In the Shaiva shrines of South India, the wife of Mahadeva Shiva- Parvati, resides as Shivakamasundari – the beautiful woman who is the sole focus of Shiva’s passionate love. Resonating with her descriptions in the Hindu textual traditions, Devi Parvati in her sculptures appears as a divine amalgamation of yoga (spiritual attainment) and Bhoga (material fulfilments). Maa Parvati’s standing i

A life-sized Lord Shiva statue for the home or office of the finest devotee. Sculpted from brass and given a sturdy finish, the big Lord Shiva statue that you see on this page is fit to be installed outdoors. It depicts the great Adiyogi Shiva seated in lalitasana on a mound of the Himalayas. A tigerskin asana lies beneath Him. While it is common iconography to depict the ascetic Shiva in a standi

The towering presence of Lord Vishnu would add a world of auspiciousness to your space. A larger-than-life murti like the one that you see on this page serves just the purpose. It is fashioned from pure bronze in the hands of traditional artisans of the South. Indeed, bronze as a medium of the great Indian cultural tradition flourished in the Southern recesses of the subcontinent, under the patron

Nataraja is the most popular representation of the Hindu God Shiva. In Sanskrit, Nata means dance and raja means Lord. Shiva, therefore, is the 'King of Dancers'. To understand the concept of Nataraja we have to understand the idea of dance itself. Like yoga, dance induces trance, ecstasy, and the experience of the divine. In India consequently, dance has flourished with the terrific aus

Lord Shiva forms the part of the cosmic trinity and holds the position of being the destroyer of the impurities and evils prevailing in the universe. Lord Shiva is the darkness, which is always there. Light is a limited happening as it will eventually lose its ability, but darkness is eternal, it is everywhere, just like Lord Shiva. This Lord Shiva wooden sculpture depicts the supreme being as the

A kingly Lord Ganesha sits on the throne. From the lalitasana of His limbs to the ample regalia of His person, He looks every bit the ruler of paraloka and ihaloka alike, over the hearts of numerous devotees who consider Him the jewel of Shiva-Parvati. He is shashtabhujadhari: conchs and the Sudarshan chakra and the gesture of blessing in His hands, and of course a freshly made laddoo in the anter

The majestic Lord Ganesha is seated on an upturned-lotus throne. This chaturbhujadhari (the one possessed of four arms) figure seated in lalitasana is a widely loved and worshipped roopa (form) of the deity. What makes this a unique work of art is the medium in which it is fashioned and the finesse with which it has been executed. It is a panchaloha sculpture handpicked from the finest studios of

This remarkable sculpture is made of special bronze from Swamimalai, a town in an Indian State of Tamil Nadu. The ancient technique by which it is made is called as Madhuchista Vidhana (Lost-wax process), which is the specialty of the heritage of South Indian sculptors. Sri Vallabha Ganapati, also known as Maha Vallabha Ganapati is one among the 32 forms of Lord Ganesha. The leader of the Ganas of

Karttikeya, also known as Murugan, Skanda, Kumara,and Subrahmanya, is the Hindu god of war. He is the son of Parvati and Shiva, brother of Ganesha, and a god whose life story has many versions in Hinduism. He is a philosopher-warrior, who destroyed evil in the form of the demon Taraka while teaching the pursuit of ethical life and the theology of Shaiva Siddhanta. After many exploits which proved

Lord Hanuman is revered as a fine warrior and a great bhakta (devotee). As part of the vanara-sena that fought Lanka on Rama’s side, His valour and His love of Rama (and everything dear to Rama) are much talked about to this day. The fact that Hanuman is a superior yogi, possessed of the ashtasiddhis and the navanidhis, is oft overlooked. The murti that you see on this page is a solid-cast work

Son of Shiva, warrior and protector and upholder of dharma. The all-powerful shodashabhujadhari (sixteen-armed) Roopa (form) of Lord Ganesha is quite the rarity. The panchaloha medium, a bronze made of five (‘pancha’) iron-based (‘loha’) alloys, and the traditional madhuchista vidhana or lost-wax make, add to the value of this Ganesha murti as a work of art. Lord Ganesha Bronze Statue stan

Lord Shiva, the auspicious one, is one of the principal deities of Hinduism and is also known as Mahadeva or the Supreme God. He is known for his attributes of being benign, the Beneficient, and the Lord and God. He possesses greater powers than most Hindu Gods and has incredible endurance and remarkable speed due to the increased reflexes from his four arms and can even manipulate power but not a

With his legendary flute in hand, the Supreme Lord Krishna stands cast in bronze, his graceful pose with his legs crossed acting as a hallmark to the elaborate carvings of the Hoysala architecture. In the form of Venugopal, Lord Krishna becomes the protector of cows and the owner of the flute Venu. His face is at utter peace and serenity as he plays his flute, harmonious notes pleasing to the ears

Sri Maha Shodashi is a Hindu goddess and is an aspect of Mahadevi mainly worshipped in Shaktism, a goddess-oriented sect of Hinduism. She is also revered as one of the prominent Mahavidyas. She is glorified in many Shakta texts, with Lalita Sahasranama being the most popular one. Sri Maha Shodashi is also known as Tripura Sundari, Rajarajeshwari, and Lalita. She is a personification of Supreme Ene

The urdhvatandava stance of the dancing Shiva is immortalised in the ancient Thillai Nataraja temple in Cidambaram. The murti that you see on this page depicts the Nataraja in this stance: the right leg is raised high behind the spine, such that the sole of the foot almost touches the back of His crown. Sculpted from pure brass, the dancing figure is balanced on the toes of the left foot. The Lord

Gaja Samhara is a ferocious form of Lord Shiva popularized during the Chola period. Gaja Samhara Shiva means the slayer of elephant and represents him as ego annihilator and soul emancipator. Legends tell of an asura who in the guise of an elephant, Gajasura, became so strong in time that he began to torture and kill even the devas. There was none left in the three realms who would stand before Ga

The art-loving Hoysala dynasty of Karnataka was responsible for building a number of temples between the 10th the 14th centuries. They lent their name to a timeless standard of architecture, iconography, and aesthetics, a fine example of which could be seen on this page. It is a murti of Lord Vishnu with His wives, Bhudevi and Shridevi. The tall, slender form. The proportions between limb and crow

Polished with a golden sheen and cast in bronze, the majestic Hanuman kneels in the form of Panchamukhi (five-headed) on this sculpture. All his five heads stare off in five different directions, eternalised at the moment he defeats Ahiravana in the warm depths of the underworld. During the battle between Lord Rama and the demon king Ravana, the latter went to the ruler of the netherworld seeking

Shiva literally means "the auspicious one". In Hinduism, he is known as the Destroyer within the Trimurti, the Hindu trinity, that includes Brahma and Vishnu. In Shaivism tradition, Shiva is one of the supreme beings who creates, protects, and transforms the universe. One of his titles, Nataraja, is a depiction of Lord Shiva as the divine dancer. His dance form is called Tandavam or Nada

The embodiment of sacrifice and the savior of Earth, Vishnu’s third avatar, Varaha, is presented in a highly charged form in this ‘panchaloha’ bronze sculptural image, along with his consort Varahi, or the Earth goddess Bhudevi. This visual presentation is also symbolic of what Hinduism today celebrates as Varaha Jayanti, which marks the mythological celebration of Varaha defeating Hiranyaks

Harihara is a lesser-known deity from the Hindu pantheon. He emerges from the amalgamation of Vishnu and Shiva, the preserver and destroyer of the trinity right after Brahma the creator. The sublime serenity of Vishnu meets the fierce stance of Shiva in this composite deity. A number of defining contrasts characterise this composition. Shiva's jaatmukuta to Vishnu's golden crown; Shiva&#

Dhokra is an ancient art form significant for making metal artifacts using the lost-wax casting technique. It is a tribal form of art that dates back to nearly 5000 years and has effectively survived the time's test by being in use till date, popular for making human or animal figurines, religious deities, lamps, and measuring bowls; for a superfine quality single product, it takes approximat

Brahma, narrating the story about Sati’s marriage to Shiva in the Shiva Purana, notes that “On hearing these words of Lord Shiva adept in the divine sports I touched my head and in the same manner bowed to Shiva. When I thus touched my head I assumed the shape of his vehicle, the bull.” This instance of Brahma transforming into Nandi relates to one of the eighteen forms of Shiva mentioned in

A compactly carved figure of Devi Lakshmi. Poised within a makeshift temple on a double-layered lotus-bloom plinth. From the iconography to the style of the surrounding temple structure, this composition borrows heavily from Hoysala aesthetics. It is the name given to the art and architecture that flourished under the patronage of the Hoysala rulers in South India. The tradition dates back to the

The image of the Sheshashayi Vishnu induces great calm and stability in the mind of the devotee. Shesha is the name of the naga (snake) on whose coils the Lord lies in sleep, which is the Sanskrit word for 'end'; 'shayi' in Sanskrit stands for one who is lain down. It is the volatile moment between destruction and re-projection, the transitional state between two cycles of time