Shitala Mata is a folk deity and an incarnation of supreme Goddess Durga; cures poxes, sores, ghouls, pustules, and diseases. Shitala literally means ‘one who cools’ and is referred to as ‘ma’ or ‘mata’ as she, just like a mother cures her children of diseases and other evil spirits and ghosts. She is known by various names, Jagrani (queen of the world), Karunamayi (full of mercy), Man

A compactly carved figure of Devi Lakshmi. Poised within a makeshift temple on a double-layered lotus-bloom plinth. From the iconography to the style of the surrounding temple structure, this composition borrows heavily from Hoysala aesthetics. It is the name given to the art and architecture that flourished under the patronage of the Hoysala rulers in South India. The tradition dates back to the

Carrara White Marble, Italian White Marble, Available : Large Slab / Sheets, For more information and Price, Please Call / WhatsApp: 0321-2437362 Hanam Industries, Karachi, Pakistan, Carrara Marble is one of the luxury Italian marbles featuring shades of white and gray. White Carrara marble is available. Large  slabs available at our factory in karachi,Carrara Marble is one of the iconic

Carrara White Marble, Italian White Marble, Available : Large Slab / Sheets, For more information and Price, Please Call / WhatsApp: 0321-2437362 Hanam Industries, Karachi, Pakistan, Carrara Marble is one of the luxury Italian marbles featuring shades of white and gray. White Carrara marble is available. Large  slabs available at our factory in karachi,Carrara Marble is one of the iconic

The panchamukha-roopa is common to many deities in the Hindu pantheon. The word ‘panchamukha’ is a portmanteau of ‘pancha’, which means five, and ‘mukha’, which means face. The murti that you see on this page is of the Panchamukha Vinayaka (another name for Ganesha). Each of the five faces stands for the yogic koshas or layers of existence. It is a murti of Vengai wood, derived from a

This statue is that of a Samurai, the warrior class and self-sacrificing knights of Japan. In Japanese history the Samurai have played a variety of roles-commanders in the battlefield, assassins in the night, keepers of peace and that of aristocratic administrators. Here the Samurai is shown kneeling on his knees. This posture is known as Sonkyo-zo in Japanese. Both of his hands rest on his thighs

The archaic period of art began to show interest in marble. Limestone sculpture is the art of creating, convincing realistic figure which produces natural and expressive movement. Such is the Saraswati sculpture. She is a marvel of knowledge, music, art, speech, and learning. The goddess is depicted as a beautiful woman clothed in pure white. She is garlanded in a golden throne which represents th

The tall, beauteous, and stately Lakshmi Ji blesses the devotee with plenty. The wife of none other than the great Vishnu, She presides over wealth which is the necessary means to His function of preserving creation through destruction. She has been given the resplendent finish of pale gold, Her saree draped in modern-day urban North Indian style. On Her head sits a skillfully carved crown, from u

Experience the dynamic energy and power embodied in their raging bull statue, showcased in this stunning image. Crafted with precision and finesse, this polished chrome sculpture captures the essence of strength and resilience. Visit us: https://luxurycarsculpture.com/purchase-a-raging-bull-sculpture/

It is not just His childlike innocence that makes Ganesha one of the most popular deities of the Indian pantheon. The adorable form of a chubby little boy, His generosity with blessings and boons, and that unfailing love of laddoos - so much so that His iconography is incomplete without a bunch of the delectable Indian sweetmeat in the picture - endear Him to His devotees. The fateful Samudra-Mant

Off the flute of the young and handsome Lord Venugopala, emerges divine music. The kind that perpetrated the woods and alleyways of Vrindavan not so long ago. The kind that uplifts and cleanses and elevates, makes space in the heart for bhakti. The desi cow that supports the figure of Lord Krishna in this composition is the very picture of bhakti. He looks up at his friend, the neck at a sharp ang

Lord Buddha hailed from a royal family, of the Shakya clan, hailing from the modern Indo-Nepal border. As a young man, he renounced his aristocratic heritage and embraced the life of an ascetic beggar. Buddha understood the fallacies of materialistic attachments. He taught to his followers that this attachment was the root of all suffering. It's notable however that Buddha never advocated com

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This image is that of Dakini Vajrayogini. A Dakini is the most important female principle in Tantric Buddhism, representing the ever-changing flow of female energy. They are the guardians of teachings and are considered the supreme embodiments of wisdom. The Dakini can help change human weaknesses into wisdom and understanding, and the concept of self into enlightened energy. There are two kinds o

A delicate Radha-Krishna ensemble to fill your home or office with divine amorous cheer. Made with pure manual skill and a great deal of devotion, these manifest themselves in the fine lines of the silhouette and the expressive composure of both faces. The murtis are discrete, which means that they are on separate plinths. Pristine complexion, fine eyes. Thick blonde curls. Tall, jewel-encrusted c

The Hindu deity, Bhagwan Krishna is famous for his naughty leelas with Radha and other gopis of Gokul, the intense charm of his face, and the Madhur (melodious) tunes arousing from his flute. This sculpture of Krishna depicts him as standing on a rectangular thick brass block etched in a realistic stone-like pattern. He is postured in his iconic tribhanga posture with the left leg bent forward and

The image of the gently reclining Ganesha wooden statue endears Him to us all. The chubby, elephant-headed son of Shiva and Parvati is widely revered for His childlike appeal. The twin qualities of innocence and wisdom pour forth from His every iconography, including and especially the one that you see on this page. On a bed of lotus petals of varying colors, reclines the Lord. A bolster under His

Vermillion is a symbol of love, power, protection, and longevity; applied by all married women in their maang revealing their highest kind of beauty and virtue, for well being and prosperity of their husbands. This statue is a brilliant brass transform of one of the best sculptures from Khajuraho, sculpted at parshvanath temple, which is famous for its intrinsic artistry. This Brass statue is of

The episode of the battle of the great goddess and the demon Raktabija as mentioned in the Vamana Purana describes the powerful expansions of the Adi-Shakti, which took the form of warring goddesses, each one of them originating from the other, assisting the Adi Devi Durga in slaying the demon. These goddesses came to be known as Sapta-Matrikas, “seven mothers”, and are associated with the mal

Son of Shiva, warrior and protector and upholder of dharma. The all-powerful shodashabhujadhari (sixteen-armed) Roopa (form) of Lord Ganesha is quite the rarity. The panchaloha medium, a bronze made of five (‘pancha’) iron-based (‘loha’) alloys, and the traditional madhuchista vidhana or lost-wax make, add to the value of this Ganesha murti as a work of art. Lord Ganesha Bronze Statue stan

Rajarajeshwari is one of the most beautiful female figures in all of the three worlds. She is a royal manifestation of Shakti and personifies grace and balance. Trailokya Sundari or Tripura Sundari, as she is often named, is the presiding deity of Sri Chakra. Hers is the path of transcendence through the material world of senses. She presides over the Sahasrara as well the Swadhisthan Chakra. Her

The tale of Pancamukha Hanuman from Ramayana tells of the monkey god’s battle with the King of Patala, Ahiravana, and his five celestial lamps. Hidden within the flames of these lamps, diverging away in five different directions, lay the soul of the daitya king. To kill Ahiravana the flames all needed to be extinguished at the same time. Lord Hanuman spouted five faces, each with a distinct pers

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Icons depicting Shiva as the Lord of Dance (Nataraja) seem to have originated in the North in Gupta times, and developed in the South under the post-Gupta Vishnukundin dynasty early in the seventh century. One of the first southern sculptures is a colossal dancing figure carved upon the cliff face above the facade of a cave- temple at Mogallarajapuram on the Krishna river. The Pallavas took up the

The art-loving Hoysala dynasty of Karnataka was responsible for building a number of temples between the 10th the 14th centuries. They lent their name to a timeless standard of architecture, iconography, and aesthetics, a fine example of which could be seen on this page. It is a murti of Lord Vishnu with His wives, Bhudevi and Shridevi. The tall, slender form. The proportions between limb and crow