Garuda is said to be the devourer of all the evils on earth; it is an immortal mythological bird revered by Hindus and Buddhists alike. This king of birds is the vahana of Lord Vishnu and is said to exterminate the entire oceans full of snakes. In Mahabharata, he is invoked as a symbol of impetuous force, speed, and martial prowess. This statue shown here is carved out of superfine teak wood by ex

Maryada Purushottam Rama has been the 18th incarnation of Lord Vishnu. When Rama returned to Ayodhya with Sita, Lakshaman, and his foremost Sevak-bhakt Hanuman after killing Ravana & affecting his 14yr-Vanwas, his Rajyabhishek was solemnized and crowned as the Maharaja of Ayodhya. These mesmerising Shri Rama Durbar brass statues of Sri Ram – Lakshman- Janki & Bhakt Hanuman Statue are in

Durga-Mahishasurmardini, the Hindu mother goddess who battles the demonic forces and rescues her children is a popular deity not just in India, but in the rest of South Asia as well. Mingling with the local legends and beliefs, Maa Durga took new, magnificent forms, all the while remaining the protector mother. One such form of the great-goddess is known as Bathari Durga or Chandi in the island na

The serene Lakshmi Devi is seated in lalitasana. Her throne is a gigantic lotus in full bloom. At the base of this lotus-shaped throne is another lotus bloom of more realistic proportions. On its belly cradles the foot of Laxmi Mata’s pendant limb. The posterior of Her four arms bear lotuses, while Her anterior hands are in the mudras of aashirvada (blessing) and Abhaya (fearlessness). This is t

Devi Mariamman is the name given in South India to the more recognisable Sheetala Mata. She is known to infuse Her devotees with divine cool and calm ('sheetal' in Sanskrit means 'cool'). In Tamil, the suffix 'amma' stands for 'mother', denoting the nature of the people's devotion to Her. She has been traditionally worshipped as the curer and eradicator

The image of the gently reclining Ganesha wooden statue endears Him to us all. The chubby, elephant-headed son of Shiva and Parvati is widely revered for His childlike appeal. The twin qualities of innocence and wisdom pour forth from His every iconography, including and especially the one that you see on this page. On a bed of lotus petals of varying colors, reclines the Lord. A bolster under His

The embodiment of sacrifice and the savior of Earth, Vishnu’s third avatar, Varaha, is presented in a highly charged form in this ‘panchaloha’ bronze sculptural image, along with his consort Varahi, or the Earth goddess Bhudevi. This visual presentation is also symbolic of what Hinduism today celebrates as Varaha Jayanti, which marks the mythological celebration of Varaha defeating Hiranyaks

The Skanda Purana, one of the 18 Puranas paints a word picture for the devotee and the seeker – of the marriage of Shiva and Parvati. As a part of the Hindu marriage ceremony, Lord Shiva was asked to name his lineage. But who could know about the family of “Svayambhu”- he who originated from the earth, thus had no parentage? To soothe the anxious heart of the parents of Parvati- Himalaya and

The beauty of the Devi Kali lies in her ferocity and invincibility. The very picture of her is enough to make the adharmee tremble with fear. Each of Her ten arms ('dasha' in Sanskrit means 'ten'; 'bhuja', 'arm') bears a deadly weapon of divine prowess. She uses them to slay adharmees, whose severed heads are hanging in the garland that hangs down her ne

A one-of-a-kind standing Buddha sculpture. Usually depicted as a seated figure nestled in the belly of a lotus, Siddhartha Gautama had a long past before He sat down at the foot of the Bodhi tree. He had spent years wandering the dense Himalayan foothills as an ascetic and the great Northern plains as a mendicant. The murti that you see on this page is of the wandering mendicant, seemingly just ar

The saptamatrka is a set of interesting deities from the Hindu pantheon. They are the maternal manifestations (‘matrikas’) of seven (‘sapta’) Hindu devas; and, as divine manifestations, are distinct from the wives and companions of those devas. Devi Varahi, whose murti you see on this page, is one of the saptamatrkas. She is the ashtabhujadhari (eight-armed) maternal manifestation of Lord

There is more to the adorable laughing Buddha than meets the eye. His face bursts forth with the mirth of enlightenment. His rucksack contains the bare essentials of a Bodhisattva, which is not much, but He is supremely content. A string of prayer beads graces His ample neck. The laughing Buddha, who lived in Zhejiang during the rule of Later Liang, was reputed to be a Buddha of benevolent charact

The Hindu deity, Bhagwan Krishna is famous for his naughty leelas with Radha and other gopis of Gokul, the intense charm of his face, and the Madhur (melodious) tunes arousing from his flute. This sculpture of Krishna depicts him as standing on a rectangular thick brass block etched in a realistic stone-like pattern. He is postured in his iconic tribhanga posture with the left leg bent forward and

Lord Soorya is revered as the prime source of life and nourishment by the peoples of the subcontinent. His many names include Vivasvat (Sanskrit word for 'brilliant'), Savitra ('nourisher'), and Lokachakshu ('eye of the realm'). Lore has it that He rides a chariot as brilliant as He is, drawn by no less than seven horses, across the skies each day in His bid to overpo

A portrayal that is simple. Almost basic. Downright rustic. The Radha-Krishna iconography captures the imagination of devotees and artisans alike, to which the twin sculpture that you see on this page is no exception. Fashioned from brass and finished with a serrated texture, this would make for an unusual yet tasteful addition to your space. The handsome lovers are in bliss in each other’s comp

The saptamatrka is a set of interesting deities from the Hindu pantheon. They are the maternal manifestations (‘matrikas’) of seven (‘sapta’) Hindu devas; and, as divine manifestations, are distinct from the wives and companions of those devas. Devi Varahi, whose murti you see on this page, is one of the saptamatrkas. She is the ashtabhujadhari (eight-armed) maternal manifestation of Lord

The five (‘pancha’) faces (‘mukha’) of Panchamukha Hanuman stand for the five means of worship that the great yogi extended to Lord Rama: naman, smaran, keerthanam, yacham, and arpanam. The faces are (from left to right) Lakshmi Varaha, Mahaveera Garuda, Anjaneya, Karala Ugraveera Narasimha, and Hayagriva. The Panchamukha on this page is possessed of eight arms (the ashtabhujadhari). The m

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Godhead of Hindu trinity deities and the most popular incarnation of Lord Vishnu- Lord Krishna or Murlimanohar is the leader, hero, protector, teacher, and a friend of all. He is the ruler, not only of religion and philosophy, but also mysticism, literature, and all aspects of Indian folklore. Here he stands on a flourishing carved multilayered leveled-up inverted lotus in his run-of-the-mill cros

Dharma-Artha-kama-moksha (virtue, finances, pleasure, liberation) - these are the four Purusharthas or pursuits of a person, in Hinduism. Goddess Lakshmi’s four hands, the most common attributes attached to her iconography, represent these four life goals. It is well established that in the pursuit of any of the above-mentioned goals, Ma Lakshmi’s Kripa (regards) is required by the devotee. La

Garuda 'the devourer' is the mythical 'Lord of birds' in both the Hindu and Buddhist traditions. In the Hindu Puranic legends, Garuda is the son of Kashyapa and Vinata. He is said to have emerged, fully grown, from an egg, after incubating for five hundred years. Garuda has always been the sworn enemy of snakes and nagas. The archetypal legend of the enmity that exists between

The panchamukha-roopa is common to many deities in the Hindu pantheon. The word ‘panchamukha’ is a portmanteau of ‘pancha’, which means five, and ‘mukha’, which means face. The murti that you see on this page is of the Panchamukha Vinayaka (another name for Ganesha). Each of the five faces stands for the yogic koshas or layers of existence. It is a murti of Vengai wood, derived from a

A one-of-a-kind bitone Buddha composition. The predominant color is black, which has the unmistakable sheen of marble. The medium captures the otherworldly glamour of the erstwhile Shakyamuni. The complementary color, white, is to be found in the dotted raiment clothing of the seated figure, which makes for a surreal visual experience. Legs gathered in the perfect padmasana - heels together direct

Devi Mahakali, the consort of ‘Mahakala’ (Great Time), a form of Lord Shiva, is the Goddess of time, life, death, creation, as well as liberation. The most powerful Goddess Mahakali is one of the three manifestations of Devi Durga that represent the three Gunas of material nature (sattva, rajas, and tamas). Being the consort of Lord Shiva, who is the predominating deity of the mode of ignoranc

The art-loving Hoysala dynasty of Karnataka was responsible for building a number of temples between the 10th the 14th centuries. They lent their name to a timeless standard of architecture, iconography, and aesthetics, a fine example of which could be seen on this page. It is a murti of Lord Vishnu with His wives, Bhudevi and Shridevi. The tall, slender form. The proportions between limb and crow