindu god of war. He is the son of Parvati and Shiva, brother of Ganesha, and a god whose life story has many versions in Hinduism. He is a philosopher-warrior, who destroyed evil in the form of the demon Taraka while teaching the pursuit of ethical life and the theology of Shaiva Siddhanta. After many exploits which proved

Nataraja is the most popular representation of the Hindu God Shiva. In Sanskrit, Nata means dance and raja means Lord. Shiva, therefore, is the 'King of Dancers'. To understand the concept of Nataraja we have to understand the idea of dance itself. Like yoga, dance induces trance, ecstasy, and the experience of the divine. In India consequently, dance has flourished with the terrific aus

Gautam Buddha, the first to attain Buddhahood, is the founder of Buddhism, primarily followed only by the people of Tibet, but now it is popularly revered all over the world. This brass statue of Buddha is a representation of his state where he teaches his followers the ways to achieve enlightenment. Lord Buddha sits in a lotus posture on an elongated lotus plinth, carved in a beautiful double lay

Exceptionally ornate cast in brass, as lustrous and worked with as fine details as an image cast in gold: the same minuteness and precision as defining a piece at a goldsmith’s workshop, the statue represents Lord Krishna playing fully absorbed on his flute. Hearing the melody a cow is drawn to him and stands supporting him from behind. Halebid in the country’s southern part had a highly ornat