A delicate Radha-Krishna ensemble to fill your home or office with divine amorous cheer. Made with pure manual skill and a great deal of devotion, these manifest themselves in the fine lines of the silhouette and the expressive composure of both faces. The murtis are discrete, which means that they are on separate plinths. Pristine complexion, fine eyes. Thick blonde curls. Tall, jewel-encrusted c

A portrayal that is simple. Almost basic. Downright rustic. The Radha-Krishna iconography captures the imagination of devotees and artisans alike, to which the twin sculpture that you see on this page is no exception. Fashioned from brass and finished with a serrated texture, this would make for an unusual yet tasteful addition to your space. The handsome lovers are in bliss in each other’s comp

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Hindu mythology’s Radha and Krishna, the eternally devoted celestial couple, are frequently honored and revered. Their tale has captured people’s hearts and minds for generations because of its tremendous spirituality and romanticism. It’s crucial to convey the essence of Radha Krishna’s love, beauty, and spiritual connection when coming up with the ideal Radha Krishna caption for Instagra

There is much to Bihar that makes it one of India's culturally most significant states. It is the home of superfine Indian silk weaving as well as the most exquisite of tribal folk arts, the Madhubani painting. The beauty of both has been captured in the gorgeous silk saree you see here. Dyed a blue so deep and gray it reminds one of the dangerously deepening oceans. Zoom in on the solid-colo

Saffron is the color of rising sun. You are getting beautiful handmade Shawls/stoles with Radha Krishna image and om printed on it. This is a polycotton textile product, which is very comfotable and light in use. The tallit (sometimes called a “tallis”) is a garment one can wear to create a sense of personal space during prayer. By wrapping yourself in it, or by covering your head with

Radha and Krishna are usually depicted as a pair of youthful lovers stealing away into the woods of Vrindavan. However, in the painting that you see on this page, they have a boat to themselves in which to make the most of each other’s company. A multitude of pale pink lotuses are blooming in the calm blue waters; pristine marble palaces and green, rugged hills are in the background. It is a liv

Rendered in Marwar idiom of Rajasthani art style, pursuing the theme, style and everything of an early nineteenth century miniature from Jodhpur, in its exactness except the painting’s size and the background colour of the circle in the centre containing the figures of Radha and Krishna, the painting portrays a grieving Radha for Krishna’s failure to reach there despite the promise he had made

Maryada Purushottam Rama has been the 18th incarnation of Lord Vishnu. When Rama returned to Ayodhya with Sita, Lakshaman, and his foremost Sevak-bhakt Hanuman after killing Ravana & affecting his 14yr-Vanwas, his Rajyabhishek was solemnized and crowned as the Maharaja of Ayodhya. These mesmerising Shri Rama Durbar brass statues of Sri Ram – Lakshman- Janki & Bhakt Hanuman Statue are in

Sri Maha Shodashi is a Hindu goddess and is an aspect of Mahadevi mainly worshipped in Shaktism, a goddess-oriented sect of Hinduism. She is also revered as one of the prominent Mahavidyas. She is glorified in many Shakta texts, with Lalita Sahasranama being the most popular one. Sri Maha Shodashi is also known as Tripura Sundari, Rajarajeshwari, and Lalita. She is a personification of Supreme Ene

The archaic period of art began to show interest in marble. Limestone sculpture is the art of creating, convincing realistic figure which produces natural and expressive movement. Such is the Saraswati sculpture. She is a marvel of knowledge, music, art, speech, and learning. The goddess is depicted as a beautiful woman clothed in pure white. She is garlanded in a golden throne which represents th

This is a stylized statue of the brass form of Lord Ganesha (the god of remover of obstacles and provider of happiness). The quirky long trunk is forming a ‘C’ and resting on his folded legs. A slight outstretch from the sides at the top represent his artistic ears. There is a small leaf-like texture on the right knee symbolizing his hand blessing people for fearlessness. The sharp eyes are lo

Vrishavahana in Sanskrit means 'one who rides the bull', who is none other than the fierce destroyer-god, Shiva. Lord Shiva is portrayed as the Vrishavahana in this intricately replete brass sculpture from the Exotic India collection, His arm resting presumably on the back of Nandi (His divine vahana, a legendary bull). Shiva Sculpture: https://www.exoticindiaart.com/sculptures/hi

Goddess Durga created seven Matrikas from her own self and battled against the demon Raktabija. Devi Varahi, one of them is the female counterpart of Varaha, the boar Avatar of Lord Vishnu. The Goddess who is the regent of the southern direction and protector of the age is sometimes described as the Goddess of darkness and the ideal time for worshipping her is after sunset and midnight. Some templ

The saptamatrka is a set of interesting deities from the Hindu pantheon. They are the maternal manifestations (‘matrikas’) of seven (‘sapta’) Hindu devas; and, as divine manifestations, are distinct from the wives and companions of those devas. Devi Varahi, whose murti you see on this page, is one of the saptamatrkas. She is the ashtabhujadhari (eight-armed) maternal manifestation of Lord

Buddhism was first very important solely among the people of Tibet, but it gradually increased in popularity all over the world. Gautama Buddha, the first Buddha to achieve enlightenment, founded it. Tibet worships Buddha as a supernatural being rather than a deity and his teachings are a significant source of positivity and harmony among his followers. Buddha mudras and postures are examples of s

Lord Soorya is revered as the prime source of life and nourishment by the peoples of the subcontinent. His many names include Vivasvat (Sanskrit word for 'brilliant'), Savitra ('nourisher'), and Lokachakshu ('eye of the realm'). Lore has it that He rides a chariot as brilliant as He is, drawn by no less than seven horses, across the skies each day in His bid to overpo

This exceptionally ornate brass statue is an example of highly balanced anatomy with delightfully distributed right and left – a strange symmetry with the center unable to contain its line and mincing to the figure’s overall rhythm: the navel and abdomen tilting to the left, and the little inflated right breast, to further right, represents Lord Ganesha in a posture as if commanding and assuri

This three feet tall gold-like glittering brass statue, a highly accomplished example of the art of metal casting, represents Krishna in flute-playing Tribhanga three-curved form. As if overwhelmed by the melody pouring from his flute a phenomenon that ears fail to experience but whose sweet fragrance the eyes savor, the entire image appears to burst into a divine rapture. The smile, which his cut

A kingly Lord Ganesha sits on the throne. From the lalitasana of His limbs to the ample regalia of His person, He looks every bit the ruler of paraloka and ihaloka alike, over the hearts of numerous devotees who consider Him the jewel of Shiva-Parvati. He is shashtabhujadhari: conchs and the Sudarshan chakra and the gesture of blessing in His hands, and of course a freshly made laddoo in the anter

This remarkable sculpture is made of special bronze from Swamimalai, a town in an Indian State of Tamil Nadu. The ancient technique by which it is made is called as Madhuchista Vidhana (Lost-wax process), which is the specialty of the heritage of South Indian sculptors. Sri Vallabha Ganapati, also known as Maha Vallabha Ganapati is one among the 32 forms of Lord Ganesha. The leader of the Ganas of

The episode of the battle of the great goddess and the demon Raktabija as mentioned in the Vamana Purana describes the powerful expansions of the Adi-Shakti, which took the form of warring goddesses, each one of them originating from the other, assisting the Adi Devi Durga in slaying the demon. These goddesses came to be known as Sapta-Matrikas, “seven mothers”, and are associated with the mal

Nara-Narayana, sages who were the incarnations of Bhagavan Vishnu were deep into austerities when Devas alarmed by their powers, sent celestial nymphs to disrupt their effort. Reacting to this nuisance, Narayana placed a lotus flower on his thigh, from which an unmatchable beauty emerged. She was Urvashi, the maiden whose beauty put to shame all the women of the Devlok. Among the many lessons from

The vitarka mudra is of great importance in Buddhist iconography. The enlightened one sits in a stable padmasana and raises the right hand in the stance of dispensing vidya (awareness). This is called vitarka in Sanskrit; while ‘mudra’ refers to the stance of the hands in particular. As you could see in the murti on this page, the forefinger curves forward to touch the tips with the thumb, and

She is the fairest Devi of the Hindu pantheon. She strums Her veena, cradled on the lap of a divine lotus. She lulls Her devotees with Her music and Her charm. She is the wife and the loved one (‘priya’) of Lord Brahma, who presides over the creative process (termed ‘srshti’ in Indian philosophy). She is the Devi of learning and the arts, crucial to that process. She is Devi Sarasvati, the