Goddess Durga created seven Matrikas from her own self and battled against the demon Raktabija. Devi Varahi, one of them is the female counterpart of Varaha, the boar Avatar of Lord Vishnu. The Goddess who is the regent of the southern direction and protector of the age is sometimes described as the Goddess of darkness and the ideal time for worshipping her is after sunset and midnight. Some templ

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Harihara is a lesser-known deity from the Hindu pantheon. He emerges from the amalgamation of Vishnu and Shiva, the preserver and destroyer of the trinity right after Brahma the creator. The sublime serenity of Vishnu meets the fierce stance of Shiva in this composite deity. A number of defining contrasts characterise this composition. Shiva's jaatmukuta to Vishnu's golden crown; Shiva&#

The Tibetan deity Chenrezig is the most untiring of the Bodhisattvas. With His thousand arms and thousand heads, He strives until space and time remains to free those of us in ihaloka (current realm of existence) of existential perpetuation and suffering. In this superb sculpture of the Lord Chenrezig, He is depicted in a rudimentary bhadrasana. The plenitude of limb and head is invisible to us ma

This brass image of Ganapati, small in size but immeasurable in its magnificence and grandeur, defines his Vira Ganapati – the ‘valiant warrior’ form, one of his initial thirty-four classical forms which early texts, the eighth century Maudgalya Purana in special, have identified or conceived. Though exceptionally beautiful and endowed with divine aura, Vira Ganapati, primarily a votive form

Shadakshari Lokeshvara, the supreme soul (‘ishvara’) of the realm of existence (‘loka’) wherein it thrives, a manifestation of the six (‘shad’) syllables (‘akshara’) of om-mani-Padme-hm, is a form of the Bodhisattva Avalokiteshvara. He is mentioned in the sixth form of the Sadhanamala. The name Chenrezig has its origin in the Tibetan Buddhist tradition. A solemn, bitone sculpture o

Shiva literally means "the auspicious one". In Hinduism, he is known as the Destroyer within the Trimurti, the Hindu trinity, that includes Brahma and Vishnu. In Shaivism tradition, Shiva is one of the supreme beings who creates, protects, and transforms the universe. One of his titles, Nataraja, is a depiction of Lord Shiva as the divine dancer. His dance form is called Tandavam or Nada

Varahi, a supremely powerful Tantric goddess is one of the Sapt-Matrikas, seven mother goddesses who accompany goddess Durga to the battlefield as per Shakta tradition. The sow-faced goddess is considered a mighty incarnation of the divine mother and the counterpart of Vishnu’s Varaha avatar. In the Tantric traditions, she is often described as a warrior but for her children, she takes the form

The primordial female energy, the invisible Shakti (power) that is the basis of all our actions, armed with the power of all the gods, becomes the great goddess, Durga. The slayer of Mahishaur- Mahishasurmardini and the mother of the universe, Jagadamba, Devi Durga is the female element at the peak of its beauty and ferocity. In the terms of Hindu esoteric philosophy, Maa Durga among many things i

Devi Mariamman is the name given in South India to the more recognisable Sheetala Mata. She is known to infuse Her devotees with divine cool and calm ('sheetal' in Sanskrit means 'cool'). In Tamil, the suffix 'amma' stands for 'mother', denoting the nature of the people's devotion to Her. She has been traditionally worshipped as the curer and eradicator

Lord Soorya is revered as the prime source of life and nourishment by the peoples of the subcontinent. His many names include Vivasvat (Sanskrit word for 'brilliant'), Savitra ('nourisher'), and Lokachakshu ('eye of the realm'). Lore has it that He rides a chariot as brilliant as He is, drawn by no less than seven horses, across the skies each day in His bid to overpo

Nara-Narayana, sages who were the incarnations of Bhagavan Vishnu were deep into austerities when Devas alarmed by their powers, sent celestial nymphs to disrupt their effort. Reacting to this nuisance, Narayana placed a lotus flower on his thigh, from which an unmatchable beauty emerged. She was Urvashi, the maiden whose beauty put to shame all the women of the Devlok. Among the many lessons from

Vermillion is a symbol of love, power, protection, and longevity; applied by all married women in their maang revealing their highest kind of beauty and virtue, for well being and prosperity of their husbands. This statue is a brilliant brass transform of one of the best sculptures from Khajuraho, sculpted at parshvanath temple, which is famous for its intrinsic artistry. This Brass statue is of

In Sanskrit, Nata means dance and raja means Lord. There is an interesting legend behind the conception of Shiva as Nataraja: In a dense forest in South India, there dwelt multitudes of heretical sages. Thither proceeded Shiva to confute them, accompanied by Vishnu disguised as a beautiful woman. The sages were at first led to violent dispute amongst themselves, but their anger was soon directed a

The silhouette of Ganesha is unmistakable. The chubby limbs, the pot belly, the signature trunk, and the large ears are each enough to give away His sacred presence. The adorable boy-deity of the Hindu pantheon, Ganesha is arguably the most deeply loved deity; His icons, the most widely stocked up on. This Ganesha is small enough to fit into the palm of the devotee, the gracious lines of the sculp

The image of the gently reclining Ganesha wooden statue endears Him to us all. The chubby, elephant-headed son of Shiva and Parvati is widely revered for His childlike appeal. The twin qualities of innocence and wisdom pour forth from His every iconography, including and especially the one that you see on this page. On a bed of lotus petals of varying colors, reclines the Lord. A bolster under His

The image of the Sheshashayi Vishnu induces great calm and stability in the mind of the devotee. Shesha is the name of the naga (snake) on whose coils the Lord lies in sleep, which is the Sanskrit word for 'end'; 'shayi' in Sanskrit stands for one who is lain down. It is the volatile moment between destruction and re-projection, the transitional state between two cycles of time

The embodiment of sacrifice and the savior of Earth, Vishnu’s third avatar, Varaha, is presented in a highly charged form in this ‘panchaloha’ bronze sculptural image, along with his consort Varahi, or the Earth goddess Bhudevi. This visual presentation is also symbolic of what Hinduism today celebrates as Varaha Jayanti, which marks the mythological celebration of Varaha defeating Hiranyaks

A seated Green Tara murti of substantial proportions. Queen of the Buddhist heavens, the epitome of karuna (compassion), metta (natural kindness), and shunyata (nothingness), She is a bodhisattva in the Mahayana tradition and a buddha in Vajrayana. On a petal-embossed throne, She sits, with the right foot cradled by a minuscule bloom in the foreground.n This is a signature aspect of the iconograph

The Mother Kali is an unusual deity. The hallmarks of the Hindu Devi are all in Her. She is supremely beautiful, a yogini of the highest adhikara, and bears superlative strength. Yet, She is unlike anything, you have ever set eyes on. For one, wrath is an integral part of Her personality. While the rest of the feminine pantheon are depicted as calm and reserved, Devi Kali comes with an iconogr

Over the years, Buddhist-Tantric traditions have incorporated numerous elements of Hinduism. Its deities are no exception: they have varied iconographies in different, predominantly Buddhist countries. The murti that you see on this page is of the Japanese Devi Durga. She is known as Butsu-Mo or Koti-Sri and is worshipped as a wrathful protectoress. The Japanese Durga is seated in padmasana on a l

As the cowherd youth recently arrived in Vrindavan, the effect Krishna had on the hearts of the cows and the milkmaids alike is known and sung about to this day. And it was not just His youth and handsomeness and the charm of His demeanor that brought Vrindavan thus to life. His way with the flute is the stuff of legends. In fact, myth has it that His music drew the simple-hearted to Himself l

A portrayal that is simple. Almost basic. Downright rustic. The Radha-Krishna iconography captures the imagination of devotees and artisans alike, to which the twin sculpture that you see on this page is no exception. Fashioned from brass and finished with a serrated texture, this would make for an unusual yet tasteful addition to your space. The handsome lovers are in bliss in each other’s comp

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Rajarajeshwari is one of the most beautiful female figures in all of the three worlds. She is a royal manifestation of Shakti and personifies grace and balance. Trailokya Sundari or Tripura Sundari, as she is often named, is the presiding deity of Sri Chakra. Hers is the path of transcendence through the material world of senses. She presides over the Sahasrara as well the Swadhisthan Chakra. Her